Shared Text: Voldemort, Horcruxes, and Sino-Japanese Conflict

Liu Xiaoming, the Chinese ambassador to the United Kingdom, has written a remarkable editorial in the Telegraph, ‘China and Britain Won the War Together,’ in which he explains the evil Japan represents on the Pacific Rim with language straight from a Potter-phile’s dictionary. Could anyone understand this man’s point who was not very familiar with the Hogwarts Saga? His first paragraph:

In the Harry Potter story, the dark wizard Voldemort dies hard because the seven horcruxes, which contain parts of his soul, have been destroyed. If militarism is like the haunting Voldemort of Japan, the Yasukuni Shrine in Tokyo is a kind of horcrux, representing the darkest parts of that nation’s soul.

I’m not sure the analogy works either in the sense of Japan as Dark Lord to the Chinese Communist regime as the China that resisted the Rising Sun Empire in the Second World War “shoulder to shoulder” with British troops or in the parallel the ambassador tries to make with a Horcrux and the Yasukuni Shrine. That’s for political partisans and historians to dispute.

What I think is undisputable is that this is the highest ranking official to use Wizarding World vocabulary in an important statement of his country’s position. This is an order of magnitude greater than the bumper sticker language of  “Democrats for Voldemort” and “Bush killed Lily.” Hat tip to James!

Mailbag: Questions from a Thesis Writer in Argentina

Though I spend most of my Harry Potter dedicated time here at HogwartsProfessor, the largest audience I speak to is the crowd of podCast listeners who tune in to MuggleNet Academia, the show on which I speak to a Potter Pundit and student guest about the artistry and meaning of Harry’s adventures. Produced by Keith Hawk for fandom’s favorite web site (and certainly one of the biggest), the new shows receive as many as 20,000 downloads and has been listened to in more than 100 countries.

I get mail, consequently, from serious readers around the world who have listened to those podCasts and then read one or more of my books. Sometimes they ask questions. Last week Keith forwarded this list of questions from a listener in Argentina who is writing a paper for a university course. Nothing new here, I’m afraid, but I post it as an example of my Walter Mitty existence as a Maven to Muggles. Please share your answers to the questions in the combox for our new friend in Argentina.

1. Do you believe in magic? Why / why not?

Magic as it appears in Harry Potter? No, I don’t believe in spell magic. I believe in the magic that is all the beauty, truth, and goodness that do not have rational, materialist explanations, which is wonder enough.

2. Do you think Harry Potter’s magical universe has been based on real facts about magic? If not, has it just been a figment of her imagination? [Read more…]

Guest Post: The Potter and the Pilgrim — Alchemical Parallelism in Geoffrey Chaucer and Joanne Rowling (Carol Eshleman)

Carol Eshleman sent me these notes before her paper on ‘Literary Alchemy in the Canterbury Tales‘ that I posted last week. This short essay, though it includes some of the same material, speaks to the Potter-Chaucer parallels more explicitly Enjoy!

The Potter and the Pilgrim: Alchemical Parallelism by Chaucer and Rowling

Since becoming a resident of the Potterverse and engrossing myself in John’s books on the series, I’ve become a ridiculous fan of literary alchemy. Therefore, when my Medieval Literature professor told us we could do our term paper on any aspect of Middle English writings, I immediately yelled, “Alchemy!” in a fashion that would’ve made either of my favorite Grangers proud. In an equally unsurprising manner, the research that I was doing on Chaucer seemed to resonate with my own thoughts on Harry Potter. When uncovering the alchemical parallels that are used in the Canterbury Tales, I discovered literary devices strikingly similar to the ones that Rowling uses in the Hogwarts Saga.

In analyzing Geoffrey Chaucer’s famous work, it is important to keep in mind that although the pilgrims are telling separate tales, these stories are not told in isolation. Chaucer’s characters tell stories that comment on, extend, and often mock other tales that have been told previously in the larger narrative. The Miller’s Tale is extremely funny to read on its own, but it becomes more meaningful when seen as a mockery of the Reeve and of the Knyght’s Tale. A lifetime could be spent deciphering parallels between the various tales. The complexity of this endeavor is heightened by the state of the work as a whole. Chaucer never finished writing the Canterbury Tales, and the tales that are completed exist in fragments containing only several stories apiece. Luckily, this can be used to our advantage. Tales within the same fragment tend to have the greatest amount of connections. [Read more…]

Alchemy, Ring Writing, Doppelgangers, and Arabian Nights: The Artistry and Meaning of Mary Shelley’s ‘Frankenstein’

I’ve just finished a hurried reading of Mary Shelley’s Frankenstein: A Modern Prometheus, a book I haven’t read in too many years. In the hopes of encouraging others to pick it up again, I risk making observations about its structures and predominant symbolism which the two centuries of critical literature almost certainly have raised and, as likely as not, dismissed for valid reasons. I’m certain that serious readers of popular fiction will recognize several of the ideas below as the heart of Harry Potter, Hunger Games, and Divergent (not to mention Twilight!). I ask your forgiveness in advance for whatever degree I have seen or ‘found’ only what I wanted to find, even allowing that perhaps having eyes to see such things is the only means of perceiving them.

[Read more…]

Shared Text: The Ohio State Marching Band Plays Quidditch

For the whole show, go here. The Snitch Catching begins at 4:20. Read about it here. Love it!