In Gambon Eulogy Tweet, Rowling Reveals She Read Lear for A-Levels

I am in the midst of writing up a Substack post on Running Grave, Part One, but wanted to note this maybe-landmark moment in Rowling Studies.

It has been known that Rowling went to see King Lear performed in London while she was a Comprehensive student, but, and I welcome correction from those who know her biography much better than I ever will, that this trip was part of her A-Levels study was not. Again, as far as I know, nothing of her A-Levels reading list has ever been revealed and it has not been for lack of digging.

[This is an error; see ‘Shepherd and Biddle: Rowling’s Favorite A-Level Teachers’ for two books Rowling has said were on her English Literature A-Level list: “Tender is the Night [Fitzgerald], Decline and Fall [Waugh].” Whether these were the only books on her A Level list or whether King Lear was also on it — or if she just traveled to see Lear with her A Levels class, as she says — I do not know. Apologies for the unforced error. John ]

I hope very much that the two Rowling Readers and Serious Strikers whom I know have searched in heroic fashion for that list for several years will one day write up their inquiries and its numerous dead-ends. The A-Levels reading course for the young Presence, despite these efforts, has remained something of a Holy Grail for those of who want to know which books were the principal focus of her secondary school capstone exam.

And why would Lear be that important, even among Shakespeare plays? 

Because the hot interpretation of King Lear in 1982 was Charles Nicholl’s The Chemical Theatre, published to significant popular and academic review in 1980. No less a figure in hermetic studies than Dame Frances Yates discussed it in The New York Review of Books in 1981. I have speculated in the past (and at some length in my thesis) that, because of Rowling’s London field trip to see the play, her first exposure to literary alchemy was almost certainly via Nicholl and his hermetic interpretation of Lear as an alchemical transformation in stage-story.

Rowling’s revelation today makes that speculation that much more credible. I doubt anything else on her reading list could prove as important with respect to her future story telling tool kit, but I look forward to the day when she will agree to an interview with, say, Oxford’s Beatrice Groves or any other informed reader who will ask her about her A-Levels studies.

Back to Running Grave!

Michael Gambon, 1940-2023: RIP

Elizabeth Baird Hardy wrote up a short piece about the death of British actor Michael Gambon yesterday.

Michael Gambon, Cinema’s Dumbledore, Passes away at Age 82.

For readers of the Hogwarts adventures, characters in our heads rarely appear the same as they do in film adaptations, but most movie-goers probably think of Sir Michael Gambon the most of the three men who have played Professor Dumbledore on screen. He certainly played the headmaster more times than Richard Harris, who passed away after portraying Albus Dumbledore in the first two film adaptations. Gambon took up the role for the subsequent six films. Jude Law has appeared as a younger Dumbledore in the Fantastic Beasts films.

Gambon, who passed away today at the age of 82, had a long and celebrated dramatic career on both stage and screen, even before coming to the role that has made him familiar to most movie-goers. He also appeared in the film adaptation of J.K. Rowling’s novel The Casual Vacancy. His Potter co-stars,  Rowling, and other celebrities have paid tribute to his legacy and personality.

As new adaptations are on the horizon and theories abound about casting choices, doubtless many film fans will continue to recall Gambon as Dumbledore, just as his colleagues fondly recall his work and life.

What are your favorite Gambon-as-Dumbledore moments? Mine is the Time-Turner heist sequence in Prisoner of Azkaban.

Running Grave: 7 Placeholder Posts

My two copies of Running Grave were delivered late this morning and I have yet to open mine. My son Zossima is almost half-way through and has confirmed that my enthusiastic judgment of the first eleven chapters, that this was the strongest start of a Rowling novel ever, was spot on. He reports that “It starts well and doesn’t let up one bit.”

I’m very excited to join him in reading Strike7, as I know all of you have been, but I need to do some house-keeping chores here at HogwartsProfessor and to prepare for my reading first. Number one on my list is putting up seven placeholder posts for Serious Strikers around the world to write up their thoughts as they read on specific subjects that are signature points of discussion on this weblog.

