Thirty HogPro Deathly Hallows Threads: Still Humming

I promised the alchemical review of Deathly Hallows and it has become too big a project to deliver today, alas. I am headed home for the night but leave you with the Thirty HogPro Deathly Hallows threads and a post about the Prophecy 2007 Luncheon I moderated. Jump Right In!

1. The Covers
2. The Opening Quotations from Aeschylus and Penn
3. The Christian Ending
4. Stoppered Death
5. Narrative Misdirection
6. The Hero’s Journey
7. The Rubedo
8. Postmodern Themes
9. Traditional Symbolism
10. Beheadings
11. Unrequited Love
12. Horcrux Hunting
13. Ron’s Departure and Return
14. Transformations
15. Nazi Echoes
16. The Name Taboo
17. Phallic Phantasy?
18. Fairy Tales
19. The Life and Lies of Albus Dumbledore
20. Disappointed?
21. Philosopher Stone Echoes
22. Comparative Battle Scenes
23. Smuggling the Gospel Fallout
24. Three Controversial Points
25. John Granger at Prophecy 2007 and in Deathly Hallows?!
26. Struggling To Believe: The Dateline/Today Interviews
27. The Bloomsbury Chat
28. Opening and Closing Chapters
29. Arthuriana
30. Best Links for Deathly Hallows Commentary

Notes from Prophecy 2007: Friday Luncheon

I am just getting back on my feet after two days in Toronto at Prophecy 2007. Because both my talks were about Deathly Hallows, a book I had only managed to read twice in the thirteen days since it was published, I was something of a wreck getting my notes into something like a lecture while moving my family from Point A to a distant Point B. That I had volunteered to say something meaningful about the Christian Content of the finale and the Literary Alchemy of Deathly Hallows, my supposed areas of expertise, didn’t make my preps any easier. Self-inflicted wounds are the worst, right? [Read more…]

Golden Links and Sausage Links

I’ll be posting short versions of my Prophecy 2007 talks tomorrow but today I wanted to share some of the things I have been reading on the Internet. For your comment, correction, and amusement, I give you hyperlinks to an article in The Guardian about the Church of England and Harry Potter and something similar from The Telegraph about winning souls with Harry. [Read more…]

Deathly Hallows Discussion: Five More Points!

Five More Deathly Hallows HogPro Discussion Points!

26. Struggling To Believe: The Dateline/Today Interviews
27. The Bloomsbury Chat
28. Opening and Closing Chapters
29. Arthuriana
30. Best Links for Deathly Hallows Commentary

The First Twenty-Five Deathly Hallows HogPro Discussion Points:

1. The Covers
2. The Opening Quotations from Aeschylus and Penn
3. The Christian Ending
4. Stoppered Death
5. Narrative Misdirection
6. The Hero’s Journey
7. The Rubedo
8. Postmodern Themes
9. Traditional Symbolism
10. Beheadings
11. Unrequited Love
12. Horcrux Hunting
13. Ron’s Departure and Return
14. Transformations
15. Nazi Echoes
16. The Name Taboo
17. Phallic Phantasy?
18. Fairy Tales
19. The Life and Lies of Albus Dumbledore
20. Disappointed?
21. Philosopher Stone Echoes
22. Comparative Battle Scenes
23. Smuggling the Gospel Fallout
24. Three Controversial Points
25. John Granger at Prophecy 2007 and in Deathly Hallows?!

One more time, “Point, click, wax loquacious!”

Deathly Hallows Discussion Point #26: Struggling to Believe – The Dateline/TODAY Interviews

Ms. Rowling gave a lengthy interview to Dateline/TODAY and it focused on her “letting-go” of Harry-writing as her raison-detre. There have been interesting revelations on plot points and expansions on the intentionally spare Epilogue but very little about the meaning of the books, per se, or their political and spiritual content. Milk before meat, I guess, but the reporter’s insistence on keeping the conversation about Ms. Rowling’s celebrity was surprising. Incredibly, it was the children on the Dateline/TODAY program who raised the level of conversation from the personal to the literary:

Young voice: Voldemort’s killing of Muggle-borns, it sounds a lot like ethnic cleansing. How much of the series is a political metaphor?
J.K. Rowling: Well, it is a political metaphor. But … I didn’t sit down and think, “I want to recreate Nazi Germany,” in the– in the wizarding world. Because– although there are– quite consciously overtones of Nazi Germany, there are also associations with other political situations. So I can’t really single one out.


Young voice: Harry’s also referred to as the chosen one. So are there religious–
J.K. Rowling: Well, there– there clearly is a religious– undertone. And– it’s always been difficult to talk about that because until we reached Book Seven, views of what happens after death and so on, it would give away a lot of what was coming. So … yes, my belief and my struggling with religious belief and so on I think is quite apparent in this book.

Meredith Vieira: And what is the struggle?
J.K. Rowling: Well my struggle really is to keep believing.
Meredith Vieira: To keep believing?
J.K. Rowling: Yes.

This echoed Ms. Rowling’s comments in The Scotsman to Stephen McGinty in January, 2006. In an article titled ‘Life After Harry,’ he reported:

Rowling, who has three houses in Edinburgh, Perth and London, says she still found it “freakish” to find herself in a position where her PA could arrange for her to meet anyone in the world. She decided, however, not to pick up the phone to the Pope after he was critical of her novels “subtle seductions” which, he claimed, could “distort Christianity”. The author, who is an Episcopalian Christian, says of the complaints of Cardinal Joseph Ratzinger, now Pope Benedict XVI, that: “I can remember reading about it and thinking, surely there are more important things for him to worry about than my books – world peace, war in the Middle East.” In the interview she compares her own faith to that of Catholic author, Graham Greene: “Like Greene, my faith is sometimes about if my faith will return. It’s important to me.”

I look forward to reading your comments about Ms. Rowling’s public profession that she is a Christian but her faith is not that of a saint, an apologist, or an evangelical. Is this simple sobriety? Humility? Or a desire not to be pigeon-holed as a Christian writer because of the strong “religious undertones” of the Harry Potter finale?