MuggleNet Academia: Harry Potter and ‘The Indian in the Cupboard’ – Rowling’s Missteps and Misappropriation in ‘History of Magic in North America’

Professor Amy Sturgis and Allison Mills, two serious students and admirers of J. K. Rowling’s artistry and meaning in her Hogwarts Saga, are Native Americans and scholars of First Nations culture and treatment of indigenous peoples in literature. They join Keith Hawk and John Granger to discuss the controversy surrounding Rowling’s depiction of Native Americans and her use of symbols and characters from First Nations traditions in ‘History of Magic in North America.’

Is it all overblown political correctness from minorities looking to play the victim to supposed colonial oppressors? Or has J. K. Rowling, self-proclaimed champion of the marginalized and ‘other,’ over stepped herself in careless, damaging, and negligent story telling at the expense of peoples persistently persecuted or forgotten?

Join us for a wide-ranging and penetrating discussion of an issue that won’t go away because it tells us so much about the focus of Rowling’s work and, as important, the lack of care in other aspects of her writing. Listen and then join in the discussion in the comment boxes below!

Hogwarts Professor Interview: Why Do Millenials Love Harry Potter?

BookshelfAs a relatively accessible Potter Pundit — my email address is in the introduction of every book I’ve written with an invitation to write and this website has a ‘Contact’ page — I receive what I’m guessing is a disproportionate share of student correspondence asking for help with their papers. I think what they really want, sadly, are filler quotations for 3-5 page composition exercises more than answers to the burning questions that keep them up at night. To stave off such cynicism, however, I do my best to send prompt responses to their requests for help.

I received the four questions below the jump from a self-described “journalist student (sic) writing a trend story on Harry Potter.” Let me know where you think I go wrong in my answers and what I’ve got right, maybe even a better way of asking the question. Thanks in advance for your feedback on this exercise — and for writing in with your questions! [Read more…]

MuggleNet Academia #50: Harry Potter and the Genetics of Wizarding

Duke’s Eric Spana and super guest Priyanka Nadar join Keith and John for a discussion of the only science, precluding metaphysics, of great relevance in the Wizarding World: Genetics!

Purebloods, Squibs, and the real reason that witches and wizards have not learned how to manipulate chromosomes or the larger gene pool with a wave of the wand — Join us for a fun and fascinating conversation of what Rowling gets right and wrong in her fictional depiction of genetically determined yet transcendentally magical heroes and heroines.

What are the chances that Aunt Petunia’s recessive magical gene could become active in Dudley? Have a listen and find out!

Pepperdine’s Premiere Potter Pundit James Thomas Reviews Jack Thorne’s ‘Harry Potter and the Cursed Child’

f21780006I met Pepperdine’s James Thomas in Toronto just a few days after the publication of Deathly Hallows. I think I may have asked him during this conversation over breakfast if he would consider contributing his thoughts here at HogwartsProfessor. I know the Potter Pundits adventure at LeakyCauldron began soon after as did James’ published guides to the literary depths of the Hogwarts Saga. If you haven’t read Repotting Harry Potter: A Professor’s Book-by-Book Guide for the Serious Re-Reader or his Rowling Revisited: Return Trips to Harry, Fantastic Beasts, Quidditch, & Beedle the Bard, you’re overdue for a treat.

I’ve never given up on his joining us here and on MuggleNet academ
ia. Years of teasing, cajoling, out right begging were rewarded yesterday when James sent me his review of the Rehearsal draft script of a story Jo Rowling is said to have something to do with, 
Cursed Child. Enjoy!

 

Review of Jack Thorne’s Harry Potter and the Cursed Child

by James Thomas

CursedChildWindowDisplay (1)I Don’t Know What It Is, But It’s Not the Eighth Harry Potter Book

A few weeks ago I was teaching in London only three miles from the theater where Harry Potter and the Cursed Child was to open.  Ten or twelve of my students went to see the play, and three of them experienced a Rowling sighting.  While I envied their having seen The Presence (as John Granger calls Her), I didn’t regret missing the performance and didn’t mind waiting a few more weeks to read the “Special Rehearsal Edition” of the play.  All my instincts and previous reading experience told me that whatever I was going to read by Jack Thorne wasn’t going to be an eighth Harry Potter book—no more than the wretched Go Set a Watchman is the second To Kill a Mockingbird.

In fact, having just sailed on another voyage back through the seven-and-only Potter books in my London class, I came away from the rough seas of Cursed Child a bit seasick.  This was an exercise in anticlimax, not unlike rereading Moby-Dick and then encountering Free Willy.  Books that have only one thing in common—whether Harry or whales—can differ in every other conceivable way—in tone, depth, style, and overall literary worth.  I’m certain that reading the play is a far cry from experiencing the wonders and pyrotechnics of the performance; but, having read more than my share of plays, I can also testify that a good play can radiate power and come to life on the page without the “bangs and smoke” of the stage. [Read more…]

MuggleNet Academia: Rights, Copyright, and Playwrights!

Copyright authority and Potter Pundit Heidi Tandy joins Keith Hawk and John to talk about ‘The Cursed Child’ and how Rowling’s various agreements with movie moguls, merchandisers, and thespian companies may have shaped her decisions to write (outsource?) the ‘Eighth Harry Potter novel’ and Fantastic Beasts screenplays.

Join us for a fun and heavily speculative discussion and guesswork about the financial backstory of Rowling’s Potter franchise!