Strike5 To Be All About Marilyn Manson?

Late last week Satanic rocker Marilyn Manson tweeted that J. K. Rowling had sent him a gift:

I think this is a strong pointer to Strike5 having Marilyn Manson song titles and lyrics as its epigraph and story backdrop the way that Blue Oyster Cult lines and themes were so evident in Career of Evil. Here are my three reasons beyond the gift of red roses, which floral present, unlike Manson fans at Metal Head Zone, I do not think suggests a romantic relationship between Rowling and the Rock Star. She’s a Fat Cops fan, remember? My bet is the roses are just a thank you for permission to use his lyrics in her new book.

Three Reasons Strike5 will be a Marilyn Manson Novel:

(1) The Anton LaVey Connection: We learned in Career of Evil that Jeff Whittaker is a rock star wannabe whose favorite album was by the murderer Charles Manson and whose reading materials were largely restricted to Aleister Crowley texts and The Satanic Bible by American organist Anton LaVey. The LaVey connection is a big deal because Whittaker’s son with Leda Strike is named Switch LaVey Bloom Whittaker. We already have a connection with Marilyn Manson in the Charles Manson album (the living Manson’s name is a combination of Marilyn Monroe and Charles Manson’s names) but with LaVey we get at the heart of Marilyn Manson’s Satanic beliefs. From the rock star’s wikipedia page:

Manson was a friend of Anton LaVey,[126][127] who even inducted him as a minister in the Church of Satan, although Manson downplayed this. When questioned whether he was a minister in the Church of Satan by Bill O’Reilly, Manson responded with “No, not necessarily. That was something earlier. It was a friend of mine who’s now dead, who was a philosopher that I thought I learned a lot from. And that was a title I was given, so a lot of people made a lot out of it. But it’s not a real job, I didn’t get paid for it.”[128]

As a result, he has been described as “the highest profile Satanist ever” with strong anti-Christian views and social Darwinist leanings.[129]However, Manson himself denies this, and stated the following:

I’m not a misanthrope. I’m not a nihilist. I’m not an atheist. I believe in spirituality, but it really has to come from somewhere else. I learned a long time ago, you can’t try to change the world, you can just try to make something in it. I think that’s my spirituality, it’s putting something into the world. If you take all the basic principles of any religion, it’s usually about creation. There’s also destruction, but creation essentially. I was raised Christian. I went to a Christian school, because my parents wanted me to get a better education. But when I got kicked out I was sent to public school, and got beat up more by the public school kids. But then I’d go to my friend’s Passover and have fun.
— Marilyn Manson[130]

Manson is also familiar with the writings of Aleister Crowley and Friedrich Nietzsche. He quotes Crowley throughout his autobiography, including the Thelemic anthem, “Do what thou wilt shall be the whole of the Law.”[131] Crowley’s esoteric subject matter forms an important leitmotif in much of Manson’s early work.

(2) The Tattoos! Rowling recently revealed she has a Solve et Coagula tattoo (or had one temporarily; it’s only been spotted at the Ripple of Hope Award dinner). That was discussed here and its supposed relationship with the Baphomet Satanist idol was dismissed as ridiculous here. Turns out Marilyn Manson also has Solve et Coagula tattoos and one of the Baphomet head as well (see above). From the MansonWiki listing of his many tattoos:

Solve Coagula In January 2014, Manson revealed new tattoos that goes from the back edge of his hands to his wrists. The term originates from Solve et Coagula, an alchemy reference. Roughly translated, it means “Dissolve and join together” or transmutation. The tattoo was done at Will Rise Studio in L.A.
Baphomet On Manson’s 21st birthday, band member and friend Gidget Gein took him to Tattoos By Lou in Miami, Florida to get his first tattoo. At this same session, Gein got a Creepy Crawly Spider tattooed on his wrist. Baphomet became known in the nineteenth century when it was applied to pseudo-historical conspiracy theories elaborating on the suppression of the Templars, and it became associated with a “Sabbatic Goat” image drawn by Eliphas Lévi. The tattoo appears on his upper left arm, under The Lucky Devil.
(3) The Crowley Natal Chart Twitter Header: On 25 January in addition to posting two tweets on her long neglected twitter page (well, neglected since 19 December’s Da Tweet explosion) including one announcing that “Galbraith5” was finished, she changed her twitter page header. It’s an astrological natal chart, one belonging to Anton LaVey, Marilyn Manson, and Jeff Whittaker shared influence, Aleister Crowley.

