Today’s offering for Serious Strikers waiting impatiently for Troubled Blood’s publication on 15 September (and for those who have read the first 9 3/4 chapters available free online already) is a Guest Post from Oxford’s Beatrice Groves, author of Literary Allusion in Harry Potter. Her subject? ‘Literary Allusion in Cormoran Strike,’ as you might expect, and with special emphasis on Rowling-Galbraith’s use of epigraphs in Lethal White and Career of Evil. Enjoy!
Striking Epigraphs
J.K. Rowling has used epigraphs in every novel she has written since Harry Potter and the Half-Blood Prince; and they are an especial delight of her Strike series (see my previous blogs on Silkworm here and here, Lethal White here, and my hope that Troubled Blood will see her using Spenser’s Faerie Queene for her epigraphs here). Rowling’s epigraphs bring specularity – three-dimensional shading – to her novels. Hunting out the meaning behind her choices makes the reader into a detective, adding an additional depth to her exploration of this genre. This blog post will consider some of the literary effects she achieves, and clues that she drops, with the epigraphs in her two latest Strike novels – Career of Evil and Lethal White – in both of which, I believe, she achieves epigraphical firsts.
Lethal White
Lethal White’s epigraphs are unique because they consist of seventy-one quotations drawn from one single other text – Henrik Ibsen’s Rosmersholm (1886) – making Lethal White more epigraphically indebted than any other novel. By creating this depth of interplay between the two works Rowling embeds many-layered clues in her epigraphs. As I discussed last week, the parallels she creates with Rosmersholm centre on the importance of white horses in both texts, and the resemblance between the unspoken passion in Rebecca and Rosmer’s relationship with that between Robin and Strike.
But there are many other telling epigraphical links. Take, for example, the epigraph to Chapter 49: ‘Rosmers of Rosmersholm – clergymen, soldiers, men who have filled high places in the state – men of scrupulous honour, every one of them …’.
This is the chapter in Lethal White in which Strike interviews Drummond – and the epigraph fits because Drummond (like Kroll, who speaks this line in the play) is a man of paternalistic traditionalism: [Read more…]
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