The HogPro Kanreki Project – Lake and Shed Readings Prince to Vacancy

Dr John Granger and I continue with our Lake and Shed reviews of the twenty-one stories written at least in part by J. K. Rowling. Join us for our celebration of Mrs Murray’s 60th birthday, and her Kanreki, 還暦, or calendar re-birth.

Nick reveals the real life model for Severus Snape, Rowling’s Chemistry teacher at Wydean Comprehensive, and his remarkable story and melancholy end. John reviews Rowling’s version of the so-called ‘Hero’s Journey,’ how she re-makes it into a life-after-death ‘Harry’s Journey’ ten step dance we see in every book — except for Half-Blood Prince with its two chapters before we begin at Privet Drive and its ending without a Dumbledore Denouement or trip to King’s Cross.

John and Nick discuss the ‘Deathly Hallows’ symbol, a triangulated and vertically bisected circle, from both its biographical point of inspiration to its anagogical or sublime depths. Nick reveals Rowling’s story about how she was watching the 1975 John Huston film ‘The Man Who Would Be King’ the night her mother died and that believes the “Masonic tag” of the story-line was her sub-conscious source for the Deathly Hallows ‘“triangular eye.” John thinks Rowling is really reaching here, akin to her claim that the name ‘Hogwarts’ came from a trip to a public garden rather than the Molesworth books. He reviews the five eyes of Deathly Hallows and explains how Rowling embeds both a key to the four-level interpretation of symbols in how characters respond to that image and a model of how we are to interpret and understand her ‘transformed vision’ mission as a writer.

Nick explains all the projects we now know she was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy’s respective publication dates, as well as the degree to which readers can assume that the novel’s Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry’s ‘struggle to believe’ in Deathly Hallows.

The HogPro Kanreki Project – Lake and Shed Readings Prisoner to Phoenix

Dr John Granger and I continue with our Lake and Shed reviews of the twenty-one stories written at least in part by J. K. Rowling. Join us for our celebration of Mrs Murray’s 60th birthday, and her Kanreki, 還暦, or calendar re-birth.

Nick shares the London institution of the (k)night bus. Part drunk carriage, part dormitory for the homeless in foul weather, zig-zaging across London between midnight and five in the morning. John shares the Parallel Series Idea (PSI) and compare Prisoner of Azkaban with Robert Galbraith’s Career of Evil.

Nick talks about the trip Rowling made as a teenager to Cornwall as a young woman in which some Quidditch World Cup camping may have been involved and about her core beliefs about bigotry and prejudice. John reviews Rowling’s tagging Goblet as a “crucial” and “pivotal” part of the seven book series and introduces how the ‘story turn’ in a ring composition reflects the beginning and end of the story.

Nick talks about the darkest period in Jo Rowling’s life, namely, her return to the UK from Portugal as a single mother in Edinburgh. With Order of the Phoenix in full nigredo mode John talks literary alchemy.

The HogPro Kanreki Project – Lake and Shed Readings of the Entire J. K. Rowling Canon

Dr John Granger and I will begin our Lake and Shed reviews of the twenty-one stories written at least in part by J. K. Rowling. In this introduction to our month long project to celebrate Mrs Murray’s 60th birthday, we explain the Japanese concept of Kanreki, 還暦, or calendar re-birth.

Join John, in his shed in Oklahoma, and me, by my lake in Wales as we kick off this exciting new series.

On 31 July 2025, Joanne Murray, aka J. K. Rowling and Robert Galbraith, will be celebrating her 60th birthday. This celebration is considered a ‘second birth’ in Japan or Kanreki because it is the completion of the oriental astrological cycle. To mark JKR’s Kanreki, Dr John Granger and Nick Jeffery, both Nipponophiles, are reading through Rowling’s twenty-one published works and reviewing them in light of the author’s writing process, her ‘Lake and Shed’ metaphor. The ‘Lake’ is the source of her inspiration and the ‘Shed’ is the alocal place of her intentional artistry, in which garage she transforms the biographical stuff provided by her subconscious mind into the archetypal stories that have made her the most important author of her age. You can hear Nick and John discuss this process and this birthday project at the first entry in this series of post:

Nick discusses Hogsmeade Comprehensive School, as Hogwarts School of Witchcraft and Wizardry should be properly called, and John explains the ten different genres that Rowling uses in Philosopher’s Stone:

John explores the Freudian parallels that Rowling paints into Chamber of Secrets, and Nick talks about her oldest, and probably best friend Sean Harris, the inspiration for Ron Weasley.

J. K. Rowling – a Day at the Races

Victory' but 'uphill battle' for assisted dying bill

J. K. Rowling cut a very elegant figure on Friday when she attended the fourth day of Royal Ascot, the grandest and most prestigious event in the UK’s racing calendar. Dressed in pale blue with a hat of heroic proportions, she was accompanied by her husband Dr Neil Murray and friends. Despite growing up within walking distance of Chepstow race course, this is the first indication we have from Rowling herself that she has an interest in either horse racing, or indeed horses themselves.

