Happy Bastille Day, Franco-philes!

In today’s Lake and Shed conversation, Nick does his signature deep dive into the history of the Fantastic Beasts film franchise’s origins in Warner Brothers’ determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling’s equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Nick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

The ‘Lake’ point that Nick explores is Rowling’s personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

The ‘Lake’ point that Nick explores is the identity of the real Deeby Mac, namely, Di Brooks, Rowling’s former security director and currently her office manager, a veteran with years of experience in the SIB. John’s ‘Shed’ point is his pushback against the idea that Calling wasn’t really the first book in the series because Rowling has said she had the idea for it after Silkworm and only chose it because the case would make her detective famous.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Nick explains all the projects we now know Rowling was working on between 2007 and 2012, the dates of Deathly Hallows and Casual Vacancy’s respective publication dates, as well as the degree to which readers can assume that the novel’s Simon Price is a fictional portrait of her father, Peter Rowling. John describes the three Gospel parables embedded in Casual Vacancy and why he thinks the book was a project the author was working on before the Hogwarts Saga as well as why it reflects a religious crisis akin to Harry’s ‘struggle to believe’ in Deathly Hallows.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!