Lethal White: Beatrice Groves on ‘Galbraith Meets Graham Norton’

Prof Beatrice Groves, a Research Fellow Lecturer at Trinity College, Oxford University. Her groundbreaking Literary Allusion in Harry Potter was published in 2017. She is a frequent guest on the MuggleNet podcast, ‘Reading, Writing, Rowling‘ and writes for that fandom platform on her dedicated page, ‘Bathilda’s Notebook.’ A frequent contributor to conversations at HogwartsProfessor.com (HogPro), Prof Groves last posted here to discuss the ‘Nagini Maledictus in Fantastic Beasts.’ Today she writes about the Robert Galbraith interview last week with Graham Norton on a BBC2 radio show. Enjoy!

‘I really enjoyed writing this book, it’s probably my favourite of the series both in terms of how it turned out and but also sheer enjoyment. I loved it, I really did.’

On Saturday J. K. Rowling gave a radio interview about Lethal White to Graham Norton on BBC Radio 2. [You can listen to the interview via this link; it begins at 2:30:00.] This is ‘Robert’s’ most in-depth interview since Val McDermid’s in 2014 (cf., Val McDermid interviews JK Rowling (Robert Galbraith) at Harrogate International Festival 2014) and you can hear how much more relaxed Rowling is in it than in her recent televised appearances in America promoting Crimes of Grindelwald and Lumos.

This is possibly due to the warmth of Graham Norton (he’s a very successful chat show host with a great track record of getting the best out of his interview subjects) and her not being jet-lagged (!) but – most likely – it shows the natural preference of a public-speaking phobic celebrity for the medium of radio. But some of her warmth in this interview can, I think, be attributed to the fact that she’s talking about a work that she loves.

Norton asked her whether it made her happier to see her films or her novels at No. 1 and – no surprise to HogPro readers here – she admitted that the success of Strike gives her more of a kick than the Fantastic Beasts movies (however different the paychecks). Much of what she said in this interview we’ve heard before (the story about her cover nearly being blown while her husband was eating a ‘research’ fry-up, for example) but much of it was slightly more fully expressed.

As when she thanked the many listeners who wrote in to praise her for getting their children to read: [Read more…]

J. J. Abrams: The Mystery Box

I have been asked to give a TED-length talk later this month at Oklahoma City’s ‘Curiosity Fest’ so I have been watching online some of the most popular videos of this speaking genre. This is a shorter and funnier example with something of a message for Potter-philes about the power of mystery in story-telling. Plus you get to learn how a director gets around the problem of shooting scenes involving a gun forced inside Tom Cruise’s nose. Enjoy!

Lethal White: Graham Norton Interview

The Presence this morning did a radio interview with Graham Norton, the celebrated BBC2 talk show host, in her Robert Galbraith persona. She talked about Lethal White. Sort of. Three quick notes —

(1) Graham Norton, the UK Oprah? I said above that Graham Norton is “celebrated” but I had not heard of him until yesterday. Fortunately the Times of London has done a lengthy profile of him this week, an article which you can read in exchange for your email address. Norton, it turns out, has been doing a celebrity talk show program for twenty plus years, likes Americans, and has written two memoirs and two novels, the latter quite good if winning prizes is any indication. This appearance by Rowling as Galbraith was the first ‘push’ the author has made for the latest Cormoran Strike novel, Lethal White, and is at least the UK equivalent of her ‘Today’ show appearance for Crimes of Grindelwald and her Lumos chat with Whoopi Goldberg.

(2) Clickbait Queen Rowling, even as Robert Galbraith her second pseudonym (‘J. K. Rowling’ being the first; she is legally and what passes for real life ‘Joanne Rowling Murray’), is internet gold. Anything she does or says is almost immediately written up for posting online as sure-thing traffic generators. Both the BBC and The Telegraph, consequently, have already posted summaries and quotations from the Graham Norton interview this morning. I have not been able to listen to the actual interview but we have some idea of what was said from these postings.

(3) Cinderella Story, Cormoran Style It seems, alas, that there was very little discussion of Lethal White, the ‘structure and style’ of crime writing and these four Strike books in particular, or about their relation to the Harry Potter books. This may be (?) a function of few people, to include Norton, having read Lethal White and being able to follow an inside-baseball conversation along those lines. As likely as that is, I fear it also reflects that we have a new ‘groove’ for Rowling interviews.

As we saw on the ‘Today’ interview, we are still obliged in an interview with Rowling about her Wizarding World projects to do a lengthy review of her single-mother-on-the-dole Cinderella story. In her Lumos talk, too, Whoopi Goldberg asked the standard question and received the set answers to how Rowling became involved with the cause of institutionalized children. Now with Norton Graham, we see the Galbraith-Cormoran-Strike interview block we have heard before and will probably be hearing again and again, namely the story of why Rowling chose to write under a different name, how she was outed, etc.

She did repeat the story about the BBC coming to her people about doing a Strike teevee adaptation before she was outed, a tale I have said previously seemed remarkably unlikely (Rowling’s Bronte Studios had just done an adaptation of Casual Vacancy for the BBC). If repetition is a sign of veracity — and of course it isn’t — then there may be something to it. If, like her several pre-outing bold-faced denials that she was writing crime fiction, saying it over and over is just her hope of being believed, so be it.

If you were able to listen to the Graham Norton interview, please do share in the comment boxes below what the click-bait articles about it missed. And even if you didn’t hear it, what do you think of the idea that Rowling now has a Cormoran Strike Interview formula to go along with her Harry Potter and Lumos schticks? Are we present at the creation of a new Rowling meme we will be reading forever after? Thanks for sharing your thoughts either way, here or on Twitter at @HogwartsProf!

