Gleam of Triumph? Narrative Misdirection is the Key (Scar-O-Scope 101)

I received this letter today in my john@zossima mailbox and thought I would share my answer to start an important conversation here. Is narrative misdirection the single most important key to these books? Have Dumbledore and Snape written a script in Prince to be acted out in front of Voldemort via Harry’s scar-o-scope? Is the plan to deceive the-ghost-in-Harry’s-machine about how far along their pursuit of Horcruxes was and to plant Snape in a position to kill the Dark Lord after all the Horcruxes had been collected and destroyed? To include the one on Harry’s forehead?

Lemmeno what you think. As I mention in the note, the scar-o-scope theory is detailed at length in Unlocking Harry Potter: Five Keys for the Serious Reader but here is an introduction to Ms. Rowling’s writing narrative misdirection, her signature artifice, into her story as a weapon of the good guys in VoldeWar II. She has done this with Voldemort at least twice; why not with the good guys?

The letter:
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Date: Jan 10, 2007 1:28 PM
Subject: the Gleam of Triumph
To: john@zossima.com

I just finished reading Looking For God in Harry Potter, the 2004 edition, and I was waiting eagerly for one explanation that never appeared. After the explanation of why Quirrell couldn’t touch Harry’s skin without burning, I was wondering why it was that after the rebirthing Voldemort *could* touch him without any apparent effect. The subject line of my email, of course, refers to Dumbledore’s gleam of triumph in his eyes after Harry relates this fact to him. Any theories, clues, directions to writings on this that I have missed?

Harry Fan in Ohio [Read more…]