Two notes from informed readers on yesterday’s post that mentioned the placement of the cover of Ben Jonson’s Every Man In His Humour on the Robert-Galbraith.com home page:
Trinity College, Oxford University, Research Fellow and Lecturer in Renaissance Literature Beatrice Groves texts from her vacation spot —
“I am excited by the hint that Jonson’s Every Man in his Humour might be the source of the chapter epigraphs/be relevant to the plot for Lethal White. It’s one of my favourite Jonson plays (after the big three – The Alchemist, Volpone and Bartholomew Fair) and it made Jonson’s name in the 1590s as the author of ‘humours’ comedy – i.e. comedy where each person is strongly identified with a particular humour – the physiological make-up that they believed strongly influenced your personality (and which still exists in modern English with ‘sanguine’ for example – someone with a predominance of blood, has a happy/hopeful outlook). “
My son Zossima, 17 today, notes, though, that dad was probably mistaken in assuming that the book cover, like the notebook drawing, was about Lethal White. He thinks that the book cover may have been been placed on the website years ago, not as a pointer to things to come but to things in a previous book. He’s right; Every Man In His Humour is quoted as a chapter epigraph no less than five times in The Silkworm: chapters 7 (p 35), 14 (101), 18 (137), 28 (237), and 42 (375). Jonson’s Epicene is quoted before chapters 22 (p 164) and 25 (198).
So, either it’s arbitrary, i.e., Every Man’s cover could have been the cover of Thomas Dekker’s The Noble Spanish Soldier (quoted as The Silkworm‘s frontispiece epigraph) but they didn’t have a copy at hand, or it’s not a pointer to Lethal White but to Silkworm, or it’s a strong suggestion to the discerning reader that we’re missing the “humoural comedy” embedded in the work of which Silkworm is only a part, and that’s why Rowling quotes from Every Man so freely in Silkworm, though that second mystery is all about Jacobean Revenge Dramas — and Every Man In His Humour is not one of those.
This last possibility, the one of “humoural comedy” raised implicitly in Prof Groves’ note, is the one that interests me. [Read more…]
“I am excited by the hint that Jonson’s Every Man in his Humour might be the source of the chapter epigraphs/be relevant to the plot for Lethal White. It’s one of my favourite Jonson plays (after the big three – The Alchemist, Volpone and Bartholomew Fair) and it made Jonson’s name in the 1590s as the author of ‘humours’ comedy – i.e. comedy where each person is strongly identified with a particular humour – the physiological make-up that they believed strongly influenced your personality (and which still exists in modern English with ‘sanguine’ for example – someone with a predominance of blood, has a happy/hopeful outlook). “
The Daily Snitch
First, the notebook with a diagram in Rowling’s hand-writing (screen capture on left). It is the schematic of responsibilities in a small business; Robin is on the chart as the PA to the CEO. There are character thumbnail sketches keyed to each position on the chart.
For serious readers and fans of Robert Galbraith’s ‘Cormoran Strike’ mysteries, it’s been a busy week. There have been a relative flood of stories about the three novels because of the ‘Strike’ BBC1 television show premiere in advance and to promote the 27 August broadcast of the first ‘Cuckoo’s Calling’ episodes. No news about the publication date of the fourth novel, ‘Lethal White,’ but I’m hopeful, even confident that the five ‘Strike’ adaptations of the first two novels being broadcast this month and next are preamble to ‘White’s rollout in October or at the holidays.
In my conversation last week with Oxford’s Beatrice Groves at the Potter Pundits Summer School live webinar, we were able to answer all the questions the global audience in attendance asked as well as many of the ones I was sent beforehand by those who couldn’t be present in the virtual classroom. You can watch 
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