We’ve made the turn — two weeks to the Birthday!

In today’s Lake and Shed conversation, Little John and Big Nick turn to the second entry of the Fantastic Beasts film franchise, ‘The Crimes of Grindelwald.’.

On the Lake side of things, Nick explores the Johnny Depp casting scandal and the lead-up in 2018 to the 2019 Tweet Heard Round the World. John explains that the cut scenes from this dog’s mess of a movie point to the probability that the shooting script, i.e., what Rowling actually wrote and approved before David Yates butchered the film in the editing room, was all about Leta Lestrange. More important, John makes the Shed point that every Rowling book features a text of some kind that the characters struggle to understand — and that Crimes of Grindelwald has ten of these, a veritable library of interior texts to interpret.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Half-way to the Birthday!

In today’s Lake and Shed conversation, the Dynamic Duo turn to Strike 4, Lethal White.

Nick discusses the embedded class struggle in the book and its roots in Rowling’s background before dropping the bomb of the real world identity of Jack O’Kent and his unhappy family. John is so taken aback by this revelation that Nick has to prompt the Shed portion of the conversation with a fun history of the Sonia Friedman production of Ibsen’s Rosmersholm on London’s West End, a show starring Thom Burke as Rosmer and which ended just before Bronte Studios beginning the filming of Lethal White.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Happy Bastille Day, Franco-philes!

In today’s Lake and Shed conversation, Nick does his signature deep dive into the history of the Fantastic Beasts film franchise’s origins in Warner Brothers’ determination to keep the Wizarding World profit-pillar in their portfolio alive after the last Harry Potter adaptation — and Rowling’s equal determination that they not use their copyright privilege to muck up her legacy with an Indiana Jones meets Crocodile Dundee knock-off. John takes the Shed pole in the conversation and shares his months long pursuit of the shooting text screenplay, the actual last screenplay over which Rowling had control.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Nick reviews the history of how Rowling was sold on the idea of a Wizarding World stage production via a bit of bait and switch marketing and John reads the review of the Jack Thorn script by Pepperdine English Professor James Thomas. Neither John nor Nick is a big fan of the play but their back and forth about the several controversies connected with it and the question of its being “the eighth Harry Potter story” are still challenging and fun.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

The ‘Lake’ point that Nick explores is Rowling’s personal experience of violence against women and her determination to push back against the misogynist age she believes we have been living in for decades. John details the litany of crimes committed against women in the third Strike novel and suggests that in time, when we have the series as a whole, appreciation of the artistry involved will counter-balance the shock first-time readers feel on entering this boucherie.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!