Shared Text: Lord Volderdoch?

This just in: Rupert Murdoch to buy The Daily Prophet!

This, at any rate, is what’s reported in an article in Slate (7/11/2011). Jack Shafer, the magazine’s editor-at-large, has written a rather scathing column comparing the media oligarch to He-Who-Must-Not-Be-Named. With a headline calling Murdoch ‘the Dark Lord of Media’, Shafer reveals more than passing knowledge of Potterlore in writing his critique:

The more obvious acquisition for Murdoch would be the Quibbler, an off-the-wall tabloid given to half-baked conspiracy theories. But Murdoch has experience in reshaping prestigious or dominant newspapers, such as the Times of London and theWall Street Journal, to his design. So rejiggering the Prophet, the establishment voice in the wizard world, to a more popular format shouldn’t be too difficult for him.

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Thoughts on Life Imitating Fiction

Shared Text and Osama bin Laden
by John Granger and John Patrick Pazdziora

Amid the endless stream of op-eds surrounding the death of Osama bin Laden, The New York Times provides us with a surprising example of shared text. In “9/11 Inspires Student Patriotism and Celebration” (NYT, 3 May 2011), Kate Zernike reports on analyses of the jubilation many young Americans have expressed in recent days:

In the world of the so-called millennial generation, said Neil Howe, a writer and historian who is often credited with defining that term for the generation, “Evil is evil, good is good. There are no antiheroes, there is no gray area. This is a Harry Potter vignette, and Voldemort is dead.”

“In a Harry Potter world,” he said, “their mission is to save the world for the rest of society. This is their taking pride in what their generation is able to do.”

All political questions aside, Mr. Howe’s assessment is striking for a few reasons. First, it seems to affirm what we’ve said around HogPro often enough—the fictional character and the real world elide in a transcendent, near-religious experience that creates a sense of communal identity. The man who may have defined the “millennial generation” now asserts that they find their identity through Rowling’s fantasies; they live in “a Harry Potter world.”

Second, this is a casebook study of the classic misreading of Rowling’s work.

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