A Story Book to Change a Child’s Life

It has been almost three weeks since ‘Christmas Day’ and maybe you wonder if the presents you bought your children and young friends have already been forgotten.

Sadly, they probably have. The impact or ‘Wow’ element of most gifts for those under ten fades pretty quickly.

I recently learned about a new company online, ProtagonistBook.com, that creates gifts that will almost certainly never be forgotten, which is to say, “always be treasured.”

The owner, founder, and principal of the business has a profound appreciation of story, especially the Harry Potter novels, the Redwall series, and the Chronicles of Narnia. It shows.

I asked him for a description of Protagonist to share with you and this is what he sent:

Give the gift of an unforgettable story.

Every parent, grandparent, god-parent, aunt or uncle wants to avoid getting their special young person a forgettable, boring gift. But finding a unique, personalized present for your child is time consuming and difficult.

PROTAGONIST makes finding an unforgettable gift for birthdays and holidays quick and easy. We write and illustrate uniquely crafted children’s books with your child as the main character — writing and drawing the gift recipient into a personalized, original adventure. 

Then we publish and mail it straight to your door.

What we need from you are specifics about your child-hero or heroine, a physical and character description of the loved one you want this unique gift for. After that, you make a few choices.

You choose your book’s length at our website and fill out a story sheet specifying the adventure you want for your child; you choose the genre and setting of the story, and the number and style of hand-drawn illustrations you want. We take it from there.

Go to protagonistbook.com and order your child an unforgettable gift he or she will treasure forever, one that forever added an exciting dimension to reading a story. 

I have read six of these books, two of which involved young people I know (ages three and four). They’re a delight. The parents of one and the grandparents of the other I know love reading their child’s story aloud, which is a good thing because the two boys want it read to them again and again.

There is no AI involved in the story writing or in the illustrations within or the cover. There is, consequently, some real time involved so pass this on to friends and family you think might be interested and get your own order in early.

You can read more about the founder and chief writer at ProtagonistBook.com and subscribe to his “Storyletter,” a free biweekly newsletter featuring installments of original short stories and news of his ongoing adventures in the publishing world, here.

Rowling’s Husband Profiled in Daily Mail

I suspect most readers will consider this story click-bait about a click-bait story in the UK Daily Mail.

I’m not sure we really do click-bait stories, if ‘Black Severus’ pieces or posts about the Hallmarked Man publication date would qualify (they draw a lot more readers than, say, Pregnancy Trap deep dives).

But, if we did, I could justify this three-point discussion of the Daily Mail profile of Dr Neil Murray, husband of Joanne Murray, aka ‘J. K. Rowling’ and ‘Robert Galbraith,’ her writing pseudonyms. It fits right into our ‘Lake and Shed’ Fourth Generation focus here at Hogwarts Professor.

My three points are that the article involved more than just a Google search, that it still missed quite a bit, and that it’s importance has little to do what it reported and failed to report.

(1) Not Bad! The article covers almost everything a Google search will reveal — all the information touching on his famous wife — and includes one point that I had only heard from Nick Jeffery in private conversation:

In 2011 he was working as a GP in Ormiston, on the outskirts of Edinburgh, where practice documents noted his interests: ‘Pain management (including acupuncture), dermatology (skin problems), homeopathy and drug misuse management.’

That involved no little digging, so it’s worth a read. Again, here’s the link.

(2) Whoops! Having acknowledged the article wasn’t written in half an hour, I am obliged to note there are notable pieces missing. Three come to mind and I suspect there are many more. Rowling has said, for example, that her husband was raised in a strict Protestant sect in which dancing was not allowed. No mention of that or of his mother Barbara, to whom Troubled Blood is dedicated and who seems a fascinating character: “demon bridge-player and world’s best mother-in-law.” A weird person to leave out of a profile, right? (None of the book dedications or ‘Acknowledgments’ to her husband are mentioned.)

The biggest omission, though, is that the reporter failed to mention Dr Murray’s twixter page, @Slowfinger45, aka ‘Dr Slowfinger.’ Just reading his subtext — “Better to walk alone than with the crowd in the wrong direction. Biology is real. Sex matters, and so does Evidence based Medicine” — would have raised two important question for readers. The good doctor’s interest in acupuncture and homeopathy mentioned above for one thing is unusually broad minded for someone waving the flag for “Evidence based Medicine,” and, for another, Mrs Murray’s resistance to “transgender” activists is not just a view the two share but one which may have its point of origin in her spouse’s professional opinion and experiences as a doctor.

(3) So What? The reason I think this story is of interest to serious readers of Rowling-Galbraith does not spring from its proficiencies and deficiencies as a work of journalism. It’s a ho-hum profile. I write about it because, at long last, even the tabloid press is realizing that J. K. Rowling, uber-author and political activist, is a human being with a background and influential relationships past and present that color what she thinks and writes.

I ‘get’ that the Daily Mail staff writer was probably assigned this story because they must have a new Rowling story twice a month and January has been slow so far on the Twixter end. Her name has to be in competition with the Kardashian Krew for most effective click-bait.

Even allowing for that, however, we’re seeing a drift into the realm of “critical biography” concerns in the public media that we haven’t had before via this profile of Dr Murray, weak as it is. I expect sooner than later better papers will begin to connect the dots between the Murray’s extraordinary marriage in light of gender roles and relative prominence, as we have here, and the theme of vocation vs relationship that dominates the Strike-Ellacott relationship and which is reflected in the “gender identity” controversy and Mrs Murray’s role in it.

The problem is that the reporter who worked on this piece knows relatively little about her work post Potter and is oblivious to its relevance consequently. I hope that soon the legacy media will become aware and realize the importance of Rowling’s repeated discussion of her ‘Lake and Shed’ metaphor for how she writes — and get to work chasing down the unresolved issues in her life or just finding ‘Michael.’

