I joked in yesterday’s touchstone turtleback post on the ring structure of Lethal White that we should have a page here dedicated to new correspondences that Serious Strikers have found between Strike 4 and Strike 1, Cuckoo’s Calling. Realizing that Strike falls on and cracks his cell phone screen in both books made me look at my charting notes for any other Cuckoo-Lethal links. In addition, that is, to the echo of Cuckoo’s first chapters at the beginning of Lethal White’s Part 2 we’ve talked about at ‘The Missing Page Mystery.’ Here are six for starters, each offered in the hope that you will be inspired to share any you have found and not already discussed in ‘Lethal White: Cuckoo’s Calling Retold?‘ and that post’s comment thread.

(1) The African Student Link: In Cuckoo, Lula Landry had been searching in the last months of her life for her biological father. She had found her biological mother, Marlene Higson, who told her that her father had been a student from Africa. Lula finds him, albeit after his repose, and makes the search for her half-brother, Jonah Agyeman, a soldier stationed in Afghanistan. John Bristow hires Strike after murdering Lula because she had told him that she was leaving all her money to Jonah; Bristow thought Strike might be able to find the runner on the street whom John suspected correctly was Agyeman without figuring out Bristow had done it.

In Lethal White, there is, even after Robin and Cormoran learn from Tegan Butcher that Chiswell had been selling gallows overseas, the mystery of why Chiswell would care if people learned about this. He was a public advocate for the death penalty, after all. The answer is that one of the gallows had been stolen and a British student studying in Africa, Samuel Murape, had been hung on those gallows and there were pictures of his desecrated corpse in the Foreign Office. This is why Chiswell hired Strike: to keep the “unintended consequences” of his gallows business from hurting him politically without revealing to Strike the link between him and Murape’s judicial murder.

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Both J. K. Rowling and Robert Galbraith are ‘ring writers.’ Rowling’s Harry Potter novels, her Casual Vacancy, and the first Fantastic Beasts screenplays as well as the Cormoran Strike novels written under the alternate pseudonym of ‘Robert Galbraith’ are all written in parallelist structure that anthropologist Mary Douglas called ‘ring composition.’ Lethal White is no exception.

Regular readers of this weblog are more than familiar with this traditional story scaffolding but for those new to structural analysis — the turtleback tale and narrative ‘reverse echo effect’ – the shortest of introductions are these four rules. (1) A ring-story begins and ends with the same scene, characters, or dialogue, a question being answered or a mystery resolved, and acts as a ‘latch’ to the circle. (2) The mid-point of the novel is a clearly marked ‘turn,’ at which point the narrative shifts from exposition started at the opening and inciting incident back to the finish (it has pointers to or echoes of both beginning and end). (3) The chapters or story parts on the way out to the big turn are reflected by the chapters coming back, straight-up or in mirror image fashion.

A nine part ring will have story elements and touches that reveal a A-B-C-D-E-D’-C’-B’-A’ with an A-A’ latch, E story turn pointing to the latch parts, and reflections of the parallel chapters or sets,D-D’,  C-C’ and B-B.’ The fourth rule is just that there are often rings inside of the larger rings, so chapters are set up with bracketing elements and a series of books will have a chiastic relationship between the books, i.e., first and last will ‘latch,’ the middle one will be a ‘turn’ reflecting the latch parts, and the others will parallel their corresponding books on either side of the story axis set up by latch and turn.

The first three Cormoran Strike mysteries have all been ring structures and Lethal White, the fourth and central book if it is a seven book series, echoes Cuckoo’s Calling, the first book, the way a story-turn would. The hanging question since publication has been in light of that, “Okay, but is Lethal White itself a ring?” Answering that question involves no little grunt work, which means “charting the novel chapter by chapter to identify the parallel parts,” but I’ve spent the day finishing off that week of diagramming and think I can answer the question.

“Yes, it is a ring: a five part one very much like Cuckoo’s Calling. Surprise!” More after the jump — latch, turn, and parallel parts of the Lethal White ring.

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Debbie Moltisanti wrote me last month to say, “I just completed my first read of Lethal White. Interested to hear some of your thoughts, John.”

I don’t know whether to laugh or cry at this request; since Lethal White’s publication date, I have posted “some of my thoughts” and those of other Serious Strikers in 25 pieces here at HogwartsProfessor.

This request worries me a little, too. Could serious readers of Cormoran Strike not know the fascinating reveals and theories that thave been written up here in the six weeks since Lethal White was published? It’s time for a Round-Up post to facilitate easy catch-up for those just now finishing Lethal White as well as a one url link to speed simplified sharing of the treasures to be found here.

1. The Mythic Content and Context Of Cormoran Strike

Rowling’s classes at the University of Exeter were divided between French and ‘Classical Studies,’ which seem to have been much more about mythology than Latin, Greek, or Ancient History. Harry Potter is largely her re-telling of the Orestes cycle, Newt Scamander’s adventures a re-visiting of Theseus and the Minotaur (The Beast Within!), and, through Joanne Gray’s and Evan Willis’ independent researches, we know that the Cormoran Strike novels are a postmodern revision and adaptation of the Castor and Pollux stories. For the most up to date discussion, post Lethal White, of this connection Evan Willis’ ‘The Mythic Context and Hermetic Meaning of Cormoran Strike’ is an absolute must-read post. He reveals, I believe, the likely direction of the next two books and the finale while explaining the swan brackets of the current book and ‘How to Read Myth Revised.’

2. The Goblet of Fire echoes in Lethal White

‘Does Lethal White Echo Goblet of Fire?‘ was our ‘out of the gate’ look at whether Strike 4, as the previous three Strike novels had, included pointers to and echoes of its equivalent number in the Harry Potter series. I listed seven in the post, other readers shared their several important finds in the comment boxes, and there are many, many more; Robin’s relationship with Sarah Shadlock at the finish is almost exactly the same as Hermione’s control of Rita Skeeter at the end of Goblet. The connections between the Minister of Sport and the Minister of Culture, however, and the patricide defining the work are the undeniable links.

3. Lethal White as Cuckoo’s Calling in Reverse

In ‘Is Lethal White a Re-telling of Cuckoo’s Calling?‘ I opened the structural discussion of the Strike series post Lethal White, which despite Rowling’s implicit and explicit denials, seems to be running as a seven book ring cycle. The first true test of that theory was not possible until we had the fourth book, which, if the series is a seven book ring, will have to have significant pointers to the first book in the series, Cuckoo’s Calling. I discussed several interesting parallels and Louise Freeman in the comment boxes shared quite a few plot details — I love the Robin retail store undercover and the secret note hidden where a man wouldn’t think to look — that nail it down. I call this find ‘In Reverse’ because Billy Knight is “Bat shit insane” and violent at the start and is, if not perfectly rational at the close, much, more together than at the beginning. [Read more…]