The story ends — its very last words — with “twin swans,” a return to the beginning as evident bracketing:
Head bowed against the rain, [Robin] had no attention left to spare for the magnificent mansion past which she was walking, its rain specked windows facing the great river, its front doors engraved with twin swans. (p 647)
Brad Bellows told us, in a comment attached to Evan Willis’ post on the hermetic and mythological meaning of Lethal White, that “the paired swans Robin fails to notice in the final line, actually exist, on Swan House, built in 1876 by R.N. Shaw, overlooking the Thames.” Mr Willis in that post had suggested this might be Jonny Rokeby’s home in keeping with his theory that, per Leda and the Swan/Zeus mythology, that Strike’s mysterious paternity, the pairing of his super-groupie mother with the other-worldly rock-star, explains why Rokeby remains off-stage but ever-present. The myth holds that Leda has twins, two sets of twins actually, with two fathers for each set; Castor and Pollux are the off-spring of Leda with the swan who is Zeus and with the king of Sparta, her husband. Robin and Cormoran, great driver and former boxer, are the novel’s stand-in for Castor the horseman and Pollux the pugilist. [See the discussions of this mythology and the Strike mysteries in the Gray/Granger and Willis posts on the subject.]
While the predominant symbolism of the story is white horses, which occur so frequently that Strike remarks on it and Billy Knight laughs about it (pp 394, 496), white swans occur often enough, not only as the story’s framing brackets but in references to individual birds on signs (see Robin’s noting and overlooking the Swan pub sign on pp 56 and 166), that we are obliged to consider their meaning beyond markers of Leda mythology in which the books are set. Swans, as you might expect in a Rowling novel, have an alchemical meaning as well, one that we will explore after the jump.
The fourth Cormoran Strike novel, Lethal White, included as an almost continuous backdrop references to the NHS in character names, the Olympics opening ceremony, hospital visits, long lines, and private medical care. I discussed this in
‘The NHS is one of our country’s most cherished institutions, one that we can truly be proud of.
I suspect some readers will think this statement of support for the NHS proves I was wrong about what Galbraith’s portrayal of the NHS in Lethal White reflects about the “cherished institution.” I think she couldn’t have said anything that more clearly underlines my suggestion that the author, while admiring the dream of NHS founders and workers, acknowledges that it is a failed dream in many respects. Read the whole article for the reasons the volunteers are needed and for the problems the NHS cannot address with ‘civilian’ help. Not enough medical staff and not enough beds…
It also revealed to those who knew that the fourth book, Lethal White, ended on September 2012, when Robin was still 27. It would be another year and a month before she turned 29! 
Harringay immediately brings to mind the name “Digger” Malley of the Harringay Crime Syndicate, which is mentioned in the third Strike book. In Career of Evil, Strike had originally thought that “Digger” could be a possible suspect for sending them a woman’s severed leg, but he quickly struck him off his suspect list.
I agree with him that Strike crossing the legal boundaries he had always maintained between acceptable legal and unacceptable illegal tactics for his Agency in Lethal White may have some unforeseen consequences for Strike. Ironically, the very reason he crossed those boundaries—to save his Agency—could turn out to be the very thing that brings it all down.
If these repercussions are explored in Book 5 then Strike may experience a new level of fear (different than the fear for Robin’s physical safety he experienced during the events in Career of Evil). This new fear would be even more emotionally tormenting since he knows he is the cause if Robin finds herself in legal jeopardy.
October 28, 2013 – The trial of Rebekah Brooks, Andy Coulson and former News of the World managing editor Stuart Kuttner begins at the Old Bailey in central London. All are accused of conspiring between October 2000 and August 2006 “to intercept communications in the course of their transmission, without lawful authority.” They deny the charges.



The story begins — its first words — at the Cunliffe wedding reception with a photographer trying to get a picture of the newlyweds that includes two swans in the pond behind them. The swans stubbornly refuse to come together, but, as soon as Robin rises to separate herself from Matt (with the intention of looking for Cormoran), they swim side by side. The clueless father of the groom observes, “You’d think the buggers were doing it on purpose” (p 3).