Reclaiming the “Discarded Image”: Guest Review of Dr. Monika Hilder’s The Feminine Ethos in C.S. Lewis’s Chronicles of Narnia

January 21, 2013 by 1 Comment

Last year, I had the great honor of writing the preface for a new and fascinating book by a delightful scholar. Unfortunately, since I wrote the Preface, it might be in poor taste for me to write the glowing review I would like post so that everyone would check out this fantastic contribution to Lewis Studies. So instead, I recruited my friend and fellow Narnian, the brilliant Ralph Lentz, to review the book. He produced this amazing essay, which I am proud to share. I believe his talents may be just as useful in English as they are in the History Department. We may steal him yet. Enjoy!

Reclaiming the “Discarded Image”:
Monika B. Hilder’s The Feminine Ethos in C. S. Lewis’s Chronicles of Narnia
A Theological Review by Ralph E. Lentz II, Appalachian State University

C. S. Lewis wrote, by his faith and his studies, from a pre-Modern thought-world that was not schizophrenic—from a world that did not divide faith and reason, the natural and supernatural, fact and value. As a Medievalist, Lewis had digested the Whole, from Thomas Aquinas’ notion that grace perfects nature, to Nicholas of Cusa’s idea of the “coincidence of opposites.” In her brilliant new book The Feminine Ethos in C. S. Lewis’s Chronicles of Narnia (Peter Lang, 2012), Monika B. Hilder reveals Lewis’s dedication to this pre-Modern, orthodox Christian vision of an integrated world of beautiful paradox. And, following Lewis, she does it in a wonderfully imaginative and subversive way by focusing on what she calls “theological feminism” (12, et passim.). Through her analysis of all seven books of the Narnia series, Hilder demonstrates how Lewis, far from being chauvinist and misogynistic (as some critics have charged), actually challenges the pagan conception of power based on force and the twisted image of sexuality that it supports. In contrast, Lewis’s use of “theological feminism” points to “another City”[1] where the “sword between the sexes” has been cast away, and where the contraries of Male and Female can become one without confusion or contradiction (cf. Genesis 2:24). A model of careful analysis, comprehensive scholarship, and eloquence, the book itself merits a substantial review—particularly in light of its theological implications. Hence the purpose of the present essay.
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Filed Under: C. S. Lewis, Elizabeth Baird Hardy Tagged With: , ,

There Be Dragons

February 10, 2011 by 1 Comment

[Editor’s Note: Welcome to the next title in the HogPro Book Club: C. S. Lewis’s The Voyage of the Dawn Treader. To get things started, Professor Pazdziora offers some reflections on literary and spiritual themes in the book. So, grab your copy and your reading memories, and get ready for a great series of challenging discussions on The Voyage of the Dawn Treader.]

There Be Dragons

A Reader Remembers
The Voyage of the
Dawn Treader

I know nothing about cartography. So maybe that’s why it’s always seemed to me like a strange and mystical science. There’s poetry in maps. I stare at those squiggled lines and neat text—geological tortures reduced to splotches of ink—the Sahara to Yellow 5 and the Nile to Blue 47—and wonder: have the mapmakers really been there? Did they sketch this from memory? From travellers’ tales?
From dreams?

It’s no surprise, really, that maps are central to modern fantasy literature. Tolkien began it, of course, perhaps following the example of Rider Haggard and the researches of (ahem) Allan Quartermain, or the legendary map that sent Squire Trelawney and the good doctor on their ill-fated adventure.

Any edition of The Lord of the Rings is incomplete without a large foldout of Christopher Tolkien’s painstaking and perfect maps of the Shire, Middle-Earth, and Mordor. Bilbo Baggins began his adventure with a map, of course. A map that showed where the treasure was hidden, a map with a secret door. And on the edge of the map—at the end of the journey—was the dragon.

And so the mapmakers gave us the warning:

Here there be dragons.

That was the legend on the edges of maps, the signifier that admitted fear of the unknown. The ancient cartographers drew dragons around the boundaries of the world. The quarters inaccessible to human voyagers were realms of deathly peril. Sea Serpents. Giant Squid. Sirens. Kraken. And dragons.

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Filed Under: C. S. Lewis, John Patrick Pazdziora Tagged With: , , , ,