The HBO+ Potter Trailer: The Meaning of Rowling’s Heart, Owl, and Lightning Bolt

Yesterday, Rowling tweeted the new trailer for the HBO+ Bronte Studios adaptation of the Harry Potter novels for television. She included a heart emoji, an owl, and a lightning bolt as her only commentary. Nick Jeffery will be sharing his thoughts about the new Hogwarts coat of arms and four House heraldry recently posted (lots of alchemy, I’m told) at the HogwartsProfessor Substack site tomorrow.

I just wanted to put up this brief comment today that the heart can mean Rowling is pleased with the trailer, the owl can just be a reference to Hedwig or that this is an important message for you straight from the Hogwarts owlery, and the flash of lightning could just be a signature of The Boy Who Lived, whose facial scar is in the shape of a jagged line.

I think they’re all those things, but, as with ‘Nitwit, Blubber, Oddment, Tweek,’ there’s a lot beneath what Rowling offers as throw-aways that you can see by taking a second longer look.

The Heart to Rowling is a lot more than a token of sentiment. It is a Golden Thread in her work that the Heart is a pulsing symbol of the human spiritual capacity. Only the Eye does as much heavy freight of meaning lifting in her work and I think the Heart surpasses the Eye ultimately in importance except insomuch as she elides their meaning. Read  The Heart is Not About Emotions and Affection but the Human Spiritual Center for discussion of the symbolism and the Golden Thread.

The Owl, too, is an ancient and dynamic symbol, the reason frankly there is a Hedwig rather than Hedwig being the meaning of the token. Rowling clearly draws on her experience of owls in Greek mythology (and reading of C. S. Lewis’ Narniad drawing on the same source) in making the owl the vessel of communication and supernatural perception in her Wizarding World. None of the letters written by her witches and wizards need to be addressed because an owl is so attuned to everyone and everything that it is able effortlessly to understand where it needs to go, God’s own GPS. What is usually described as a symbol of Wisdom is clearly much more a revelation of a mind able to grasp the great interconnectedness of things which in turns takes us back to the Eye and the Heart — and what Rowling is trying to bring to readers in her transformative literature. (Contrast this Greek mythology symbolism with what owls represent in Christian scripture; quite the gulf between Athens and Jerusalem there!)

And the Lightning Bolt? The forehead scar, the mark of Orestes, the Greek hero who avenged his father’s betrayal and murder, is another polyvalent and profoundly spiritual cipher as a lightning bolt. In it simultaneously the reader experiences simultaneously as we do in a thunder storm albeit imaginatively (1) sudden illumination or enlightenment, (2) from above, the heavens, the super-conscious realm, and, most important, (3) a reorientating shock, a cathartic shaking, the jolting moment that jars us out of our psychological rut and cage to see the world afresh with our ‘eye of the heart.’

Rowling’s three emojis on her tweet about the fun trailer below can be read as fan servicing variations on the ‘thumbs up’ and ‘hand-clapping’ using tokens associated with the books. No doubt about that reading.

I think it as important to note, however, the possibility that Mrs Murray is signaling to the HBO+ audience as well as the international of readers that this adaptation is about trying to reproduce as much as is possible in an iconoclastic medium some replica of the imaginative and transformative experience to be had in the books. The Heart, the Owl, and the Lightning Bolt all point to that experience and depth of meaning.

Cheers!

Happy Birthday J K Rowling! Opening the Gift of the Biggest Secret in Her Lake of Inspiration (Kanreki 31)

Happy Birthday, Mrs. Murray!

As a birthday gift of sorts, Nick and John close off their month-long celebration of the woman writing under the pseudonyms J. K. Rowling and Robert Galbraith’s life and work with a follow-up look at yesterday’s review of the ‘Lost Child’ Golden Thread that runs through her stories.

After cataloging the almost forty ‘for instances’ taken from the opera omnia in the penultimate entry in this series, Nick and John ask, “So What?” How does the possibility that Rowling had an induced abortion and is sufficiently unsettled by it that it inspires many even most of her books at least in part make any difference in understanding their artistry and meaning?

John’s answer is that, if read through the induced abortion lens, one can see shades of character reflecting Rowling’s thought on this subject.

More importantly, each Harry Potter novel can be read as a defense of induced abortion, i.e., that each features something evil within a person having to be exteriorized and eliminated, a process that readers celebrate as a ‘win.’

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

A Lake and Shed Look at the Lost Child ‘Golden Thread’ in J K Rowling’s Work (Kanreki 30)

Almost there!

For the day before Rowling’s 60th birthday, Nick and John tackle by reader request the never before discussed subject of the Lost Child theme in the author’s more than twenty published works.

They re-introduce the Golden Threads idea — see their Pregnancy Trap podcast or the two Kanreki conversations on this subject (here and here) — then they do a deep dive into the crowded waters of Lost Children in her work, and then they go out out on a high-wire to speculate about what specific spring in her Lake subconscious mind is responsible for this recurrent inspiration.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

A Lake and Shed Reading of ‘The Tales of Beedle the Bard’ (Kanreki 29)

In their antepenultimate Kanreki celebration conversation, Nick and John fulfill a reader request to discuss the book inside Deathly Hallows (one of three actually…), ‘Tales of Beedle the Bard,’ a text that Albus Dumbledore leaves Hermione in his will for her to read and apply to the Horcrux Hunt.

From the Lake side, Nick tells the story of Rowling’s creation of six hand-written copies as six-of-a-kind gifts for those who brought Harry Potter to life. John dives into the center story of the five tales, ‘The Hairy Heart,’ and tells the meaning of Harry’s heart to draw out what Rowling meant by describing Beedle as “the distillation” of the Hogwarts Saga.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

A Lake and Shed Reading of Fantastic Beasts and Where to Find Them Textbook (Kanreki 28)

Nick and John return to the books after Golden Threads and Rings at a reader’s suggestion in order to give a Lake and Shed reading of the original Newt Scamander textbook, Fantastic Beasts and Where to Find Them.

Nick relays everything you need to know about the genesis of this work and John talks about Rowling’s comments to Stephen Fry in a 2022 interview about “archetypal” animals and the importance of understanding them because human beings are story-telling animals. Her discussion of the Lethifold and Niffler are especially challenging and illuminating.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!