A Guest Post from Oxford’s Beatrice Groves, author of Literary Allusion in Harry Potter, about the lock with Nicolas Flamel’s initials that can be found on the Crimes of Grindelwald screenplay cover. Enjoy!
When MinaLima’s new cover art for The Crimes of Grindelwald dropped on Pottermore at the end of May, the write-up stressed the Parisian nature of its design.
Miraphora Mina and Eduardo Lima spoke to Pottermore about the creative process behind the heavily detailed cover, and how important it was to portray France in their designs.
‘The Art Nouveau aesthetic is so strong in this film… So while there are Easter eggs and hidden gems in here, they’re all knitted in with these swirls and flourishes that really follow that traditional aesthetic.[1]’
Paris is going to be an important setting for Crimes of Grindelwald – and the Eiffel Tower (central to the cover design) has been shown on a postcard in a previous photo drop. But I was interested how strongly Paris was stressed in the Pottermore write-up of the cover given that other than the Eiffel Tower and general Art Nouveau aesthetic, there is nothing else obviously Parisian about it. So, is there a Parisian Easter egg perhaps?
Five objects stand out as breaking the symmetry of the image – the Dark Mark-style skull at the top, the quill-knot-lock above the title, and the trio of a pendant, a stone in a display case and a ‘NF’ locket below it. Let’s take a look at that stone and locket for a possible Paris connection.

model comedy, A




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