Slow-Reveals, Interior Reality, and the Power of Symbols: Why Smart Potter-Pros Get WandaVision

I recently promised I’d collect my thoughts on the new Disney+ series WandaVision, and I was planning to wait until the final, ninth episode airs, a little over a month from now. However, I’ve been thinking about how some viewers love the show, while there does seem toWandaVision (TV Mini-Series 2021) - IMDb be a group of malcontents who don’t seem to like/understand it; it occurs to me that some of the tools that make watching this show both enjoyable and thought-provoking are tools familiar to close readers of the Hogwarts adventures and Strike series. So it seems like a good time to go ahead and share some mid-point ideas about how those of us who are long-time Rowling readers may have some super powers that give us a headstart on seeing the magic in this new MCU short-run. Be warned, the following conversation is for those who have already seen the first four episodes, as well as the pertinent MCU films, so proceed if you dare, and see how a world filled with wizards and witches is great place to learn about how to navigate a world of one particular (Scarlet) Witch, Wanda Maximoff. [Read more…]

News of Possible Potter Television Show: Secret Plans or Just Rita Skeeter Rumors?

Yesterday, we were absolutely pummeled with notes about The Hollywood Reporter’s “Exclusive” news release regarding meetings with HBO Max for a planned Wizarding World live action project. While the report was extremely vague, only using facts and figures for verifiable points like the amount of money the previous Potter films have made, it set off a flurry of ripples. [Read more…]

Farewell, Walter Hooper, Protector of C.S. Lewis’s Literary Legacy

Hooper-2009When C.S. Lewis died in Oxford in late November, 1963, there was very little international furor, because the man who invented Narnia had the great misfortune to pass from this earth within the same twenty-four-hour period that saw Lee Harvey Oswald assassinate President Kennedy in Dallas (Aldous Huxley also died that day, also with little fanfare). Ironically, yesterday, December 7, 2020, Walter Hooper, secretary to Lewis and editor of many of his works, passed through the Stable Door and into the real Narnia. And I almost didn’t hear about it.

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Hidden (and obvious) Treasures on the Robert Galbraith Website

One of the great benefits of the sales numbers of the Strike novels, including Troubled Blood, is that there are some nice resources available for both casual fans and serious readers. And one of the wonderful aspects of the “old days” of Harry Potter excitement was the delightful Rowling website where we discovered her inspiration sketches and outtakes by watering virtual plants or making calls on a The Cuckoo's Calling readalongvirtual flip phone and where forthcoming books titles were revealed in Christmas decorations. While the “grown-up” Robert Galbraith website does not have quite as many (literal) bells and whistles (really, I tried my best to make those R and G type pieces spin or turn into something else), it does have some nice little tidbits that are both fun and useful for our serious reading adventures. If you have not already, you can sign up for the newsletter here as well. Join me after the jump for a review of some of the site features as well as a few wishes for forthcoming offerings at the online home of our Denmark heroes and their pseudonym-wielding creator.

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Beatrice Groves: Trouble in Faerie Land3 T’was Duessa Who Did the Dirty Deed!

Oxford University’s Beatrice Groves, author of Literary Allusion in Harry Potter, has written the finale of her three posts about Edmund Spencer and Troubled Blood, posts that are all now up at her MuggleNet page, ‘Bathilda’s Notebook.’ Check out Trouble in Faerie Land – Part 3: Searching for Duessa in “Troubled Blood”.

In her capstone post on the subject, Prof Groves does a deep dive into the parallels between the Bad Girl of Spenser’s Faerie Queen, Duessa, and the doppelganger murderer of Margot Bamborough in Troubled Blood. She offers along the way fascinating and brilliant catches on the meaning of Cratylic Names in Strike 5 as well as several Spenser and Elizabethan era fun facts that throw light in the dark corner of the Faerie Queen epigraphs.

Part Three: Searching for Duessa in “Troubled Blood” is both more accessible and rewarding, I think, to the serious reader unfamiliar with Faerie Queen than Prof Groves’ first two posts on the subject,Trouble in Faerie Land (Part One): Spenserian Clues in the Epigraphs of Troubled BloodandTroubles in Faerie Land (Part Two): Shipping Robin and Strike in the Epigraphs of Troubled Blood.’

You do need to read all three, of course, as well as Elizabeth Baird-Hardy’s seven part discussion of the Faerie Queen epigraph bonanza here at HogwartsProfessor, to appreciate the fullness of Rowling’s use of Faerie Queen as mirroring text both above and within Troubled Blood (i.e., the work is never mentioned in Strike5 but it introduces every Part and chapter as well as the work as a whole).

And all this literary detective work has been done within a month of Troubled Blood’s publication! My first post on the relationship of Ibsen’s Rosmersholm and Rowling-Galbraith’s Lethal White, in contrast, was four months out from Strike 4’s publication and Prof Groves did not write about it for almost two years (cf., ‘The Epigraphs of Lethal White: Shipping Strike and Robin’).

It goes without saying that there is a lot of heavy lifting to be done still to get at the artistry and meaning of Troubled Blood, but the Serious Strikers of the world, those who read the novels repeatedly rather than ‘once and done,’ owe a great debt to Profs Groves and Baird-Hardy. Both the speed with which they have written and the quality of the work each has done in bringing to light how Rowling-Galbraith uses Faerie Queen as a support and illuminating backdrop to Troubled Blood will inform all consequent exegesis of the work.

Three cheers!