Green-Eyed Beatrice and Lily: Gauging the Depth of the Dante Influence in the Harry Potter Novels (A, B, & C)

A Stoic Looks at Deathly Hallows: A Note from Prof. Edmund Kern of Lawrence University

Edmund Kern, Associate Professor of History at Lawrence University and author of The Wisdom of Harry Potter: What Our Favorite Hero Teaches Us About Moral Choices, is teasing out the ambivalences of the religious meaning in Ms. Rowling’s novels for his class on Harry Potter at Lawrence. I asked for and received his permission to post a recent email he sent after the revelations of the Open Book Tour, that the “religious undertones” of the book were intentional, even “obvious,” and that Ms. Rowling “always thought of Dumbledore as gay.” Prof. Kern is concerned that readers will overstate the specific religious meaning, if there is any, in Deathly Hallows; the spirituality of the books, he argues, is intentionally open-ended, much like the author’s treatment of politics. As he puts it, “the books remain ideologically ‘open,’ and they remain focused on individual responsibility (in the tradition of liberal political theory), rather than offering revolutionary critiques of either politics or religion.” We certainly agree more than we disagree on this, if my interpretation of Ms. Rowling’s “struggle to believe” and understanding Deathly Hallows I think puts me just enough at odds with his religious/spiritual distinction that we can have an interesting discussion. I have promised to send your comments to him about this conversation starter for his response. Your comments and corrections, please!

JKR’s revelation that she’d always thought of Dumbledore as gay has led me back to her treatment of religious imagery. She’s sneakier than even we give her credit for. Here’s my promised, much longer take on recent “revelations.”

As you know, I like your reading of the Potter books, but I still feel more comfortable taking a more cautious approach. “Imagery” (whose presence she’s confirmed) is not the same thing as “message” (whose presence she still hasn’t confirmed). I’m not trying to be cute or coy here, but trying to pay attention to what she actually said.

The spiritual aspects of the books really do become more pronounced in books 6 and 7. The Christ-imagery is there, along with the passages from Matthew and 1 Corinthians. But Rowling also leaves the whole issue of spirituality–let alone religion, as its usually understood–rather ambivalent. [Read more…]

Deathly Hallows: Looking Back Three Months Later

It’s been almost three months since the phrenesis we all experienced in the weeks between Order of Phoenix: The Movie and the publication of Deathly Hallows this past July. What are your thoughts about the series finale now? For your convenience and to prompt your reflection on this question, I post the Thirty Threads on Deathly Hallows from the HogPro Archives. The most recent posts on thread #12 about the meaning of the three Hallows alone are worth a visit.

1. The Covers
2. The Opening Quotations from Aeschylus and Penn
3. The Christian Ending
4. Stoppered Death
5. Narrative Misdirection
6. The Hero’s Journey
7. The Rubedo
8. Postmodern Themes
9. Traditional Symbolism
10. Beheadings
11. Unrequited Love
12. The Horcruxes and Deathly Hallows
13. Ron’s Departure and Return
14. Transformations
15. Nazi Echoes
16. The Name Taboo
17. Phallic Phantasy?
18. Fairy Tales
19. The Life and Lies of Albus Dumbledore
20. Disappointed?
21. Philosopher Stone Echoes
22. Comparative Battle Scenes
23. Smuggling the Gospel Fallout
24. Three Controversial Points
25. John Granger at Prophecy 2007 and in Deathly Hallows?!
26. Struggling To Believe: The Dateline/Today Interviews
27. The Bloomsbury Chat
28. Opening and Closing Chapters
29. Arthuriana
30. Best Links for Deathly Hallows Commentary

The Hogwarts Professor Is In: Do You Have a Question for Ms. Rowling?

Thank you, Robert Trexler, for filling in for me here the past few weeks while I have been touring the West Coast, moving my family for the second time in three months, settling into a new routine, unpacking the library, and waiting – and waiting – for the home computer to go on-line. I have a bunch of thank-you notes to write tonight and tomorrow to my friends at Biola, Pepperdine, Church of the Mediator, and points East, West, North, and South before I can put up some Dante notes here and re-open Deathly Hallows for discussion. I am very flattered that folks have been writing regularly in my absence and am grateful to Bob for freshening the page with something new every few days when I couldn’t post. It’s great to be back.

I am putting together a list of 20 Questions this week that, in my dreams at least, I hope someday to ask Ms. Rowling. I cannot afford the time or the ticket to see her at Radio City Music Hall, but, on the off-chance that her house-elves surf Harry Potter fan sites (and that they haven’t given up on this one!), I want to post here the literary questions from serious readers that reporters won’t ask her and fans consumed by ‘shipping and their concerns about Ron’s future employment neglect. Please feel free to join me in putting together this list!

I doubt I would open with this question, but here’s a sample of what I’m looking for:

Question 1: The last three Harry Potter novels feature the deaths of characters named, sequentially, ‘Black’ (Sirius), ‘White’ (Albus Dumbledore), and ‘Red’ (fRed Weasley). The stages of the alchemical work are often distinguished by colors, which, sequentially, are black, white, and red. You commented in 1998 that you’d read a “ridiculous amount” of alchemy before writing this series and that alchemy set the “magical parameters” and “internal logic” of the books. Should we as readers play close attention to the colors you use in the Harry Potter novels with the attendant alchemical meanings of these colors?

Okay. Your turn. More tomorrow from me on other subjects, God willing.

Grateful John, delighted to be back with the HogPro All-Pros

Pius Thicknesse = Pope Pius XII, “Hitler’s Pope”?

Does the takeover of the Ministry of Magic in the first chapters of Deathly Hallows include a passing swipe at the Catholic Church and the Vatican’s supposed complicity with Nazi Germany? I received a letter from a thoughtful reader who thinks this is a possibility. Let’s start with that letter and examine the evidence:

Hello John,

I’ve very much enjoyed following your work, although I’m not a signed-in blogger. A thought if you choose to respond to it. During Vold War II the Minister of Magic is Pius Thicknesse. Pius is a rather unusual name. Try this – Pius XII ” Hitler’s Pope.” Kind of fits – His Thickness(e) Pius XII. Anything linking to the number 12? Pius XII rather “thick” in not fully recognizing Hitler’s evil. I’ve followed the thread here on Deathly Hallows regarding Nazi Echoes but have not yet seen anything on this point.

My very best to you – keep up the excellent work.

Donn Allen

Before receiving this note I had read the name “Pius Thicknesse” as a throw-away swipe at politicians wearing religion on their sleeve and Culture Warriors who get sucked halo-deep into secular politics in the name of piety and do-gooding and holding-the-line against secular humanism.

But Pius may indeed be a specific reference to Pope Pius XII. This Pontiff was the leader of the Roman Catholic Church during WWII and the Cardinal who, before his elevation to the Papacy, negotiated one of the first treaties with Hitler’s Third Reich. Donn Allen’s suggestion merits some consideration, consequently, even if it gives the Catholic Unicorn Hunters and Harry Haters more grist for their mill. Though many of Ms. Rowling’s defenders biggest fans are Roman Catholic, we have little to no evidence that she has Catholic sympathies herself. [Read more…]