Deathly Hallows (Part 1): A Reader’s Movie Notes

I really struggle with writing movie reviews.

I don’t know about you, but I roll my eyeballs at film criticism written by serious book readers in which the reviewer just doesn’t get beyond a throw-away acknowledgment that screened images and printed text are different media so the stories are necessarily different. Reading all the changes made in the jump from page to celluloid, be it in the Potter and Twilight franchises or in Narnia and Middle Earth, especially when these changes are noted with disapproval, disappointment, and a dismissive dismay at what the film-going reader experiences as something like heresy or sacrilege, leaves me marveling that anyone in the 21st Century still doesn’t understand that the movie experience is not and cannot be the reader’s experience of story. (Prof. Baird Hardy, of course, gets it just right.)

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Deathly Hallows Movie Notes: The Dance Scene

“Harry Potter and the Deathly Hallows: Part 1“ has opened to great box office success, as we knew it would, and it’s about time I wrote something about it, though I’m not a big movie goer. I want to note first that ‘Twilight: New Moon’ still holds the record for a November opening. I confess that startled me, as much as I admire the Twilight books (having written a book on the Forks Saga, right?), I didn’t think the fandom’s devotion to the cause or just sheer size were comparable. Wrong, again, it seems. Check out Box Office Mojo.

As predicted, the latest addition to the Potter series worked its magic on the box office, raking in a $125 million in ticket sales — a figure that includes it’s midnight/early Friday showings. But while the series topped itself, outpacing its last pre-Thanksgiving opening — 2005’s “Goblet of Fire” — “Twilight: New Moon” still holds the November opening title with $142.8 million…

What I want to write about, though, before sharing some book points is the Dance Scene in which Harry and Hermione ‘cut the rug’ in the tent playfully for a moment just after Ron’s departure. Some folks like it, others don’t, all, I think, miss the Big Movie allusion or hat tip to the Martin Scorsese classic, Taxi Driver.

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Mailbag: Links for Serious Readers and Gift Givers

Riddled With Gilt: Gilded Books for the Lover of Truth and Beauty on your Gift List (especially if you have extra gold for such things!)

The Harry Potter Alliance has a Gift Shop! Who knew?

Amazon.com’s ‘Best Literature and Fiction’ Top 10 List for 2010. I’m confident Mockingjay outsold each and every one and the Deathly Hallows paperback outsold the lot combined. ‘Best Fiction,’ though, means ‘Best Selling Psychological/Literary genre piece.’ Go figure.

The new Hunger Games? Matched, published today and an Amazon best seller right out of the gate, features a girl-two-guy threesome, a dystopian setting, and a movie deal with Disney (just in case it’s the new Twilight, too).

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How does ‘Ring Composition’ Work, Anyway?

The big buzz among serious readers of Harry Potter at the end of 2010 is the revelation of Ms. Rowling’s use of traditional Ring artistry in putting together each of her books and the seven book series as well. The only thing in print on the subject so far are my Ring Composition lecture notes and, as hurried a production as that was, it succeeds in establishing the fact of Ms. Rowling’s circular wizardry — all the more apt given the assonance of her name with the word ‘rolling.’ After the fact, though, at least one reader was left wondering how such an arcane architecture for the world’s best selling books explains their popularity.

I downloaded and read your lecture notes about the ring structure of the seven books. They are convincing. This is clearly an intentional and foundational structure for the books.

My question is, “How does this particular structure increase the impact of the books for readers? How can it affect their experience of the books, especially since it is so subliminal for most people?”

What I mean is…

We connect characteristics and emotions with symbols. And we can identify with  alchemical imagery through our own experiences of struggle and transformation.

But how does something as subtle as a ring structure influence a reader’s experience of a book?

Love to hear what you think.

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Guest Post: Tis the Season for Holly Wandlore

Hey, the Contact Tab is working and I have received two Guest Posts and a YouTube musical from Russia, no less, in as many days. Here — after the jump — is the short Wandlore piece that revealed the broken Contact Form: [Read more…]