Happy Birthday to the True Ringbearer!

On January 3, 1892, John Ronald Ruel Tolkien was born, and our world has been significantly enriched by his presence in it. In addition to The Hobbit and The Lord of the Rings, he translated Beowulf, created all of Middle Earth and its many cultures, places, and languages.and helped found a little group called The Inklings.  Professor Tolkien and the Inklings,  particularly C.S. Lewis, helped lay the foundation of the mythopoetic worldview that is so central to all we do here and to the books we love to read and discuss. Thus, as I heard someone suggest this morning, we should all lift our classes this evening and declare a toast, “To the Professor!” If you prefer, you may wish to honor him by reading some of his beautiful words, or even by enjoying some of the many creative interpretations of them. I can recommend one I’ve been enjoying lately: Ambient Works Rivendell Ambience video (very pleasant in the background on asnowy day). There are also videos for the Misty Mountains and other aspects of Middle Earth to put one in a fit state of mind to celebrate the day. Or, one could simply shoot off some fireworks or make a dramatic disappearance and go on an adventure.

Happy One Hundred and Thirtieth Birthday, Professor Tolkien, and thank you for letting us into your world!

Does Anyone “Really” Die in Stories?

As one year dies and another begins, and, at least in my part of the world, most outdoor growing things are dead or wisely biding their time to emerge in a few months, it is a fitting time to think about how stories, like those we analyze and discuss here, address the idea of death. Perhaps this is a rather glum subject, but it does not have to be. I sometimes joke with my literature and mythology students that no one ever “really” dies in mythology, that characters morph from one myth into another, that the stories themselves sustain thecharacters. In literature, characters can continue to live, as we revisit them, even if they “die” within the structure of the narrative. Rowling, like all the good storytellers and myth-makers who create the tales that teach and entertain us, works with the idea that those who die don’t really leave, whether they are family members or cuddly pigs; but perhaps it is a bit of stretch to assume no one “really” dies in these stories. Let’s ponder that further and see.

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The Faerie Queene and The Christmas Pig

One of the most wonderful features of Troubled Blood, at least for those of us who are devoted to Edmund Spenser, is the Faerie Queene subtext woven throughout Robin Ellacott and Cormoran Strike’s year-and-a-bit-long investigation into the cold case of MargoBamborough. With the publication of The Christmas Pig, it’s clear that J.K. Rowling’s Faerie Queene theme was not a one-shot effort, but evidence of Spenser’s prominence in her compost pile of influences. In addition to the wonderful connections to Scripture, Dante, and my longtime favorite, The Velveteen Rabbit, The Christmas Pig uses the Spenser template beautifully to weave an accessible, yet remarkably effective, allegory that is completely different from the latest Strike adventure while still drawing from the deep and powerful well of Spenser.

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Stranger than Fiction? Recent Case with Similarities to Troubled Blood

Last week, as I was perusing my local news, I was shocked by a recent case, not just because it is a horrible crime in my very peaceful rural community, but also by the eerie similarity to the events of Troubled Blood. I’ll save specifics until after the jump to avoid spoilers foranyone who has not yet finished the novel (probably none of our crowd here, but just in case).

To set the scene, I must stress that Avery County, North Carolina, is not London, England, or even Charlotte, North Carolina. If Cormoran Strike were looking for work in my neck of the (literal) woods, he’d have trouble making a living. Certainly, we have our fair share of the usual rural stories, the sort of sad situations created by tragic choices, like drug and alcohol abuse or domestic violence. I must confess that I own a police scanner, and I am friends with many members of our small troop of law enforcement heroes (the K9 officer who patrols the high school when I teach embedded college courses there is one of my favorite officers, and his human is ok, too!), but our “big crimes” are often more comic than tragic. Two years ago, we made national news when pranksters stole the huge carved wooden Sasquatch who stands out in front of my favorite garden center. He was later found in the woods, of course.

But last week, when we first heard of the terrible story out of the Linville Falls community, it was a different situation from the start, a situation unfamiliar to us, but very familiar to Strike and Robin.

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Guest Post by Beatrice Groves Part 2: The Beast Within: Shakespearean Clues in Strike

As promised, here is part two of Bea Groves’s brilliant look at the clues hidden in the very walls of the watering holes visited by our favorite Denmark Street detective! Enjoy, and please join the conversation in the comments!

In yesterday’s post I discussed @zsenyasq’s find of a Leda mural at the Rivoli Bar in the Ritz, and noted that if Strike does comment on this image, it will not be the first time he has been paying attention to symbolic images in drinking establishments.

Strike visits The Tottenham early in the opening novel of the series and ‘examined the painted panels on the ceiling; bacchanalian revels that became, as he looked, a feast of fairies: Midsummer Night’s Dream, a man with a donkey’s head’ (Cuckoo’s Calling, 49-50). The painted roundel is indeed a little difficult to decipher and it seems highly likely that we see in this description of Strike’s dawning comprehension, Rowling’s own realisation of their Shakespearean source as she looked at these scenes – either as she scouted London in preparation for writing Cuckoo’s Calling, or perhaps earlier, drinking in this pub when she was herself a temp in Denmark St. [Read more…]