Mix all that together and I think it’s a good bet that Strike5 will be a nightmare trip into the Satanist rock and roll scene via Jeff Whittaker with a soundtrack provided by the recordings of Marilyn Manson. Serious Striker Joanne Gray has written me to suggest the title of Strike5 could be Manson’s heavy metal 2012 album Born Villain. I suspect we’ll know if that is a bullseye prediction by the end of the month, maybe even this week.

Three quick notes:

  • All of the above, all of it, came to my attention — the roses, the tattoos, the natal chart — through the researches and generosity of Nick Jeffery who sent links to each. A hat tip and a big thank you to Nick!
  • Yes, I think we’re going to learn at last in Strike5 who sent the 50 roses to Strike’s office in Career of Evil. No, I don’t think they were for Robin or from Matt Cunliffe. I wonder if Marilyn Manson opened his card? And of course I get that Born Villain or whatever Strike5 is titled if a Manson themed novel is a lock down parallel with Strike3’s Blue Oyster Cult and one more bit of ring evidence that this is a chiastic seven book series.
  • Is Rowling a Satanist? No, she isn’t. Is she going to enjoy writing about the dangers of the real occult, the madness of popularized rock n’ roll nihilism, as a contrast with the risible supposed dangers of her Hogwarts Saga? Yes, I think she is. [Note to the friend who continues to try and post under a variety of identities on various threads here about Rowling the Satanist: get a new IP address for better luck getting past our filters.]
Let me know what you think!

Rowling Finishes Strike5 — Big Hint? Aleister Crowley’s Horoscope Header!

The Official Announcement this afternoon on twitter:

It has been a busy day at the neglected Rowling twitter feed. Careful observers will note that she re-tweeted a posting from American comedian (and hard core leftist and atheist) Patton Oswalt a few hours before this book announcement and that she changed the header and cameo on her page as well.

Nota bene: her global social media following post TERFing controversy has grown on the twitter platform by 200,000. So much for the disappearance of Rowling fandom…

Three quick notes that we will discuss here at greater length in the next week:

(1) Nick Jeffery has ID’d the horoscope in the header as the natal chart of Aleister Crowley.

I’d love to think she is trolling us here at HogwartsProfessor because of the Baphomet posts I put up earlier in the month (in which I explained that she isn’t a Satanist or Crowley disciple), but have to think that it really is a pointer to the return of Jeff Whittaker in Strike5, in parallel with Career of Evil, and that a la the death of Harry’s godfather in Order of the Phoenix, we will be seeing the death of Cormoran’s step-father in his fifth adventure. Whittaker is the ardent satanist and Crowley devotee in the series. Good news for Shanker fans!

(2) Rowling is back on twitter, it seems, with the first real postings of note — with the exception of 19 December, of course — since January 2019. The sabbatical seems to have been a New Year’s resolution along the lines of, “I won’t post again until I have submitted the Strike5 manuscript.”

‘Da Tweet’ on transgender overreach? That may have been a family passion, it turns out. See Dr Neil Murray’s private twitter account, @Slowfinger45, for his several re-tweeted postings on transgender matters here, here, here, and here (there are more; hat tip to Nick Jeffery again for discovering both Murray’s ‘Fat Cops’ rock band — husband plays the keyboards, hence ‘Dr Slowfinger’– and his hidden twitter account).

I wonder, though, if the new cameo picture of her with hand over mouth isn’t a joke of sorts, a signal to her Universal Studio handlers, that she isn’t going to be speaking her mind here about social justice and political issues; Patton Oswalt is covering the impeachment hearings for her…

(3) I have been re-reading the Strike novels this past week, and, half-way through Lethal White for the umpteenth time, I realized who killed Leda Strike. It was Uncle Ted. More on that tomorrow and in days to come! Let the full bore conversation about Strike and speculation about the new novel begin!

 

 

Emma Watson on Transgenderism

This interview with Paris Lees, a transgender woman, for British Vogue was released last November, which is to say “before Da Tweet,” Rowling’s solve et coagula moment of redefinition. Hat tip to the friend who suggested I watch it in light of Watson’s silence after Rowling’s tweet; it’s easy to see how conflicted she must be between her thoughts on this issue and her debts and loyalty to Rowling as mentor. (The video is cued to where the relevant conversation begins and it continues for seven minutes before they segue to movie talk.)

