Tolkien Estate and the Movies: Why We Should Care

Let’s be clear, there is no love lost between the Estate of J. R. R. Tolkien and the movie making empire that created the three LOTR films and, more recently, The Hobbit. For one, they are at legal nail, tooth, and tongs. More to the point of this post, though, the Estate considers the movies to be trash and a great betrayal of the written work, the artistry, epic, and meaning they are supposed to represent in a different medium.

You can read the interview with Christopher Tolkien in which he makes these points — and it is worth a close study, I think. Here is the highlight I think especially important:

Invited to meet Peter Jackson, the Tolkien family preferred not to. Why? “They eviscerated the book by making it an action movie for young people aged 15 to 25,” Christopher says regretfully. “And it seems that The Hobbit will be the same kind of film.”

This divorce has been systematically driven by the logic of Hollywood. “Tolkien has become a monster, devoured by his own popularity and absorbed into the absurdity of our time,” Christopher Tolkien observes sadly. “The chasm between the beauty and seriousness of the work, and what it has become, has overwhelmed me. The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing. There is only one solution for me: to turn my head away.”

Three quick notes:

[Read more…]

Philip Nel’s ‘Tales for Little Rebels’

Philip Nel’s Tales for Little Rebels I thought was published some time ago but NYU is putting out an edition on the Ides of March that I want to mention here because it makes an important point about children’s literature, all literature really, and how we think about this subject. [Read more…]

Pride and Prejudice — and Zombies?

When I describe the influence of Jane Austen on Joanne Rowling to lecture audiences, my pet phrase is that a good way for them to understand the Harry Potter novels is as “Pride and Prejudice with wands.” This hyperbole is more true than not because (1) the Hogwarts Adventures feature narrative misdirection consequent to the voice chosen by the author, a voice lifted straight from Austen’s Emma, (2) the moral message of both authors is anti-empiricist, that is, not trusting unexamined prejudices or “first impressions,” the original title of Pride and Prejudice, and (3) the satirical quality of Austen’s manners-and-morals fiction is a big part of the genre melange the writing of which is Ms. Rowling’s peculiar genius. Inside a Schoolboy novel and gothic thriller, she includes without hiccup a Georgian era romance.

This genre mixing is postmodern “double coding,” which I explain at length in Unlocking Harry Potter. But Ms. Rowling isn’t the only author to include Austen in their genre story mix. Stephenie Meyer has said Twilight, the first book of her ‘Twilight Saga,’ is a re-telling of Pride and Prejudice (if Jane Eyre is behind and within many of that book’s scenes and characters, too). But Meyers and Rowling are way too subtle with their allusions and recasting for the author of Pride and Prejudice and Zombies; it’s time for a real re-telling, straight up, with gothic horror elements on steroids thrown in. Regency romance meets Texas Chain Saw Massacre? You get the idea. [Read more…]

The Platypus As Postmodern Mammal: Understanding Rowling’s Depth and Success

Okay, Wizard Rock is a blast but it’s time to put Potter-mania and Fandom aside and get back to the books and some serious thinking, folks. Here are three notes on Umberto Eco and how to think about the narrative of the Harry Potter stories, especially about why it resonates so universally.

The first is a delightful introduction to the man himself in I Invented Dan Brown, a Jerusalem Post interview with Italian novelist and semiotics professor Umberto Eco: [Read more…]

Ayatollah Condemns Harry Potter?

Harry Potter and the Deathly Hallows has hit the streets of Tehran and one newspaper at least finds this a very disturbing event. From The Memri Blog:

Iranian Daily: Harry Potter, Billion-Dollar Zionist Project

In an article, the Iranian daily Kayhan, which is identified with Iranian Supreme Leader ‘Ali Khamenei, criticized Iran’s Culture and Islamic Guidance Ministry for approving the distribution of the new book in the “Harry Potter” series.

The paper said that “Harry Potter” was a Zionist project in which billions of dollars had been invested in order to disrupt the minds of young people.

Source: Kayhan, Iran, July 26, 2007

Now this is an entirely different brand of Harry Hating, no? A billion dollar Zionist project? Or is it just a different wrapping for the same package? [Read more…]