Dr John Granger and Nick Jeffery continue with our Lake and Shed reviews of the twenty-one stories written at least in part by J. K. Rowling. Join us for our celebration of Mrs Murray’s 60th birthday, and her Kanreki, 還暦, or calendar re-birth.
Nick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.
Nick does his signature deep dive into the history of the Fantastic Beasts film franchise’s origins in Warner Brothers’ determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling’s equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.
Nick discusses the embedded class struggle in the book and its roots in Rowling’s background before dropping the bomb of the real world identity of Jack O’Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen’s Rosmersholm on London’s West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White.
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