New Dan Brown Novel Due September 9 New Hunger Games Prequel on March 18

Two days after Western Christmas last year, Nick Jeffery revealed here that Amazon had posted the release date for The Hallmarked Man as September 9, 2025, for the hardcover, large print, Kindle, and Audible editions. There has been no confirmation, however, from Team Rowling or Mulholland Books that this is the date and we still do not have a cover. The Amazon date is a big deal because they are the goliath of book-sellers, but nothing is sure, I guess, until we have the book in hand.

So what?

It was announced today that Dan Brown’s new novel, The Secret of Secrets, will be published on September 9th this year and the global fandom of the Robert Langdon series was treated to that book’s cover. Read the People magazine story, ‘Dan Brown Announces New Book, The Secret of Secrets: ‘Most Ambitious Novel to Date,’ if you’re one of those fans. If you’re curious about that author’s ‘Lake and Shed’ equivalents, read the ‘secret of secrets’ behind Dan Brown’s success writing blockbuster novels at Godspy’s ‘My Lunch with an Old Friend of Dan Brown Proves Revealing About The DaVinci Code.’ Secret of Secrets is the sixth Robert Langdon novel, with The Da Vinci Code ranked #11 on the list of all-time best-selling novels and the first five books tied at #9 for best-selling series with more than 200 million copies sold.

Harry Potter is #1 on that list — but the Strike-Ellacott mysteries are not on the list at all and it stretches down to series that have only sold 15 million copies (in case you’re curious, there are 127 series listed). I suspect this may just be a function of the publisher or the author not wanting sales to be public knowledge, but, still, a novel from Dan Brown and Robert Galbraith on the same day? That’s either a bonanza for retail booksellers or a ginormous gaffe.

I do look forward to Hallmarked Man but I confess I’m more excited now about Suzanne Collins’ latest Hunger Games prequel, Sunrise on the Reaping. (Again, for the curious, the Hunger Games series’ four books have sold over 100 million copies and are #30 on the Wikipedia all-time list.) It will feature the Second Quarter Quell, the Games in which Haymitch features as the ‘winning’ District 12 tribute. I have argued since the run-up to Mockingjay’s publication in 2010 that Haymitch and the Donner sisters are the ‘Hidden Key’ to the original series, a story that couldn’t be told inside the Katniss Everdeen trilogy.

We’ll be talking about that theory from fifteen years ago in the weeks before the publication of Sunrise on the Reaping on March 18th, as well as the remarkable quotation from philosopher David Hume that Collins says was her inspiration for this story. It will be the perfect ‘Real or Not Real?’ warm-up for Rowling-Galbraith’s latest given her focus with Collins on the ‘real’ versus ‘what’s in my head.’

Hunger Games: A New Shared Text?

It’s been sixteen years since the publication of the first Hunger Games novel.

Today, The Epoch Times published an editorial, ‘Hunger Games is Fiction No More.’

See here, here, and here for similar pieces that were posted at the premiere of the prequel The Ballad of Songbirds and Snakes.

The BookRiot article noted that Suzanne Collins’ YA dystopian novels started a trend:

The Hunger Games, in particular, catapulted YA dystopian novels into the spotlight. Future bestselling series like Divergent by Veronica Roth, The Selection by Kiera Cass, The Fifth Wave by Rick Yancy, Legend by Marie Lu, Matched by Ally Condie, and Shatter Me by Tahereh Mafi built some of their readership from fans of The Hunger Games. Dystopian and YA books had, of course, been matched up before in books like The Giver by Lois Lowry, Feed by M.T. Anderson, and Uglies by Scott Westerfeld. But none of them had the same monumental sales of The Hunger Games to truly create such a publishing phenomenon.

None of those series have continued to be part of the working vernacular when discussing the nature of 21st Century life in general and politics in particular, either.

We’ve written a lot here about the Hunger Games novels, especially the third book in the original trilogy, Mockingjay.  I wrote at the time and still think it is a legitimate point that Collins’ achievement is at least as great as what Rowling attempted and pulled off in the Hogwarts Saga, if only because of the political allegory and embedded romance in her soul triptych, literary alchemy, and structural artistry. Check out that library of posts here.

