Today at lunch I was talking with my family about the talks I’ll be giving at Summer School in Forks: A Twilight Symposium (Register today, if you haven’t already!). The first one will be Bella Swan at Hogwarts: The Important Influence of the Potter Novels and Potter Mania on Stephenie Meyer’s Twilight Saga. I’ll be discussing the similarities and differences in how Mrs. Meyer and Rowling use story voice to win reader buy-in and identification, apply Gothic touches for a ‘fallen world’ backdrop, build a school setting, blend genres, foster a ’shipping controversy, push the pervasive message that choice is the life-defining value, and develop a theme of hidden magic in which supernatural reality is just out of sight.
At lunch, though, what I talked about was eyeballs, because both these authors hang much of their meaning on their use of eyeballs in an exploration of ‘vision.’ [If you want to read about this as it applies to the meaning of Harry Potter, see chapter 5 of my The Deathly Hallows Lectures, 'The Seeing Eye.'] My children have heard the Deathly Hallows eyeball lecture enough times that they can verbally reel off the five eyeballs in the series finale without straining and they were curious to hear about the Twilight eyes. I made an aside to my eight year old, Zossima, about Harry being a story symbol for spiritual vision, hence his ability to see but not be seen under the Invisibility Cloak. The Z-Man responded, “Just like in the Flying Car in Chamber of Secrets.” Read the rest of this entry »
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