Euro Muslims: Alienated “Other” and Pained “Hermaphrodites”?


European Minorities Torn Between Worlds

I post the story above in case you sometimes wonder if the discussion in the previous posts about the “Constitutive ‘Other'” in postmodern thinking is just a head game or if the idea of a Gryffindor/Slytherin Hermaphrodite who can bridge the chasm created by cultural metanarratives is silly beyond words. The agony of “home grown” Muslims in Europe unable to assimilate because of their beliefs and the beliefs of their host countries puts a “real life” face on this discussion and highlights both the relevance and the urgency of a “metanarrative of love.”

I would say, too, that this theme of painful duality needing resolution strikes home in our hearts both because we are all the victims of faction or “misfit toys” to some degree and because, as psychosomatic life, just by being human, we are a joining of contrary physical and spiritual tendencies. Our outsides and our insides, the external social environment and our interior life, then, resonate with the alchemical action of this story.

This isn’t kid stuff, however edifying the experience of this story is for the open-hearted, young or old

The Five Keys & What Makes a Book “Great”

Eeyore (Pat) wrote after reading my post below on “Postmodernism, Rudolph the Red-Nosed Reindeer, and Harry Potter” that:

I understand your point about her being post modern — it makes sense that she is a writer of her times — which is also why it’s always made sense to me that much of the imagery is Christian, because she IS a Christian. I think it would be very difficult for a writer to not let their beliefs or their era influence their writing.

So, how does this all fit in with the Christian message that so many of us see? I’ve thought since HBP that she is not necessarily intending the books to have a Christian, or even religious, point, but that it is there, nonetheless.

I’ll try to answer the question of how Harry Potter can be simultaneously postmodern and Christian by discussing what it means to be a “Great Book” and how the “five keys for the serious reader” work together, to include the keys of Postmodern themes and Traditional Symbolism. [Read more…]

Postmodern Story Telling: Rudolph the Red-Nosed Reindeer

Parts of this post were included in chapter 5 of Harry Potter’s Bookshelf: The Great Books Behind the Hogwarts Adventures (Berkeley, 2009) so it has been pulled down. Reader comments remain.