The Esoteric Meaning of ‘Fountain of Fair Fortune’

I was asked by a friend at The Hog’s Head’s thread about ‘The Fountain of Fair Fortune’ to discuss its meaning in the light of the symbols on Ms. Rowling’s drawing of the Fountain. I started an answer there that grew to such a length that I have brought it here lest it hijack the Hog’s Head thread entirely.

I have already posted on Dumbledore’s Commentary on this Tale, and, though few agree with me about what Ms. Rowling is after in Dumbledore’s dispute with Lucius Malfoy, I think there is little doubt that the meaning of his commentary is Ms. Rowling’s veiled opinion about gay marriage. ‘The Tale of Fair Fortune’ itself, however, is less political than spiritual, and, with Dumbledore’s Commentary, it confirms her assertion that the Tales are a “distillation of the themes” in the Potter books. [Read more…]

Salon: ‘A Spy in The House of Narnia’

Certainly it would take days to unpack all the upside-down and almost exactly backwards ideas in this Salon article, A Spy in the House of Narnia, an interview with the Salon founder and author of the new title, The Magician’s Book: A Skeptics Adventures in Narnia. Long story short: child loves the Chronicles of Narnia until she learns they are largely allegorical. She returns to them years later to demonstrate they really aren’t Christian books but works of remarkable imaginative artistry.

Two quick notes: [Read more…]

The King of the Golden River – Ruskin

Another tale of three brothers, subtitled ‘The Black Brothers: A Legend of Stiria,’ this fairy tale by the very young John Ruskin (1841) should get you in the mood for Tales of Beedle the Bard. I couldn’t find a version online with Dumbledore’s commentary so I hope we can fill it in. My bet is that Ruskin, as a serious reader of Coleridge and as a Romantic in recovery from consumption, wrote this with the Dantean three layers: narrative line, moral line, and almost invisible alchemical artistry to transform our vision in a kind of esemplastic epiphany. Let me know what you see, especially in the description of the glacier and the transparency of nature.

The King of the Golden River

By John Ruskin [Read more…]

Recovering the Medieval Imagination

“Isn’t Jupiter splendid these nights?” he exclaimed to one correspondent in 1938; “Do you ever notice Venus these mornings at about quarter past seven?” he asked his godson in 1946. “She has been terrifically bright lately, almost better than Jupiter.”

Sound familiar? How about Hagrid’s conversation with the Centaurs in Philosopher’s Stone? “Mars is bright tonight…”

But this isn’t a Centaur. It is C. S. Lewis. The quotations are from C. S. Lewis and the Star of Bethlehem, an excerpt taken from Dr. Michael Ward’s Planet Narnia in Christianity Today’s Books and Culture. I commend it to your attention for these reasons: [Read more…]

What Alchemy Does in Harry Potter

Filit sent me a link to a livejournal posting by ‘Josef Djugashvili,’ Alchemy, What Might Have Been, in which post the writer and serious reader tries to assess the value of understanding alchemy (and specifically the stages of alchemy) in getting to the meaning of Harry Potter. The conclusion s/he comes to after examining the three stage process of black white, and red and a more involved seven stage process is that “IMVHO alchemy does not assist too much in our understanding of the Harry Potter series as it stands, whichever way one slices it.” S/He asks readers to “convince me otherwise.”

I’m pretty sure this kind of discussion doesn’t allow for premise-conclusion demonstrations that would convince any person of good will but I feel obliged to respond to the live-journalist (even if s/he has chosen Josef Stalin‘s birthname as an alias; I should confess this choice sets my teeth on edge and has made writing this an exercise). Here are three talking points for HogPro conversation today: [Read more…]