“What’s Your Favorite ‘Kid Story’?”

Lancelot Shaubert, longtime friend of HogwartsProfessor and author of Tap and Die, sent me an email-request this morning:

John, it’s Lancelot, quick question:

Do you have a great kid story you can share ? I’m collecting them on my site to cheer folks up and to revive the comments section:


Lancelot Schaubert

By “great kid story” he didn’t mean “a story for children” but “a story about kids.” I obliged him with a story about one of my own children, now living in Greece, back when she was only ten years old and her world was Harry Potter, violin practice, and roller-blading. I have shared this story after talks I’ve given during the Q&A, because someone inevitably asks me if I think Harry Potter is good for young people to read.

You can read that story after the jump. Please follow the link above, though, if you have a minute, read the great kid stories there, and write out your favorite. [Read more…]

Chiasmus Annotated Bibliography (2015)

In a conversation about Cormac Jone’s ‘The Cosmic Chiasmus’ this morning, I recalled that I wrote up an annotated bibliography for ring composition studies for my MFA way back in 2015. I attach below the jump my very brief reviews of nine books on the subject for anyone interested in the subject. [Read more…]

Rowling Not Writing Book About Wizards — Good News on At Least Three Levels

This tweet from Rowling is good news on at least three levels: [Read more…]

The Deathly Hallows’ Interview-Epilogue: Rowling Library Magazine Cover Article

Our friends at The Rowling Library have just published issue #71 of their magazine, and, as always, it is worth the time to download and read it (or just click the link above). From the interview with Neil Packer, a Harry Potter illustratorto the editor’s review of ‘The Forbidden Forest Experience’ (contrast TRL’s notes with Louise Freeman’s that were posted here just yesterday, A Forbidden Forest Experience: A Bit of Hogwarts Comes to Virginia), The Rowling Library Magazine is a serious reader delight.

I especially recommend this issue’s cover story by ‘Ibid,’ ‘After Seven: In Rowling’s Words.’ What the author has done is to collect all of Rowling’s comments that she made in interviews, tweets, and press conferences post Deathly Hallows about what happened to the beloved characters of her septology and then to re-write this collection as a single article written by the author. It acts like something of an extended epilogue to the Hogwarts Saga’s finale and is very, very well done.

It’s so well done, in fact, that I hope ‘Ibid’ or another TRL writer will collect and write-up using the author’s own words Rowling’s post Hallows comments about the Christian content of the series (e.g., the MTV ‘interview’), her thoughts about the “indestructible soul” and her “intensely spiritual life” (Volkskrant), and the “magic in literature,” “spiritual flux,” “permanent soul,” and reflections on the King’s Cross scene (El Pais, Cruz). These and her various talks on the ‘Open Book Tour,’ the German interview including her Nabokov discussion still not found, and her Today show appearances happened in the year after Deathly Hallows’ publication and represent her great opening up about her core beliefs. It would be a great service if a diligent researcher could collect them all and present them as professionally as ‘Ibid’ did her extended epilogue.

Just saying! Until that wish-upon-a-star collation appears, enjoy the November issue of the TRL magazine — and think seriously about subscribing to their efforts to support the excellent work they do. You’ll get Patricio Tarantino’s brilliant Daily Prophet emails in your inbox if you do!

Cormac Jones: The Cosmic Chiasmus

An Orthodox Christian man in Texas with whom I correspond sent me a link to Cormac Jones’ ‘The Cosmic Chiasmus’ yesterday. His note did not include anything except the url and he really didn’t need to explain why he thought of me while reading Jones’ wonderful article. My friend has heard me speak both at his parish, St Maximos Orthodox Church in Denton (‘Everything I Need to Know I Learned from St Maximos the Confessor’) and at a Classical Christian school in Dallas about ring composition and the symbolism of the cross. Jones’ ‘The Cosmic Chiasmus‘ turns on theological points made by St Maximus and the chiastic narrative structure of Christian scripture and Orthodox liturgics and iconography.

I differ with Jones on several points, as you might expect, given my sad self-importance and preoccupation with these subjects for more than ten years. Having written my MFA thesis on the relation of ring writing and literary alchemy, a subject expanded on in my PhD thesis, I was disappointed with Jones’ choice of Maximian references (specifically, his neglect of more pertinent ones and the translation of the passage he leans on most heavily with respect to logos), his framing of the question (his focus is exclusively Christian rather than universal), his relatively pedantic and academic posture (there’s little in the piece’s presentation of the parabolic quality he celebrates), and in the experts on inclusio and symbolism he cites as authority, all of whom are excellent but which list of sources does not include Mary Douglas, John Welsh, or Rene Guenon.

Writing up a detailed review of these differences might be of some interest to Jones and satisfying to me, I suppose, but to few others. Unfortunately, such a critique would also necessarily obscure the importance of ‘The Cosmic Chiasmus‘ especially for Christian students of the Bible and iconography and the symbolism in each. Worse, my focusing on my points of difference with Jones’ approach and choices he makes would be read incorrectly as a suggestion that I am not wonderfully excited by this article and that I do not hope it receives the widest possible audience. That would be the worst possible misunderstanding and take-away. I beg readers interested in understanding Rowling better, especially why they enjoy her novels more than those of other writers, to read Jones’ piece, regardless of their religious beliefs.

As readers here know, I hope, I think the writing of J. K. Rowling is as popular as it is because of her integration of three traditional elements in her stories, from the relatively short and sweet stand-alone Christmas Pig to the epic Strike series in progress. She is writing psychomachian allegory of the soul’s journey to perfection in Spirit, exteriorized presentations of the inner spiritual transformation of every human person, allegories she suffuses with alchemical symbolism of repentance, purification, and apotheosis as resurrection, all of which she gives a signature chiastic or ring structure. How this allegory, symbolism, and narrative scaffolding work together to foster and advance the transformation of a reader’s vision through the imagination I think is best understood through the critical lens of Coleridgean and Patristic logos epistemology and soteriology.

Jones’ article, as you’d expect, makes no references to popular culture or contemporary fiction. What ‘The Cosmic Chiasmus‘ does, though, is, in the context of explaining the symbolism of the Cross in chiastic narrative as it does for a specifically Judeo-Christian audience, is attempt to explain the universal power of this kind of writing on the human soul. Though we differ on particular points that are more and less important, Jones ‘gets’ and brilliantly presents the ‘so what?’ I have tried to say for the last twenty years about why Rowling’s work affects readers the way it does.

All of which is to say I recommend ‘The Cosmic Chiasmus‘ to readers here with all enthusiasm and without reservation. The article fails to say all things to everybody as any discursive argument must, but what it does say about the centrality of understanding chiasmus and its attendant symbolism for living a proper human life is invaluable, even essential. I urge you to set aside an hour as soon as you can to dive into this piece’s depths and reflect on its applications in your inner and outer orientation with respect to God, man, and the world, your logos inner essence and its relation to the Logos fabric of reality.

Many thanks to my friend in Texas for sharing the link to this wonderful article and to Jones for writing it!