This week, I had one of those wonderful moments that reminds me why I teach. In my ENG 112 class, we were having a great literary conversation, starting to unpack W.B. Yeats’s fantastic poem “The Stolen Child,” which describes the fae and their efforts to lure a human child away from the human world. The students had already asked great questions about the geographical references and some of the vocabulary, but I could see they were trying to really grasp the poem. I explained about the amorality of the fae, their differences from cutesy fairies and their connections in literature and Irish mythology, and then, one of my students exclaimed, “They’re kidnappers!” I wish I could have captured the look on his face, an a-ha expression that combined both his delight at making his connection and his discomfort with the unsavory undertones of the poem. His combined reaction is very similar to my own in response to the new Amazon Original series Carnival Row, starring Orlando Bloom, Cara Delevinge, and an impressible ensemble cast in a tale of good and evil, of fae and of men.

The steamnoir series is set in a world where the fae world is not a myth or fantasy, but a very real geographical location that has been torn asunder by warfare between competing armies of men. It is visually stunning as well as thought provoking, making some fascinating allusions to history, mythology, and literature, but it is definitely not family viewing, with language and scenes that would make Cormoron Strike blush. Read More “Carnival Row: Literary Value Worth the Unsavory Package?”