Lorrie Kim on Hermione and Ravenclaw

Lorrie Kim, author of Snape: A Definitive Reading, has been posting write-ups of her talks at the 2019 LeakyCon and the Chestnut Hill Harry Potter Conference on her WordPress weblog, LorrieKim.com. I posted a link to her thoughts on the relationship of Severus Snape and Albus Dumbledore last month; today I direct you to her most recent work, a discussion of Hermione’s story arc, the mystery of Ravenclaw House, and how much we are obliged to read Rowling’s work in light of her biography. She acknowledges that others disagree with a psycho-biographical reading of the Hogwarts Saga but then makes this reading the focus of her conclusions about Hermione, Ravenclaw, and what the reader is meant to take away from the story.

Though I disagree with several of her assertions in addition to this ‘personal heresy’ and was a little startled by one or two statements of fact, I enjoyed J.K. Rowling, Giftedness, and the Ghost of Ravenclaw as I do everything Lorrie Kim writes. Her Potter Punditry is informed by a signature command of text and a unique perspective on the characters and their interactions. Her thoughts on Hermione alone and her annual “projects” are worth the time it takes to read; they complement in challenging fashion David Martin’s charting Hermione’s development as a reader book to book, Stone to Hallows.

Let me know what you think in the comment boxes below! Hat-tip to an anonymous correspondent for the pointer to this Kim post.

 

Sisters of House Black: Fan Fiction Film

Fan Fiction flies to film — flim flam or foto fun? Let me know what you think!

Shared Text: Voldemort’s Farm Subsidies

I have an American friend residing in Sri Lanka, a man writing a Young Adult series of novels with whom I correspond about ring composition and other writing devices. I look forward to sharing more here about Michael and his nomadic adventures when his books are published.

In our frequent email exchanges, he often sends links to articles available online about subjects of interest to him; it’s a relatively random set of news pieces and commentary, though Michael has set in granite political convictions and beliefs about the world, few of which I share. I suspect he sends them less to say ‘Hurrah for our side!’ or ‘Can you believe this?’ than to note that I need to change my ideas to better ones, say, his own.

I confess to clicking through in each email he sends, despite or because of my complementary aversion and addiction to news stories (cue link to ‘Avoid News’ by Rolf Dolbelli). Today’s piece was from The New York Times, in my youth a bastion of journalism, for at least a quarter century an advocacy newspaper: The Money Farmers: How Oligarchs and Populists Milk the E.U. for Millions. If you want an education in why millions of UK voters voted to leave the EU and why the elite have fought that mandate in order to remain at the trough in Brussels, this article is an excellent short course.

Why do I share it here? Even in an article about corrupt politicians in Central Europe and how they continue the feudal traditions of the Catholic Middle Ages and of the Marxist serfdom in the Communist era by redirecting subsidies to farmers from the EU to their own coffers, we get a reference to Harry Potter.

In one example, a powerful Fidesz lawmaker, Roland Mengyi, inserted himself into the leasing process in Borsod-Abauj Zemplen County, where one of his associates won leases for more than 1,200 acres. Mr. Mengyi is an outsized character, who referred to himself as “Lord Voldemort.” He was later convicted and sentenced to prison in a separate case for corruption related to European subsidies.

Clicking through on the link provided, I didn’t find the reference to Lord Voldemort made by Mengyi; it seems to be rather hearsay that the newspaper writer wanted to include to cast the villain in the properly dark light. The Times repeats it because the reference works. Everyone reading the article knows who the Dark Lord is, that he is a very, very bad man, and will conclude that any man referring to himself as “Lord Voldemort” is as indifferent to others and to right and wrong as can be.

That’s the power and constancy of allusions to Harry Potter, our era’s shared text. Let me know what you think in the comment boxes below (click on ‘Leave a Comment’ up by the post headline).

‘Writing Home’ by J. K. Rowling

J. K. Rowling has written a contribution to a collection of Remainer essays called ‘Dear Europe.’ Her brief and charming essay — 17 paragraphs with a ‘Freund Hanna’ latch and a story turn in paragraph 9 about her mother’s death –can be read at The Guardian website; see Writing Home.

I confess (after the jump!) to being delighted by the piece for three reasons: [Read more…]

A New Symbol for Harry Potter? Cover Ideogram on New Cursed Child Book

Arthur Levine next week will be publishing a fan-servicing book about the stage production of Harry Potter and the Cursed Child. It was assembled by Jody Revenson, an author whose best-selling titles include the complete range of Wizarding World knock-off books released with each new Warner Brothers film or at Christmas time (see her Amazon page for all those “perfect gifts for the insatiable Harry Potter fan!”). The full title of Revenson’s latest is Harry Potter and the Cursed Child: The Journey: Behind the Scenes of the Award-Winning Stage Production — yes, a title with two colons.

This would normally not merit a mention at HogwartsProfessor because I’m not a big fan of Cursed Child and the ancillary books about the Wizarding World I actually read are critical works about the J. K. Rowling novels or, with respect to the Fantastic Beasts franchise, those that might have clues about the shooting script we do not and most likely never will have. The video above was filmed when the new book’s publication was first announced in July 2019; what spurs me to write about it now?

I received my copy of TheRowlingLibrary online magazine yesterday and it included three pictures of the new book, all of which included a new — well, I cannot remember seeing it before — symbol or ideogram, as well as the much ballyhooed return to the lightning heavy faux Gothic font in the Harry Potter title. The super-stylized and symmetrically circular image all turns on the capital letter ‘H,’ the letter being bisected top to bottom in addition to its cross bar and encircled by the repeated phases of the moon.

Have a look at the three images in this post. The ideogram is on the spine of the book’s flyleaf cover where the symbol can be found at the very top. On the book without the wrapping cover, the symbol is everywhere. It is presented, too, as something like a Morris wallpaper design or an Escher drawing in the front endpaper, the pages just inside the front cover.

Forgive me if this not new, but, again, it is new to me. Does the ‘H’ stand for Hogwarts? That would seem odd; the school already has a crest or shield. Does it stand for ‘Harry Potter’? That would be even more peculiar because most initial set monograms include three letters and highlight the first letter of the surname rather than the first or middle names. It’s more likely, according to this convention, to be Rubeus Hagrid’s symbol.

Who cares? Anyone who studies the formal aspects of Rowling’s writing and it’s heavy measure of parallelism should be interested. This ideogram could be a symbol for ring composition, even better I think than the Deathly Hallows symbol. Long-time readers of this weblog will recall that the central chapter of the Hogwarts Saga’s central, “crucial” book is chapter 19 of Goblet of Fire, ‘The Hungarian Horntail,’ a chapter that Rowling highlight’s as the series pivot in various ways, not least of which is the alliterative title featuring the letter ‘H,’ a letter in which two vertical lines or parts are joined by a horizontal connecting bar.

Is this ‘H’ in the Cursed Child book a pointer to the two parts of the production? I hope that those of you who seen the play will chime in here if the letter-symbol is an important part of the show. Again, I ask your forgiveness in advance if this is common knowledge; Cursed Child is just not my thing.