Think when we talk of horses, that you see them
Printing their proud hoofs i’ the receiving earth;

Henry V; Prologue William Shakespeare

In all of her early work, Rowling doesn’t really talk of horses at all. Certainly not normal, non-magical, terrestrial horses.

Harry’s broom jumped into his hand at once, but it was one of the few that did. Hermione Granger’s had simply rolled over on the ground and Neville’s hadn’t moved at all. Perhaps brooms, like horses, could tell when you were afraid, thought Harry; there was a quaver in Neville’s voice that said only too clearly that he wanted to keep his feet on the ground.

Harry Potter and the Philosopher’s Stone Chapter 9

The only reference I could find in Harry Potter cannon at all is to the Riddle riding party, where the presence of horses helps to reinforce the social, if not magical, distinction between the Riddles and the Gaunts. Such parties would not have been unknown along the winding lane, that her own childhood cottage stands upon in Tutshill.

The jingling, clopping sounds of horses and loud, laughing voices were drifting in through the open window. Apparently the winding lane to the village passed very close to the copse where the house stood. Gaunt froze, listening, his eyes wide. Morfin hissed and turned his face towards the sounds, his expression hungry. Merope raised her head. Her face, Harry saw, was starkly white.
‘My God, what an eyesore!’ rang out a girl’s voice, as clearly audible through the open window as if she had stood in the room beside them. ‘Couldn’t your father have that hovel cleared away, Tom?’
‘It’s not ours,’ said a young man’s voice. ‘Everything on the other side of the valley belongs to us, but that cottage belongs to an old tramp called Gaunt and his children.

Harry Potter and the Half Blood Prince Chapter 10

Casual Vacancy, likewise has an absence of horses and ponies, despite its rural location, except in the recollection of Terri, in the distant past.

‘I like horses,’ she had told Nana Cath.
There had been a school trip to the agricultural show, in the days before Terri’s mother had left. The class had met a gigantic black Shire covered in horse brasses. She was the only one brave enough to stroke it. The smell had intoxicated her. She had hugged its column of a leg, ending in the massive feathered white hoof, and felt the living flesh beneath the hair, while her teacher said, ‘Careful, Terri, careful!’ and the old man with the horse had smiled at her and told her it was quite safe, Samson wouldn’t hurt a nice little girl like her.

Casual Vacancy Chapter II

Things equine only start to get introduced in the third Strike book, before a positive avalanche of horses in Lethal White.

‘Did you ever have a pony?’
She glanced at him, surprised. In that fleeting full-face look he noted the heaviness of her eyes, her pallor. She had clearly not slept much.
‘What on earth do you want to know that for?’
‘This feels like the kind of car you’d take to the gymkhana.’
Her reply had a touch of defensiveness:
‘Yes, I did.’ He laughed, pushing the window down as far as it would go and resting his left hand there with the cigarette.
‘Why is that funny?’
‘I don’t know. What was it called?’ ‘Angus,’ she said, turning left. ‘He was a bugger. Always carting me off.’
‘I don’t trust horses,’ said Strike, smoking.
‘Have you ever been on one?’ It was Robin’s turn to smile. She thought it might be one of the few places where she would see Strike truly discomforted, on the back of a horse.
‘No,’ said Strike. ‘And I intend to keep it that way.’
‘My uncle’s got something that’d carry you,’ said Robin. ‘Clydesdale. It’s massive.’
‘Point taken,’ said Strike drily, and she laughed.

Career of Evil Chapter 23

 

When Rowling was writing Career of Evil in 2016, she had just got planning permission to build a horse riding school a short distance from her Edinburgh home, with construction being completed in 2018. This of course may simply be an investment, but it is also possible that either Jo, or someone close to her, has developed a passion for horses, and via Lake Inspiration, has seeped into her work.

In Praise of Friendship – a Robin and Strike Heresy

Or the Post that Got Nick Cancelled.

Strike: Troubled Blood review – the show's real hook: will Robin and Strike finally get together? | Television & radio | The GuardianWhen either Affection or Eros is one’s theme, one finds a prepared audience. The importance and beauty of both have been stressed and almost exaggerated again and again… But very few modern people think Friendship is a love of comparable value or even a love at all. I cannot remember that any poem since In Memoriam, or any novel, has celebrated it. Tristan and Isolde, Antony and Cleopatra, Romeo and Juliet, have innumerable counterparts in modern literature: David and Jonathan, Pylades and Orestes, Roland and Oliver, Amis and Amile, have not.

The Four Loves C. S. Lewis

It is almost a given in the fandom that the Cormoran Strike – Robin Ellacott relationship arc will resolve into a romantic, not to say erotic conclusion. The story tension is maintained by leaving us wondering how and when, not if, this will be realised. The aim of this post is to argue that such a conclusion is not inevitable. At a stretch, I will even argue that such a conclusion might not even be desirable. Read on after the jump, if you dare!

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