Even having said all that, I was startled by The Epoch Times article because I never expected Hunger Games to achieve anything like Shared Text status or that people would be talking about it after the better part of two decades. (I was not positively impressed by the film adaptations and they seem to be what most people remember of them, an impression I suspected would not be a lasting one because movies do not shape the imagination as reading codex does.)

And yet here we are, with popular media assuming we know who Katniss Everdeen is and why her leading a populist revolt against the Capitol elite is a relevant metaphor for the world today and its dystopian qualities.

Three questions for those Hunger Games readers out there:

(1) Why do you think Hunger Games is (or is not) a ‘Shared Text’ of our times while the other popular YA dystopian series before and after its publication have largely been forgotten?

(2) Is the series’ staying power and continued relevance down to the timeless brilliance of Collins’ conception of the story and execution of the trilogy, the fit with its popular revolt against the leftist and right wings of corporate-government oligarchy and fascism and daily news reports, or is it just the Jennifer Lawrence’ effect?

(3) Do you want us to discuss the new Collins’ Hunger Games prequel, Sunrise on the Reaping, due in March 2025, the way we would a new Strike novel or other work by Rowling-Galbraith? (I know Elizabeth and I are up to that, if there is interest here.)

Have at it in the comments thread below!

 

New Hunger Games Prequel Announced, Set to Cover the 50th Games

When the celebrated prequel to Suzanne Collins’s Hunger Games trilogy, The Ballad of Songbirds and Snakes, was published in 2020, many readers, including theSunrise on the Reaping (A Hunger Games Novel) faculty here at Hogwarts Professor, suspected Collins might be launching a whole new prequel trilogy. Today, Scholastic has just announced the planned March 18, 2025, publication of Sunrise on the Reaping, set forty years after Songbirds and Snakes and twenty-four years before The Hunger Games. This is exciting news on a few fronts, including the choice of today, June 6, to make that announcement, and, of course, we have some guesses and ideas about what will happen in this new installment, set to take place during the fiftieth Games, the year, as Katniss Everdeen tells us that “District 13’s Haymitch Abernathy won the crown” (Catching Fire 37). Join us after the jump for some thoughts and predictions!

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Hollywood Gamemakers and Some Lovely Tunes: The Ballad of Songbirds and Snakes Comes to the Big Screen

Over ten years ago, I shared my thoughts  on the first Hunger Games  film, which was largely filmed just down the road from where I live and included some of my friends and students as extras. Despite the fact that the movie gave a nice tourism bump to my region and was a fun viewing experience since I had my English classes reading the novel, I am not particularly fond of it as an adaptation, and I saw the subsequent films as mixed bags that frequently failed to match my expectations compared to Suzanne Collins’s wonderful trilogy. Thus, when the film adaptation of The Ballad of Songbirds and Snakes was announced, I was not particularly hopeful. The prequel to the original Hunger Games Trilogy is a brilliant novel, and I was not optimistic about what the Hollywood Gamemakers would do to it. I donned my T-shirt that says “The book was better,” and off I went to be underwhelmed, but overall, I was pleasantly surprised. Although there are certainly some aspects of the film I found lacking, there were others that hit some very nice notes, just like a song. Join me after the jump for some thoughts on sets, Snow, symbols, songs, and much more from The Ballad of Songbirds and Snakes. Be warned, spoilers and venomous reptiles lie ahead.

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Official Casting News for ‘The Ballad of Songbirds and Snakes’ Film Adaptation

Last month, we noted that pre-production had started for the film adaptation of Suzanne Collins’s brilliant novel The Ballad of Songbirds and Snakes. A couple of weeks ago, the announcement was made regarding the casting of the actor set to play young Coriolanus Snow. Yesterday, the actress playing Lucy Gray Baird was confirmed. As usual, the Hollywood people have made decisions that book people might find perplexing, but let’s take a look at these two actors, Tom Blyth and Rachel Zegler, to see how well they might fit into this complex and riveting story of Panem’s tenth Hunger Games.

Hollywood Business as Usual

First of all, I do not always gripe about casting in film adaptations of books. I often love the casting of films adapted from books I treasure. I am quite happy with most of the original Lord of the Rings cast, for example. I also understand that actors do not have to look exactly like their characters’ textual descriptions in order to be good fits. Daniel Radcliffe’s eye color, of course, does not match Harry’s, but he was a generally acceptable choice to for the role. Sometimes, I even get the casting I want. When I was reading The Martian, I remember thinking, “You know who they should get to play Martinez? Michael Pena!” Lo and behold, Pena is actually cast in that role in the film and is predictably perfect. Alan Rickman was the Snape in my head (and the heads of many other readers) even before he was cast in the first Harry Potter film. However, most of the time, the Hollywood mindset is one of dollar signs rather than one of literary artistry, resulting in predictable decisions.

