It’s mid September, so our thoughts return to the events of 9/11 — and, if we’re serious Twilight readers, to the first 9/11 massacre, the unprovoked attack of Latter-day Saints on an Arkansas wagon train passing through Southern Utah in 1857 on that date, the so-called Mountain Meadows Massacre. If you wondered why Carlisle Cullen has a picture of a mountain meadow in his office and why every Twilight novel features a scene of revelation or conflict in a mountain meadow, the answer in large part comes back to this historical event and books about it published the year Mrs. Meyer had her vampire-with girlfriend-in-circular-meadow dream.
One of the more bizarre events in my Walter Mitty existence as an author happened this February in Oklahoma City. I was speaking at the C. S. Lewis conference there and spent the night in the home of a friend’s parents. The father was wonderfully hospitable, and, being a serious reader, our conversation on the drive to his house turned to talk about books and my work as a critic. I shared a copy of Spotlight: A Close-Up Look at the Artistry and Meaning of Stephenie Meyer’s Twilight Saga with him and explained its two parts. I mentioned to him what I said above: that a large part of Twilight’s inspiration, Mrs. Meyer’s dream, is in the LDS community’s response to three histories of the Mountain Meadows Massacre that were published in the year she had her dream.
He held up his hand and said, kindly but firmly, as we pulled into his driveway, “Stop right there. Don’t say anything more about that.” [Read more…]
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