The Rowling Library Magazine #94: Esoteric Beasts, TV Potter, and More!

This month’s issue of The Rowling Library Magazine was once again worth the time it took to read every single article, each one with a surprise inside for the serious reader, fandom zealot, book collector, and video game player. You can download it here as a pdf or read it online for free — and, yes, you should subscribe to support this consistently excellent collection of international writing about all things ‘Rowling.’

The four articles I enjoyed in this month’s issue were:

Solve et Coagula, Part One — Though very difficult to read and without links or footnotes to follow up on, A. Dalla Palma’s piece about the Fantastic Beasts film franchise’s alchemical backdrop and esoteric content was a delightfully challenging introduction to the speculation happening among serious students of these movies. I dropped out of that effort after laboring to discern what was Rowling’s work from the Hollywood formula dross in the first Beasts entry, an impossible and frankly disheartening task, but I am pleased both by the hermetic quality of this article’s contents and by the idea implicit in it that Rowling was attempting to craft a remarkably sophisticated and challenging experience in this medium, something akin to the transformative experiences of her written work. That the ‘Two Davids’ succeeded in frustrating (which is to say “hijacking and destroying” that effort to dumb it all down to blockbuster pablum?) that effort brings me back to why I dropped out of reading the Beasts screenplays closely. I hope very much in Part Two of this series that the author will include references to his or her sources as well as explanations of alchemical terms that are crucial for a reader’s ability to understand the symbolism involved.

Who Will Watch It: Adults or Kids? — The first article was very much the sort of thing I enjoy reading, namely, an interpretation of Rowling’s work that goes well beneath the story surface to get at its symbolic depths, but I struggled with the prose, organization, and referencing in the piece. The feature article, in contrast, was about a subject I know very little about and care about less, the HBO Max adaptation of the Harry Potter series for television, but which captivated me by the clarity of its argument and by the information it shared. In a nutshell, the unnamed author put his or her finger on the chief challenge facing the teevee team (identifying its core audience), speculating intelligently from the players now involved and their previous work what their direction will be in this adaptation, and suggesting a likely course. This was, frankly, The Rowling Library Magazine at its best: a topic of no little importance (even I recognize that the HBO adaptation will be a landmark event and displace to some degree the unfortunate film adaptations of the stories) approached from a fresh perspective with significant insight in well crafted argument. [Read more…]

Harry Potter Meets Lolita: J. K. Rowling and Vladimir Nabokov (Chestnut Hill)

Astounded as I was yesterday to discover that a 2010 lecture I’d given in Orlando at a fandom conference had been filmed and posted online, I decided to see what else was ‘out there.’ Was there a bootleg collection of Potter Pundit talks on YouTube, a treasury of the first three generations of Rowling Studies?

If there is, I haven’t found it. I did find the talk above that was filmed and posted by Chestnut Hill College at their 2017 ‘Harry Potter Conference.’ I think that was my last trip there; between Covid hysterics and the take-over by Genderists and Woke scholars, I haven’t been invited to speak there in many years. Persona non grata, et cetera. The quality of the video and audio in contrast with the 2010 phone-captured piece, as with all things at Chestnut Hill’s conferences, was wonderfully professional.

The talk above about Nabokov’s influence on Rowling was, as I mention in the first minute of the twenty minute presentation, something I was asked to do at the last minute. It was a much more fun and brutally condensed version of what was perhaps the most poorly received  talk I have ever given (that one at an academic conference where I was unable to work the complicated Reducto charm on the clock so my ninety minute presentation would fit into the half hour allowed).

I enjoyed watching it, I confess, because of the only memory I have from it, namely, Emily Strand tweeting to her legion of followers after this talk the short message, “Still the Dean!” That was far from the consensus among the cognoscenti present but I cannot remember ever feeling more chuffed by a compliment.

For more on VVN and JKR, the essay versions underlying this fire-hose talk, read Harry Potter and Lolita: J. K. Rowling’s ‘Relationship’ with Vladimir Nabokov (Names, Politics, Alchemy, and Parody) and Harry Potter and Lolita: Rowling’s Rings and Vladimir Nabokov’s Story Mirrors (The Alchemy of Narrative Structure).. Cheers!

Is Rowling ‘Spiritual not Religious’? The Historical Importance of 1692

In my correspondence with the friend for whom I wrote (in large part) last week’s “Is Rowling ‘Spiritual Not Religious’?,” I attached an essay about the choice Rowling made to place the pivotal moment in Wizarding World history in 1692. My point was that the choice seemed to reflect Rowling’s view that the fictional wizards and witches who went underground at that time were the real Christians, the Spiritual Seekers of the Radical Reformation or hermetic magi, who went underground in the real UK of that time consequent to the laws suppressing all non-conformist faith groups after the Glorious Revolution. That being the case, I tried to suggest, Rowling’s ‘spiritual not religious’ posture with respect to devotional church life was perfectly understandable.