Ideally, I would have liked to see the two leads in this film played by complete unknowns. I especially hoped that for the character of Lucy Gray Baird, as I know there is some young woman playing at a music venue or heritage festival this weekend, in eastern Kentucky or western North Carolina, who would suit that role to a T, but she doesn’t have a big Hollywood agent or an impressive resume. She just has a gorgeous voice and the right look. Those are clearly not enough for the Hollywood machine, which already gave us “too-tall-too-mature-too-beautiful” Jennifer Lawrence in the original films. So, let’s take a look at the tributes, er, actors, who will be playing the leads in the film. Unlike the folks doing press releases, I will follow the example of Effie Trinket: ladies first.

Rachel Zegler

On Monday, actress Rachel Zegler tweeted out a cryptic message, the first letters of which spelled out LUCY GRAY BAIRD, so it was not a big surprise when, on Tuesday, she was announced as having been cast in that role.  The casting itself is a little surprising. Zegler, likeLawrence at the time of her casting in the first Hunger Games film, is a big media darling these days. She starred as Maria in the highly successful Steven Spielberg version of West Side Story that ran away with armloads of awards, and she’ll be playing Snow White in (another) Disney version of that story, due out next year (I’m still partial to the adorably quirky Mirror, Mirror, so I am not sure why we needed another Snow White reboot).

Obviously, her casting as Snow White is a little unconventional, but that seems to be a theme with that film so far, and casting her as Lucy Gray is also somewhat surprising. Certainly, she can sing, which is a requirement, but, according to her Internet Movie Database page, one of her big musical claims to fame (in addition to her work on West Side Story) is covering a Lady Gaga song. That doesn’t exactly fit the mold of Lucy Gray, singer of folk tunes and murder ballads. Zegler, from New Jersey, comes from a  theater school/performing arts background. Unfortunately, that background has probably not given her much experience singing “Down in the Valley.”

Physically, at least Zegler is close to the right height (unlike Lawrence), and she can play an ingenue.  Lucy Gray could be said to be playing that role herself, creating the engaging image that attracts sponsors as surely as it does Snow, so that is good start. She is not the Lucy Gray Baird in my head, but perhaps she’ll do. She is a Hollywood sweetheart: diverse, multi-talented, professionally trained, and raking in the big bucks starring in big films, so her casting may seem surprising from a literary perspective, but not from a show business one.

Tom Blyth

At first, I was quite excited about the casting of English actor Tom Blyth, primarily because he has just been playing Billy the Kid on a television series. Mr. Bonney, like Mr. Snow, was a sociopath who killed any number of people, but who also had a charm of his own. Plus, he was only 5’8, and Snow bemoans the fact that his wartime near-starvation has stunted his growth. However, it appears Mr. Blyth is actually six feet tall, so he’s too tall for both of those roles, technically. One would think that Hollywood, after giving the charming 5’7 Tom Cruise years of highly lucrative work, would be comfortable with hiring people who were under six feet tall, but apparently not.Other than that, he looks like a good fit for the role.

He has piecing eyes and the charisma he’ll need. Of course, hair color is easily altered, so he may be made to fit the role fairly well. Time will tell. He could have real “authority.”

More players?

Now that the central two roles have been filled, it remains to complete the cast. We’ll need a compelling Sejanus Plinth (I’d like Josha Stradowski in that role, if he’s not still busy with Wheel of Time. He does anguish well) and a couple dozen mentors and tributes of varying degrees of ability, guile, and longevity (I am still holding out hope for some unknowns here). I hope actual Appalachian musicians are used for the Covey. Unfortunately, all the Little Wharvey Gals from O Brother, Where Art Thou are far too old now.

For the horrible Dr. Gaul, a heavy lifter is needed, someone like Glenn Close, whom I think would be fantastic, and the other “adults” should likewise be “names” who can handle the nuances and the political dance that equates survival in the world Collins has created.

What are your thoughts, insights, and suggestions?

Standby for more comments from me, whether you want them or not!