Lethal White: Three Things You Didn’t Know About Cormoran’s Doom Bar Ale

I traveled to Swansea, Wales, in 2015 to begin my PhD work at Swansea University. One of my first tasks, while still in jet lag was to meet with new friends at a local pub and to sample Cormoran Strike’s favorite ‘taste of home,’ Doom Bar ale, the “number one cask beer” of the United Kingdom. It’s pretty good! Here are three facts about Doom Bar ale to keep in mind each time you read about the Peg Legged PI drinking one as he tries to figure out the murderer in this book’s mystery.

(1) Cormoran Didn’t Grow Up Drinking Doom Bar

As readers of HogwartsProfessor know better than other readers of Cormoran Strike (because of these researches), our favorite detective was born 23 November 1974. Sharps Brewery in Cornwall, however, didn’t begin brewing Doom Bar Bitter until 1994 when it was a small micro-brewery — and Cormoran was by then off at Oxford at age 20 and then into the Army not long after his mother’s death. When exactly he acquired a taste for the beer we don’t know except that it had to be along with the rest of the UK as an adult rather than from childhood and adolescent memories.

(2) It’s Not All Brewed in Cornwall

Unless you’re drinking Doom Bar in a pub from a “cask” (tap), the beer you’re enjoying is not from Cormoran’s beloved Cornwall, but Burton-Upon-Trent, Staffordshire (West Midlands, England). Doom Bar’s success as a microbewery was the reason Sharp’s was purchased for £20 million in 2011 by the monster of beer corporations, Molson Coors. The brewery in Rock, Cornwall, was not equal to making sufficient beer to meet demand, so, while “cask ale” is still brewed in the original Cornish factory, the bottled brew is made “under licence” 267 miles away at a contract establishment. It’s been out-sourced, in other words. Some drinkers consider this a “con and a fraud” because the beer is marketed as a Cornwall product, but a Sharp’s spokesman says that “the majority of Doom Bar is brewed at Rock.” It’s just that when Strike is “opening the six pack of Doom Bar he brought with him” (ch 7, p 61), it’s not a taste of Cornwall he’ll be having.

(3) You Can’t Have Any – in the US or at The Tottenham Pub

Why did I have to wait until going to Wales to have a sip of Doom Bar at the pub? As the UK’s favorite beer, you’d think it’d be as easy to purchase in the US as a Samuel Smith Taddy Porter or a Guiness. You’d be wrong! Doom Bar can now be had in “Italy, Sweden, and Japan” as well as the UK, but not in the United States. I purchased a bottled six pack (unaware that it was a Stafforshire product…) while in Wales for gifts to give to Strike fans here and to have on hand when Strike 4 was published. Little did I know that treat would be almost three years aging in my pantry!

If you want to drink a topical beer while reading Lethal White, however, there is an American microbrewey beer that might fit the bill. The parallel to Goblet of Fire’s ‘Society for the Promotion of Elvish Welfare’ (SPEW) embedded in the latest Strike novel is ‘Community Olympic Resistance’ (CORE). I really don’t think you’re supposed to cheer for the CORE gang — they’re a laughable bunch of self-important, privileged ‘resistance’ types very much in fashion in the US and UK since Brexit and the election of President Trump — but there is some very good beer made by a company in northwest Arkansas by CORE brewing company. I had a can of their E-Stop Pale Ale last week and it was as good if not better than the bottle-aged Doom Bar I enjoyed on 18 September.

As upsetting as the inability to buy Doom Bar in America is that it can’t be purchased and savored at the Tottenham Pub, now ‘The Flying Horse’, in London on Oxford Street, two blocks from Strike’s premises on Denmark and his favorite place to have a drink. They didn’t carry Doom Bar on tap when I visited — the bartender and waitress had never heard of Cormoran Strike — and I see that hasn’t changed since the BBC One television series debuted, though they do carry another Sharp’s ale and forty other beers. Go figure! It’s a beautiful place, just as Galbraith describes it, but it was purchased by Nicholson’s Pubs and the cognoscenti describe it as something of a tourist trap.

Let me know what you’re drinking — and thinking! — as you re-read Lethal White this week. Are you disappointed that Doom Bar was not the beer of choice for Uncle Ted in St Mawes while Cormoran was growing up? That it’s no longer a beer brewed exclusively in Cornwall? That we in the US cannot get a bottle or a Cornish Cask? Post me a message in the comment boxes below!

JKR Lumos Interview with Whoopi

It’s all about Lumos and Volant charities for Rowling. She said on the ‘Today’ show last week that she realized in 2000 that she would never again write a book or series as wildly popular as Harry Potter. She has told us more than once that her legacy will be the work of the charities she supports, especially the Lumos goal of ending institutionalized child care (orphanages) by 2050. Her appearances in support of Warner Brothers films all, consequently, include at least one gala about Lumos in which she speaks at length. Every actor and actress appears throughout the years between films and the months surrounding release in Lumos gear and promotions (perhaps per their contractual obligations?).

There was a long and thoughtful piece on MuggleNet this morning that argued Rowling and Harry Potter may have ‘jumped the shark’ and fan interest will drop sufficiently to kill the Hogwarts goose laying the golden eggs.

Maybe! I believe, though, that Rowling’s principal creative energies today go to her Cormoran Strike novels and that she participates in the collaborative Wizarding World film making exercises, stage productions, and theme park building just to keep the flood of magical money rolling in for Lumos and Volant, her legacy. There is nothing in the latter that compares with the artistry of the former — and the Strike novels and teevee adaptations are not going to pay the bills for closing orphanages or finding a cure for MS.

Your thoughts? Was there anything in the Lumos interview with Whoopi Goldberg, no doubt a distant relation of Tina and Queenie, that suggests otherwise? (H/T to BG and KL for the links)