Who is Jonny Rokeby? Marlowe’s Faustus and the Cormoran Strike Mysteries
A HogwartsProfessor Guest Post by ChrisC, Part 1 of 5
In a previous HogwartsProfessor guest post, I pointed out how Rowling left little textual clues as to the nature of detective Cormoran Strike’s supposed biological father, rock star Jonny Rokeby, lead singer of The Deadbeats. What I didn’t consider was that in addition to a hidden symbolism behind the trio of Duke Ellington, Robert Plant, and William Blake, there was in fact a fourth level of significance to the scene where Strike ponders a photo of his dear old dad in a booth of the Albion Restaurant (The Silkworm, p 213/303)
The name of this unseen fourth symbol is Christopher Marlowe, and what I now realize is the exact literary echo Rowling leaves behind in the scene between Strike and the picture of his dad. I’d like to suggest that once we dig up this hidden fourth symbol, and explore its thematic importance, we will have a final clue to exact nature of Jonny Rokeby, as well as a major clue as to how may be portrayed when he makes his onstage debut within the series.
Join me after the jump, won’t you, as we unpack the hidden message of “The Fourth Man.”


‘So the LORD God said to the serpent, “Because you have done this, “Cursed are you above all livestock and all wild animals! You will crawl on your belly and you will eat dust all the days of your life.’ (Genesis 3.14)
If the Maledictus becomes Nagini it will continue the link between Voldemort and the Satanic snake of Genesis which Rowling began in Harry Potter [John says: see chapter 4 in Prof Groves’
Within Harry Potter there are many hints of Nagini as a snake-woman rather than simply a snake. Not only does she take the form of a woman in Deathly Hallows, she also has a disturbingly humanoid relationship with Voldemort from the moment we meet her in Goblet. She tells Voldemort that Frank is listening at the door of the Riddle House and while his not-to-be-named form resembles a baby – ‘the thing… looked like a baby’ (Goblet, Chap. 32) – Nagini keeps him alive with her ‘milk’ fed to him from a ‘bottle’ (Goblet, Chap. 1). Nagini takes the place of the mother to this parody of a child.
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