Why bother? [Read more…]

Running Grave: The Occult

Running Grave Placeholder Post, Number Seven! The Wild Side of Strike7 —

It’s something of a Publication Week tradition here at HogwartsProfessor to provide an online space for Serious Strikers to share their discoveries as they find them, an alocal place for specific topics we have explored here in the past. It’s a community gathering place — and each placeholder creates a record of findings for topics that otherwise become hopelessly jumbled in the threads of various posts. The seven I am posting for Running Grave are:

I confess I had to make a hard choice when I got to number seven on my list of placeholder posts. I’m really looking forward to reading Running Grave, having read the first eleven chapters several times in the last few weeks, because of my interest in the Psychomachia, the Jungian archetypal content with the advent of sister Prudence, and the backdrop mythology of Leda and the Swan, Castor and Pollux, and, most important, Psyche and Cupid. I don’t think these subjects lend themselves to finds or spottings, however, so I elected to go with ‘The Occult.’

What I mean by that slippery word with respect to Running Grave is do we see in the text references to or suggestions of occult practices such as tarot card readings, astrological symbols and natal chart readings, necromancy (!), or divinatory practices such as I Ching yarrow stalk throwings? If we do, what do they tell us?

Every Part and chapter in Styrike7 begins with an epigraph from the I Ching; I have not read more than the first eleven chapters of the yo-yo previewings, but I suspect this will be akin to the previous books, Troubled Blood and Ink Black Heart, in which novels there is no reference to the source of the epigraphs but which books reflect that source material in meaningful ways. The depths, in brief, are in the epigraphs.  Given the divinatory nature of the I Ching in common usage, I think we should be looking for embedded references to such occult or psychic sphere-penetrating practices.

I’m almost hopeful that we will get a second chance to read Rowling’s clues the way she tipped her hand in Strike5 via the illustrations in Talbot’s True Book. I doubt it, but I’m confident that if the opportunity presents itself and I miss it, the Serious Strikers in the HogwartsProfessor reading audience will spot it and share it here. Thank you in advance for that!

Running Grave: The Literary Alchemy

Running Grave Placeholder Post, Number Six! The Alchemical Artistry of Strike7 —

It’s something of a Publication Week tradition here at HogwartsProfessor to provide an online space for Serious Strikers to share their discoveries as they find them, an alocal place for specific topics we have explored here in the past. It’s a community gathering place — and it creates a record of findings for topics that otherwise become hopelessly jumbled in the threads of various posts. The seven I am posting for Running Grave are:

I have been writing about Rowling’s alchemical coloring and symbolism since 2002 (see my Hidden Key to Harry Potter if you’re into literary archeology or How Harry Cast His Spell for the post-Hallows update). Back in the day, the idea that Rowling, single mother on the dole, was crafting stories using hermetic sequences a la Shakespeare, Dickens, and Joyce, was the butt of jokes in the critical community. We have arrived, though, because the pile of evidence has grown so high to the stage where books are devoted to the subject, at the point of consensus, per Walker Percy, where “everyone has always known that” and the initial eye-rolling and scoffing has been forgotten. See the Literary Alchemy Pillar Post if this is the first time you’re encountering the idea; almost every one of the many links there will take you to an introduction to the subject.

What alchemical points are Serious Strikers looking for in Running Grave? I think there are at least three.

The first is the structure of the book in hand; do we see a nigredo breakdown at the beginning followed by an albedo cleansing or purging of character that ends in a rubedo climax of revelation, confrontation, resolution, and transformation with the attendant colors and symbols of these stages?

The second is its place in the series; is it a rubedo book that closes a story cycle as did Deathly Hallowsin the Hogwarts Saga?

The third is an alternate view of its series role; is it the last of the three albedo books per Evan Willis’ Tetractys Theory?

I suppose I am obliged to include a fourth possibility, namely, ‘Is there little to no evidence of alchemical symbolism in Strike7?’

Let me know what you found in the comment boxes below!