Only Ezra Miller and Evanna Lynch of all the Wizarding World movie stars have spoken their minds about Da Tweet and neither of them gave a decisive thumbs up or thumbs down vis a vis what Rowling said and whether they agree or disagree. More on that anon. Any thoughts about Emma Watson’s situation or what she says to Paris Lees? Her fears for a six year old transgender child in the UK?

The Backlash Against the Backlash Against J. K. Rowling’s Bombshell Tweet

A friend in the UK sent me fotos of this Sunday Mail article this morning: ‘Good Riddance, 2019! Year of the Politically Correct WOKE Police.’  Rowling’s December #IStandWithMaya Tweet Heard Round the World rates both a mention in Douglas Murray’s catalog of leftist excess in 2019 and a picture. If you’ve never heard of Douglas Murray, you should know that he is gay, atheist, and a social critic from the political right, which is to say, not your cartoon C. S. Lewis Tory. The article in the Mail was to promote a UK tour he is making with a comedian friend, Andrew Doyle, a tour called ‘Resisting Wokeness.’ I don’t doubt he’ll also be autographing copies of his latest book, The Madness of Crowds: On Gender, Race, and Identity.

Why should you, a Serious Reader of J. K. Rowling, care about Murray’s article, his tour, or his book? Because it represents the second and probably the more important tsunami ripple in the reactions to the Twitter rock (grenade?) Rowling threw into the global social media pond on 19 December.

The backlash was immediate from those who live to be offended (and to Thought Police everywhere). Rowling was defenestrated by the Cultural Marxist politburo members in Harry Potter fandom on the Trans Barricades. Anyone who dared to like her tweet was similarly doxxed until the offender made atonement sacrifices to Dash and repented publicly in sack-cloth and ashes. Poor Mark Hamill, finally cool again after decades, may have had his Comic Con ‘Eternally Super Special Guest’ pass revoked.

The backlash to that backlash, however, from more sober talking heads and pundits on the political left and right points to Rowling’s aim, I think, in blowing up her former diva status to Harry Potter fandom. Creating something of a public safe space by her willingness to stand up to Trans-supporters’ over-reach and government’s capitulation to same in the UK, others who already taken this position are raising their voices and some who might never have checked in with #IStandWithMaya are willing to say #IStandWithJKRowling. [Read more…]

The Twitter Controversy as a Rowling Story: Mirroring Subtext, Narrative Misdirection, and Literary Alchemy

In my first post about Rowling’s tweet in support of Maya Forstater, I focused on two questions concerning this explosive reappearance on this social media platform: ‘why now?’ and ‘why this subject?’ The first response in the comment thread to that post, I think now, has the closest thing we will have to correct answers to those questions for some time. Nick Jeffery wrote, tying the seemingly arbitrary post to Rowling’s new Solve et Coagula tattoo (one he was the first to notice), ” It is an act of destruction and it is quite deliberate.”

I believe Mr Jeffery is quite right. To understand Rowling’s tweet and the consequent fall-out in fandom, our best course is to read the specific text in question as we would any story Rowling has written with the tools we know work best. What those tools suggest is that Rowling intentionally created her break with the Social Justice movement and its champions in Harry Potter fandom and I have to suspect with Hollywood in the months to come — and, as importantly, she is re-creating her public image and self to reflect better the person she wants to be (or the public mask behind which she is more comfortable).

Rather than the tweet being a clueless act of bigotry, what this view points to is three contrary to prevalent narrative possibilities: (1) that Rowling has written a story with real-world characters who voice the lines she know they will speak for effects she wants to happen within her narrative, (2) she has embedded clues for the attentive reader to discover, clues which reveal her true meaning as well as a lesson in reading well, and (3) that the #IStandWithMaya post she made on 19 December is a long-planned and courageous act of re-invention that frees her and her serious readers potentially from being sock-puppets for the Zeitgeist. Call this the ‘Solve et Coagula Theory.’

To see these three possibilities involves a review of Rowling’s year and most importantly the week prior to the tweet in question, a review using the tools we have in hand for interpreting Rowling’s work in a careful reading of the specific text in question and of the context of her previous work and public comments. If you want to move beyond the Daily Prophet headlines that ‘Rowling is a Transphobe!’ and ‘Inclusive Message of Hogwarts Saga Betrayed!,’ please join me after the jump for an exercise in exegesis with the tools of texts within texts, narrative misdirection, and literary alchemy that reveal Rowling as the maestro of media manipulation and personal re-invention. [Read more…]