Annie Crawford: The Cosmic Alchemy of C. S. Lewis’ ‘That Hideous Strength’

I have been talking about the literary alchemy of C. S. Lewis’ Ransom Trilogy of which That Hideous Strength is the finale since 2005 when I gave a talk on the subject at Dr Amy H. Sturgis‘Past Watchful Dragons’ conference at Belmont University on the ‘Fantasy and Faith’ of Lewis. I was invited at that gathering to speak to the New York C. S. Lewis Society in January 2008 on the same subject which led to a date in April 2010 at the Oklahoma City C. S. Lewis Society conference to revisit alchemy in outer space. That trip led to my family’s move to OKC, believe it or not, later that year.

It’s a subject dear to me and I hope that Annie Crawford’s talk about the third book’s ‘Cosmic Alchemy’ fosters an interest in the traditional and literary hermeticism in CSL’s work beyond and in tandem with the astrology.

Here are links to three Substack posts about literary alchemy which touch at least tangentially on Lewis’ occult artistry:

I share in the last one the story of how I learned about ring composition via my search of Lewis scholarship in 2010 to see if anything had been written about the hermeticism embedded in the Space Trilogy; there wasn’t, but, reading Sanford Schwartz’ C. S. Lewis on the Final Frontier: Science and the Supernatural in the Space Trilogy in that search, I was introduced to Lewis’ chiastic writing and to Mary Douglas which led directly to my writing Harry Potter as Ring Composition and Ring Cycle. Imagine Rowling Studies today if I hadn’t been exploring C. S. Lewis scholarship to learn more about her hermetic artistry and meaning; a very different place!

Let me know in the comment boxes below what you think of Annie Crawford’s ‘Cosmic Alchemy in That Hideous Strength‘ and my various pieces linked above! If you want my notes and Power Point slides on Lewis and alchemy, drop me a note at john at HogwartsProfessor dot com and I’ll send them on.

Finding Harry – A Behind the Scenes Look at the HBO Series

Watch Finding Harry: The Craft Behind the Magic | HBO Max

After announcing the Harry Potter series Christmas screen date on the Annunciation, HBO has just gifted fans with a delightful Easter treat: Finding Harry: The Craft Behind the Magic, a brand-new behind-the-scenes special that streamed on Max starting April 5, 2026, and aired on HBO the same evening. Narrated by Nick Frost (who steps into the role of Hagrid in the upcoming series), this roughly 25-minute documentary offers an intimate, artist-driven peek into the making of HBO’s highly anticipated Harry Potter. Far from a standard promotional fluff piece, Finding Harry focuses on the meticulous craftsmanship that’s going into re-imagining J.K. Rowling’s beloved wizarding world for a new generation. Fans of the Warner Bros film adaptations will be reassured by the vast set creations and animatronics that promises a minimum of CGI – a hallmark of the original series of films. I was impressed by how subtly different those sets were, this will help those of us whose imaginations struggle to free themselves from the original films. The special shines a light on the dedicated teams behind casting, production design, costumes, and creature effects—highlighting the “epic scale and meticulous care” involved in bringing Hogwarts and its inhabitants to life once again, 25 years after the original films began enchanting audiences.

One of the most charming segments dives into the extensive search for the new trio: young actors Dominic McLaughlin (Harry Potter), Alistair Stout (Ron Weasley), and Arabella Stanton (Hermione Granger). If you have listened to the first three Harry Potter Full Cast Audio books, Arabella’s wonderful performance as Hermione will already be familiar to you. Through heartfelt interviews with casting directors and the young stars themselves, viewers get a sense of the magic (and pressure) of finding the perfect fits who can carry forward such iconic roles. The special also features insights from key cast members including John Lithgow, Paapa Essiedu, and Janet McTeer, alongside the craftspeople whose invisible work—sets, wands, robes, and magical creatures—will make the series feel both fresh and faithful.

What stands out most is the tone: warm, reverent, and genuinely enthusiastic. It celebrates the “awe-inspiring commitment to detail” without spoiling major plot points or visual effects. Instead, it lets the artists speak for themselves about the joy and challenge of translating the books’ wonder onto the screen in a longer, more serialised format.For longtime Potterheads and newcomers alike, Finding Harry serves as the perfect appetiser. It builds excitement for the full series while reminding us why this world continues to captivate: it’s not just about spells and Quidditch—it’s about the extraordinary people (and creatures) who bring the ordinary to life with heart, imagination, and painstaking effort. Expect more deep dives and teases as we head toward that Christmas 2026 premiere!

