The Life and Lies of — Bertolt Brecht?

Amnon Halel, whose notes to me from Israel always throw new light on the Hogwarts Saga, sent this last week about a possible source for the title of Rita Skeeter’s acid-pen biography The Life and Lies of Albus Dumbledore. Mr. Halel wrote:

When I read the title The Life and Lies of Albus Dumbledore in Deathly Hallows, I thought of John Fuegi’s famous biography of Brecht: “The Life and Lies of Bertolt Brecht“ (1994). Both books are sensationalistic biographies that are hundreds of pages long, full of contempt for their subject, and each uses some  facts and evidence mixed in with strong biased interpretations and bad intentions to prove the man is not a hero but a liar.

I didn’t find any comparison or connection of these books on the Internet and I wonder what do you think? Is it just coincidence?

I asked Amnon to write up this catch as a post himself but he asked me to do it in return. Here, then, is a short survey of this fascinating possibility:

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CNN: ‘Was Harry Potter a Good Christian?’

The Rev. Danielle Tumminio, author of God and Harry Potter at Yale, was interviewed by CNN Religion blog reporter Eric Marrapodi for an article published today with the provocative title ‘Was Harry Potter a Good Christian?‘ The article contrasts the Rev. Tumminio’s perspective with Lauvre Steenhaussen at Georgetown who argues that Harry’s leading a moral life and “seeking” does not make him a Christian. Most interesting to me has been the volume and intensity of the response: almost a hundred comments before noon on a holiday recovery Tuesday. Folks are still wound up about Harry’s religious content — especially when reading articles headed by a picture of Daniel Radcliffe with a nimbus (halo) like the 2009 piece at your left.

See the HogPro interview with Rev. Tumminio here for for more on her class at Yale, how it came about, and what her students learned from and taught her about Harry and Christian faith. H/T to Eric in Houston!

Could Dobby Be A Refugee from ‘Vanity Fair’?

Susan Bowyer, who rocked my world in late 2008 with her discovery that the House of Gaunt and the Dark Mark were direct borrowings from Thackeray’s Vanity Fair: A Novel Without a Hero, wrote to me earlier this month with another Vanity-Potter link:

John, do you think it’s possible that Dobby’s name comes from William Dobbin in Vanity Fair? He’s a faithful, heroic, slavishly devoted and selfless character. And we have already discussed the likelihood that Vanity Fair contributed other ideas (the Gaunt name and the ‘dark mark.’)

A fascinating possibility, which I’ll discuss below the jump.

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HogPro Interviews the Rev. Danielle Tumminio, Author of ‘God and Harry Potter at Yale’

I had a short conversation earlier this week with the Rev. Danielle Elizabeth Tumminio, the author of God and Harry Potter at Yale, about her experience teaching Christian theology at Yale University through the lens of the Hogwarts Saga. I think you’ll find it informative — and I hope that you’ll join in the conversation with your own questions about the controversial course, its content, and her reasons for the choices she made.

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‘Story Time:’ Chronos and Kairos in Harry Potter

With this post, I welcome M. Brett Kendall of Muggle Matters and Fordham University to the Faculty of HogwartsProfessor.com. Longtime readers of this site and serious readers of Harry Potter know Professor Kendall as ‘Merlin’ and as the man who both predicted the central place Harry’s ‘Expelliarmus’ spell would play in Deathly Hallows as well as the chiasmus structure of the seven book series. This last is the foundation of all discussions of Ring Composition in the books and Prof. Kendall’s insight here reflects his background in Hebrew Bible studies and traditional literature. His opening post is a challenging piece on the understanding of time within the narrative of the Hogwarts Saga. I hope you will join me in welcoming Professor Kendall to the forward dais and faculty table here in the Great Hall.

Thank you, Professor Granger.

I have a joke that when I am not doing much and a friend asks what I am up to, I reply that I am busy committing “chrono-cide” … just killing time. “Chronos” is one of two Greek words for time. It means “clock time,” the simple material succession of events. The other Greek term for “time” is “kairos.” This is the term for “special time,” unique moments. In this post I will discuss narrative in Harry Potter (and in general) as an intersection, and special relation, between these two concepts of time. In short I will say that Harry Potter as “story time” is part of what attracts us so much to the works.

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