My correspondent replied that this essay was new to her (it was published in the Smart Talks essay anthology that few people have read, alas) but that she had seen the YouTube video of the 2020 fandom conference talk I’d given on this subject. I had no idea that the event had been recorded and uploaded to that platform, but, sure enough, someone captured it on their phone and you can watch it above if you’re interested.

Some good news today, for which we thank God. Elizabeth Baird-Hardy, Deputy Headmistress of HogwartsProfessor.com and dear friend to Potter Pundits and Serious Strikers everywhere, wrote this evening to let us know that she and her family were well. They live way, way up in the mountains of western North Carolina, an area devastated by Hurricane Helen this week and, as the days passed without hearing from her, I was afraid their beautiful home, situated as it is on something like a cliff face, had been washed away. You can read her brief note after the jump — and please feel free to join the HogwartsProfessor faculty in prayers of thanksgiving for her family’s being spared and in petitionary prayers for all those still without homes, power, or clear roads. [Read more…]

Sunday Potter Quiz: Luna Lovegood!

In the fifth Sunday Potter quiz posting, I continue our week-by-week march through the series one chapter from each of the seven books, one at a time, in sequence. We’re up to Order of the Phoenix, naturally, and I have chosen the chapter in which we get our first long meeting with perhaps Rowling’s most inspired student character, Luna Lovegood. Enjoy!

Phoenix Chapter Ten: Luna Lovegood

  1. True or False? When first Harry meets her, Luna Lovegood is reading a magazine upside down and is wearing a necklace of butterbeer caps and Spectrespecs.
  1. When Ginny tells Harry and Neville that Luna is in Ravenclaw, she says what Ravenclaw related rhyme?
  1. What extremely rare magical plant did Neville show to Harry, Ginny and Luna?
  1. And where did Neville’s great-uncle Algie buy it for him as a present?
  1. Who unexpectedly enters Harry’s compartment to see him covered in Stinksap and clutching Neville’s toad Trevor?
  1. Who are the Slytherin prefects Ron and Hermione meet in the prefects’ compartment?
  1. True or False? Harry reads in Luna’s copy of The Quibbler about how Sirius is actually the false name of Stubby Boardman, lead singer of the wizarding band the Hobgoblins.
  1. The magazine also claims that which Quidditch team is winning the League due to blackmail, illegal broom tampering and torture?
  1. Who, to Harry’s befuddlement, was overseeing the first years on the train platform instead of Hagrid?
  1. Who was the only other student who could also see the strange horses who pulled the Hogwarts carriages?

Essay Prompt-Discussion Topic:

Miss Lovegood’s first name is the Latin word for ‘moon.’ Explore the senses of lunar that are especially apt and those that are deceptive with respect to this remarkable character, e.g., the moon’s illumining glow is the sun’s reflected light that shines in the darkness and the Latin word luna is also the foundation of the English word ‘lunatic.’

Answers:

  1. False, no Spectrespecs (185); 2. ‘Wit beyond measure is man’s greatest treasure,’ (186); 3. Mimbulus mimbletonia (186); 4. Assyria (186); 5. Cho Chang (187); 6. Draco Malfoy and Pansy Parkinson (188); 7. True (191-192); 8. The Tutshill Tornadoes (193); 9. Prof. Grubbly-Plank (196); 10. Luna Lovegood (199)

 

Rowling’s ‘Critical Biography:’ Three Suggestions for Who Should Write It

The landmark event of what we are calling the Fourth Generation of Rowling Studies, in which the author’s life events are folded into an appreciation of her writing accomplishments will be the appearance of a ‘critical biography’ of merit that has this as its only purpose, that is, relating the subject’s life events and reading those works strictly within that context. See Brian Boyd’s magisterial two volume biography of Nabokov, Claire Tomalin’s lives of Dickens, Austen, and Wollstonecraft, and Lois Potter’s Shakespeare: A Critical Biography for examples of the defining work of this type.

Given the quality of her advisers and her own remarkable self-awareness, I think it can safely be assumed Rowling, Inc., has plans to take charge of her legacy now, lest a click-bait bio-critical narrative commissioned by her Genderist enemies today be set in stone until long after her death. Representing as her PR team does a personality famous for pre-emptive strikes that backfoot her opponents (a la Hermione in Order of the Phoenix), Fortress Rowling’s best move will be to authorize a critical biography, assuming one is not in progress already — one to which she generously contributes her open answers to questions and urges her heretofore silent friends and family to do the same — that sets the critical ‘Lake’ lenses through which all future readers will read her work. The authorized critical biographer, of course, will be expected to be more than sympathetic to and knowledgeable of Rowling’s views, experience, and artistry.

The trick? The best critical biographies are those written many, many years after the subject’s death. How will Team Rowling identify the best critical biographer today for a still-breathing literary figure? Which one will best be able to write about a living subject when the field has largely been one for literary historians? Here are my best guesses about how this could be done, seven guiding principles, and three suggestions for who should write Rowling’s authorized critical biography. All after the jump! [Read more…]