 

J. K. Rowling Drops All the Strike 9 Clues for Christmas!

J. K. Rowling has consistently used the headers to her Twitter (X) account to drop clues to the books she has been working on. You can find all of her previous Twitter headers here. As a special  early Christmas present to Strike fans, she has changed her header to a charm bracelet filled with clues for the upcoming ninth in the Strike-Ellacott series. Each of the charms on the bracelet are discussed below:

Link 1

A diamond ring in a heart shaped box. Described by Robert Harris Jewellers as “An attractive vintage 9 carat gold ring box charm. This splendid little charm has a gorgeous heart shaped filigree lid, opening to display a pretty two stone ring. A lovely and interesting item dating to 1966.”

This could be “the silver-coloured band hidden in the depths of Murphy’s wardrobe: a tiny, sparkling shackle.” However this is not a solitaire and the band is gold rather than silver. Could this be a ring from another suitor?

Link 2

A diamond encrusted and enamelled gold egg. This egg is from Fabergé, and is by some distance the most expensive item on the bracelet, retailing at $9,770. 

The egg is a universal symbol of creation, rebirth, fertility, and potential. Its ability to contain and birth new life makes it a powerful symbol of renewal, growth, and the afterlife, found in spring rituals and Christian Easter celebrations. Robin’s ectopic pregnancy in The Hallmarked Man was a surprise to all except John Granger. This may represent her difficult decision to freeze her eggs to maintain fertility.

A golden anchor. Anchor symbolism primarily represents safety, stability, hope, strength, and steadfastness, stemming from its nautical function of holding a ship secure; it also signifies strong ties, commitment, and love, especially in relationships, and holds deep roots in Christianity as hope in Christ, often appearing in catacombs as a hidden symbol of faith during persecution. Paired with the egg, this could represent Cormoran Strike’s support for Robin.

Link 3

Possibly Cupid and Psyche, but these figures aren’t very distinct. Twitter user, hsmum has brilliantly identified the Hattern Garden jeweller where the pink Angel was purchased.

Link 4

A Trojan horse. This one looks to be sourced from Ogden a jeweller in Harrogate. They say: “Expertly crafted from high-quality 9ct gold, this charm is designed to open, revealing intricate details inside, adding an element of surprise and intrigue. A symbol of cunning and strategy, the Trojan Horse makes a bold statement while offering a delightful, interactive experience.” 

This reader is hoping that Strike reflects on the success of his ‘cunning and strategy’ in Hallmarked Man, and tries another tactic.

Link 5

A Jack-in-a-box. Badly-Wired-Lamp identified this on Twitter, and Worth Point describe this as “A terrific vintage English, solid 9 carat gold charm; beautifully modelled as a jack in the box type toy, with a catch-release revealing a tiny silver horned devil inside on a spring!”

A Jack-in-a-box is the archetypal surprise, and it is certain that Strike 9 will contain its share of surprises.

Link 6

A hourglass. Time may be running out! A similar one is available at Butter Lane Antiques who say: “The hourglass (aka sand timer), along with it’s obvious practical uses, has long been associated with death – particularly the brevity of individual human existence. Often found on grave stones from the middle ages through to the Victorian era, occasionally with the words Fugit Hora (Latin: ‘Hours are Fleeting’ or ‘Time Flies’). This miniature hourglass pendant dates from the late Victorian era, and, while it does measure out a length of time (approx. 3 seconds), it was likely intended as a symbolic Memento Mori piece more than anything else.”

Link 7

The white rose of Yorkshire. Robin Ellacott’s home county. White roses symbolise purity, innocence, new beginnings, and reverence, making them popular for weddings (new union), funerals (remembrance, peace), and as tokens of loyalty, respect, and honour, representing a pure, untainted love or deep admiration. They signify fresh starts, quiet love, spiritual connections, and are a timeless way to express deep emotions from joy to sorrow.

A crocodile or alligator. A crocodile may symbolise power, survival, resilience, and primal energy, but also cunning, deceit, and danger.

Link 8

A golden corvid. A crow or raven. I really wanted this to be a chough to symbolise Cornwall, but the beak looks too thick. As Badly-Wired-Lamp pointed out, Strike has a close encounter with a raven in The Running Grave: “A loud bang made Strike start. A bird had hit the office window. For two seconds, he and the raven blinked at each other and then, in a blur of black feathers, it had gone.”

Link 9

A psalter. J. K. Rowling herself has identified this as: “The book is a psalm book and holds real, miniature psalms.” I can find three of these for sale recently. Two were empty and this one has Psalm 23. I can find other designs with the commandments and the lords prayer.

