Hogwarts Professor Freeman posted here earlier this week about the pro-democracy demonstrations in Thailand that have taken on the three finger symbol of resistance featured in the Hunger Games books and films. I wanted to add three notes to this subject.
First, I find this adaptation both unnerving and important. It points simultaneously to the meaning of Ms Collins’ artistry in this trilogy and its potential for use and abuse.
Ms Collins is after a herd of big game in her Panem saga. One of the biggest beast questions she tries to address is the power of media and story in our lives, how story and corporate media fashioning of that story’s screened images shape our understanding of ourselves, life, and the world. Hers is not a pretty picture and the Gamesmakers, although they are largely the servants of the Capitol and District 13 governmental faces of capitalist and statist fascism, are perhaps the greatest villains of the narrative.
The events in Thailand are disturbing, I think, because they reflect how a popular culture consumed country like the country in question so easily takes on the powerful images 0f Catching Fire’s depiction of the Victory Tour’s stop in District 11.
This illustrates Ms Collins’ point about the potential of story to change people’s lives, as the Mockingjay Resistance is stirred by the Katniss and Peeta story as written by Haymitch, Plutarch, and Cinna and then twisted by President Coin to serve her ends. Forgive me for wondering, as we watch the Thai protesters, how long it will be until the images and sacrifices become commercialized and packaged.
Second, I think this is a real possibility because the conversation about the depths of meaning in The Hunger Games has been restricted to the political narrative, and, even in that sphere, to the political narrative of the left. Hollywood has recast the films so the crony capitalist government of President Snow is the black hat and the Gamesmakers are the game changing good guys, at least in potential. The spiritual dimensions of Katniss’ and Peeta’s love story, the essence and heart of the books, are lost.
I felt this most strongly when reading a strident and eloquent criticism of the story’s by a Catholic woman, Ellen Finnigan, active in efforts to combat war and violence. [Read more…]





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