Until they wake up to those far more interesting aspects of the good doctor Murray and of the seeming dea ex machina Rowling-Galbraith (Bea Groves’ discussion of the meaning of ‘Galbraith’ would be a good place to start, I think), we’re left with the encouraging interest in her personal life. Why none of them have gone to Tutshill, Exeter, Manchester, or Porto to get that story I confess to not understanding — but I’ll take this Daily Mail article as an indicator that we’re moving toward a big reveal of her past in due time.

Conflicting Casting Commitments from HBO+ About Harry Potter TV Adaptation

Angie wrote in the comment thread beneath a ‘Black Severus’ post that, if true, the decision to cast Paapa Essiedu as the Hogwarts Potions Master contradicted a commitment made by the production team to be true to the books:

the director/producer stated at a presentation in December that they were Committed to getting top tier British acting talent that FOLLOWED THE BOOKS CANONICAL DESCRIPTIONS OF THE CHARACTERS. Snape is clearly described in the books as a pale, pallid, sallow skinned man with greasy black hair that went to his shoulders, gauntness, uneven yellow teeth, a prominent hooked nose, and black piercing eyes with an intimidating gaze. 83 times throughout the books was he described in some fashion and this man has NONE of those characteristics.

The relevant passage in the ProductionList.com article to which Angie shared a link is:

At a recent Max 2025 slate presentation, showrunner Francesca Gardiner and director/executive producer Mark Mylod shared key updates. Casting is underway, with an impressive 32,000 young actors auditioning for roles, including the iconic Harry Potter. Mylod emphasized the commitment to finding top-tier British acting talent, following the books’ canonical descriptions of the characters. Casting workshops with a shortlist will begin in January, with roles such as Professor Snape, Lily, and James Potter receiving special attention to ensure accuracy in age and character portrayal. [highlighting added]

Angie — and I assume other serious readers as well — hope that this commitment means the Paapa Essiedu rumor “was just ‘reported’ as a sick joke only to start discourse within the community,” i.e., to gin up interest in the new series of shows based on the books.

I would go with “industry standard marketing maneuver” rather than “sick joke,” but I see Angie’s post (and have come to a similar conclusion about the rumors in recent weeks).

I reviewed some of the casting call materials, though, today and I think Angie is wrong to think that Mark Mylod, whatever his preferences and position may be, was speaking for HBO+ or Bronte Studios in making a commitment to follow “the books canonical descriptions.” The casting calls that have yielded 32,000 sets of audition tapes explicitly opened the doors to actors and actresses wanting to play Harry, Ron, or Hermione who did not look like the characters in the novels or the film adaptations. From Deadline‘s ‘Inside HBO’s Harry Potter Sorting Hat:’

The process to find the Boy Who Lived and his two best friends had been running for months prior to Gardiner’s revelation, following a much-publicized open callout published by the show’s casting director Lucy Bevan, which asked for children aged between nine and 11 as of April 2025 who are residents of the UK and Ireland. The call specified a commitment to “inclusive, diverse casting” and asked that, for each role, agents “submit qualified performers, without regard to ethnicity, sex, disability, race, sexual orientation and gender identity.” The initial round asked candidates to submit two videos, one performing a short story or poem and the second asking them to talk about themselves as well as “a family member, friend or pet that you are particularly close to.”

That “commitment,” of course, contradicts the commitment to conform to “the canonical depiction of characters.” And, forgive me, I have to think the DEI commitment made explicitly before the casting call that yielded the 32,000+ responses has to trump the after-the-fact commitment of the executive producer. The child actor playing Harry Potter, then, could be Asian or Italian, a woman or non-binary, ADHD afflicted or without a leg, red or black, autoromatic, and “transgender,” though the author holds that there are no “trans kids.”

The HBO+ CEO made a soft commitment, too, in recent months to a filming schedule that will begin this summer and to a premiere in February 2027. As I wrote yesterday, I don’t think those commitments are ones to take very seriously — and I’ll say here that anyone who thinks Mylod’s “commitment” to faithfully following the written work with respect to casting characters is writ in stone is setting his or herself up for a real disappointment.

Harry Potter TV Series: Maybe By 2027?

In the same Entertainment Weekly article in which Sir David Waters (Mark Rylance) was rumored to be the Albus Dumbledore of the adaptation of Harry Potter for television, the CEO of HBO+, Casey Bloys, said the teevee series his company and Bronte Studios will be making will not premiere until early in 2027:

During Tuesday’s event, Bloys also predicted a potential early 2027 premiere date for the series. “But don’t hold me to any of that, because we’re just getting started with the writing and casting process,” the exec quickly added.

So, a tentative date of two years from now, the casting mavens have more than 32,000 audition tapes for Harry, Ron, and Hermione wanna-bes “ages 9-11,” with filming scheduled to begin this summer? The casting of the other principal roles is still only fascinating but unsubstantiated rumors — is it silly or prudent at the moment to be assuming that the rumored picks are really just some fan’s best guess or wish upon a Hollywood star? — and all of Hogwarts has yet to be staffed and populated with students, not to mention the Dursleys. Let’s not forget that seven to ten year contract commitments for most have to be negotiated.

It will be something of a miracle for filming to begin by this summer unless September and October are now considered summer due to global warming. This makes the 2027 premiere date make much more sense and Bloys’ hesitance to commit to that date with any certainty.

Your thoughts?

Merry Christmas, Rowling Readers!

Back tomorrow with more conversation about the artistry and meaning of the works by the world’s most famous writer! Joyous Noel!