23 The Lord is my shepherd; I shall not want.

2 He maketh me to lie down in green pastures: he leadeth me beside the still waters.

3 He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.

4 Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.

5 Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.

6 Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.

The head of Persephone. Rowling helpfully provided us another view of this charm to help us identify it. This one is sold as a necklace by Common Era. Persephone plays a crucial role in Psyche’s final trial: obtaining a box of her beauty from the underworld to appease Aphrodite. We know already that the myth of Cupid and Psyche will form the framework for the upcoming books, and Psyche in Hades will certainly need psalm 23!

Full Cast Audio Harry Potter: Is It Worth a Listen? Three Potter Pundits Discuss

John Granger rarely listens to audio adaptations of books unless he’s on a long drive, though he admits they have played an important part in his life as a reader.

Nick Jeffery listens to audio books everyday and often for hours at a time; he credits the medium for his mid-life rebirth as a reader (re-reader!).

Zossima Granger, writer in residence at ProtagonistBook.com (Give the gift of an unforgettable story!) and host of Teller Talk interview series at Zossima’s Story Stack Substack page, cannot remember a time when Harry Potter and audio books were not an important part of his life. He like Nick listens to one book per week or more.

So — what do these Potter Pundits and Serious Strikers think of the new Audible ‘Full Cast Audio’ (FCA) unabridged dramatization of Harry Potter and the Sorcerer’s Stone, which in the UK and Commonwealth nations is Philosopher’s Stone?

They loved it! Listen to their in-depth discussion at the HogwartsProfessor Substack page.

No, the adaptation wasn’t perfect, and, yes, there are a few jarring miscues and disappointments. As they explain in their ten point discussion of their experience listening to the Audible production, however, there’s reason to be very excited about this audio version of the first Potter novel and the six promised FCA dramatizations.

Nick lays out the audio adaptation history of the Hogwarts Saga, to include, in addition to the background of the new FCA books, the Stephen Fry and Jim Dale legacies. And then he asks the questions below!

  1. What is your relationship with audio books? Are you a frequent listener?
  2. Were the Fry/Dale Potter adaptations an important part of your experience of the Hogwarts Saga?
  3. Did you listen to the ‘full cast audio’ adaptation of Christmas Pig? Other books?
  4. What were your expectations — fears and hopes — for the Sorcerer’s Stone full cast audio adaptation?
  5. What was the biggest surprise you experienced in your first listening?
  6. Which of the voice actors brought out a different dimension of the text than you expected?
  7. What is your favorite scene in Stone and was the full cast audio depiction of it a delight or a disappointment?
  8. Fry, Dale, or Full Cast: will you listen to all three versions in the future? Do you have a strong preference?
  9. Thumbs up or down: one to five stars, please, for the Audible production and your biggest grins and gripes.
  10. What changes do you hope the producers will make before they release the next six adaptations?

Please join in the conversation by sharing your answers to these questions in the comment boxes below. What is your relationship with books you listen to rather than read? What do think of the new FCA dramatization?

And, when you’ve made your contribution to this conversation and you’d like more conversation between Nick Jeffery and Zossima Granger for dessert, check out Teller Talk #4, ‘Harry Potter and the Skill of Reading’!

Strike 9 to Heads to Portsmouth!

J. K. Rowling has changed her Twitter (X) header and updated her profile picture with dramatic turquoise pendant earrings. The image is of Tower Alley situated at the the entrance to Portsmouth Harbour on the south coast of England, the UK’s largest naval base. The tower in the background is Round Tower. Built on the orders of King Henry V in 1418, it originally housed a defensive chain that could be raised to protect the harbour from enemy shipping. I can’t find an exact match for this photograph online, so it is likely that this is her own creation, and she has physically scouted this location for the next Strike book.

Although most fans are still digesting the wonderfully complex plot of The Hallmarked Man, J. K. Rowling has recently reiterated that her headers are usually clues to future books, it is probably a good time to remind ourselves of the headers most likely to refer to Strike 9. With The Hallmarked Man carrying themes of pregnancy, childbirth and babies, the images of a tree-house and scattered dolls, might mean a childhood theme for the next in the series.

All of J. K. Rowling’s headers can be found here, but the Strike 9 headers are reproduced below:

25th January 2025 View from York city walls showing York Minster cathedral.

4th April 2025 A stock image of a tree house from here.

18th April 2025 This appears to be an AI generated image, judging from the distortion visible in the doll’s faces.

17th September 2025 Tower Alley in Portsmouth. Between the buildings can be seen the Round Tower, a 15th century fortification.