Sevenyears ago I started a post on Roddy Doyle’s The Woman Who Walked Into Doors but never finished it. In light of Rowling mentioning him as her “favorite living author” in the 1998 interview with Jennie Renton, I thought it as good a time as any to finish it up and send it out. I won’t revise the context of my first reading Doyle’s Woman (1996) or the sequel Paula Spencer (2006)– my laborious PhD survey of Rowling’s admitted influences — but I will share more of Rowling’s raves about Roddy. Enjoy!

I’m reading novels recommended by J. K. Rowling this year as part of my research into probable influences on the most important patterns and parodies in her work. I’m learning a lot and I hope you’re enjoying my hurried posts that I make here — on Molesworth, on Lolita and Pale Fire, even Margery Allingham — in the rush after finishing a book lest I forget what excited me about it.

Some authors and books are ones I’ve never heard of, frankly. The Legend of Manon Lescaut? Paul Gallico’s Manxmouse? If Rowling hadn’t said they were important to her, the odds are very good I never would have picked them up (because they’d never crossed my path). Some are books by writers whose work is unappealing to me after I learn about it. Rowling has said Colette is one of her three favorite writers repeatedly and recommended Cheri to readers. Stories about Cougar courtesans in Paris really aren’t my thing.

In that category, too, I confess, has been a book by The Presence’s “favorite contemporary author,” Roddy Doyle. Rowling recommended The Woman Who Walks Into Doors to Oprah Winfrey herself for that personage’s Instant Best Seller Book Club. I’ve had it on my shelf for years and never picked it up. I finished it late last night.

Here are my three best reasons after the jump for thinking you might want to read it, too, for a better understanding of J. K. Rowling and what she’s after in her work. [Read more…]

 

J. K. Rowling tweeted a message on her return from her birthday cruise around Greenland that it had a been a working vacation, which is to say, she was still writing Hallmarked Man. Even given the clue that she was working on the last part of the book, hence that she may have finished it, we’re a long way from publication. A release before the new year seems unlikely.

Serious Strikers have several options for filling the time remaining before our next fix of the Robin and Cormoran show.

The first and most obvious would be to re-read the first seven novels in the series so it’s all fresh and in the forebrain on opening Hallmarked Man. There’s a lot of work that hasn’t been done in terms of grasping how these books work and what they’re about that anticipation of the new book obscures; I’m thinking of the possibility that Rowling is writing a ten book catalogue of story-types a la Boris Akunin’s Erast Fandorin series as well as the charting of Ink Black Heart, a remarkably complex novel whose structure has been given minimal attention.

The next option would be to read work that is tangentially important to previous Strike novels and to the future one. Books, opera, and a play that come immediately to mind are Ibsen’s Rosmersholm, Spenser’s Faerie Queen, Wagner’s Lohendrin, Barret Browning’s Aurora Leigh, Dylan Thomas’ Complete Short Stories, and, in anticipation of Hallmarked Man, Oxenham’s Maid of the Silver Sea. There are the non-fiction books, too, to pass the time profitably; check out the psychology of cults titles recommended by Strike’s half sister in Running Grave (try Hassan’s Combatting Cult Mind Control if you only have time for one) or Neumann’s Amor and Psyche and Johnson’s The Fisher King and the Handless Maiden for the Jungian mytho-psychological backdrop of the Ellacott-Strike relationship.

And then there is the ‘mental floss’ option, by which I mean not reading anything Strike related but fiction that resonates with this series in progress. Try to find thriller-mystery series with a compelling love story in the backdrop, a heavy dose of humor, and a writer of recognized craftsmanship, preferably one with a background in the ‘Greats.’ They don’t grow on trees, I know, but I’m sure they’re out there.

Which brings me at last to the subject of this post.

Lou Berney has written two Shake Bouchon novels, Gutshot Straight and Whiplash River, and the third, Double Barrel Bluff, will be coming out the first week of November. I’ll be writing about it, believe me, as the United States sorts out what promises to be a rough month of disputed election results. I’m counting on Berney’s latest (and final?) Shake novel to get through all that.

Berney is the real deal as far as craftsmanship goes. His books have won the Macavity Award for Best Mystery Novel, the Hammet Award, the Barry, Anthony, and Edgar Awards more than once, and the Crime Writer’s Association coveted Silver Dagger Award. He taught the Great Books at a private college in California for ten years and two of his novels, Long and Faraway Gone and Dark Ride, reflect his close reading of the Commedia and Don Quixote.

The Shake Bourdon books are Berney’s love letters to Elmore Leonard and Carl Hiaasen, comic noir writers, the way his later work reflects his admiration for Kate Atkinson. Which means they are funny; not Wodehouse slapstick stuff, but dry, delightful humor in minimalist dialogue and brilliant plot twists and narrative somersaults with exotic but credible characters.

And the romance backdrop? The Boston Globe in its review of Whiplash River noted, “Like Carl Hiaasen, Berney delights in the cartoonish. Like Elmore Leonard, he can drive a plot. What sets him apart is how well he evokes love, making the romance…as compelling as the mystery.” The relationship of Gina and Shake with a Charlotte-esque Armenian mafia boss haunting them, definitely will act as a fix for those starved of Strike-Ellacott relationship dopamine hits.

I am currently re-reading Gutshot and Whiplash because the author, who lives in Oklahoma City, believe it or not, has given me a reader’s copy of Double Barrel Bluff. I’m not quite a glee fan girl in my enthusiasm for Berney but my son Zossima and I do enjoy reading and re-reading his books and talking about them which puts him in fairly exclusive company.

My favorite Berney novel remains Long and Faraway Gone, not only because it is set in OKC (the Shake novels inevitably travel from the US to an exotic foreign dangerous locale) but because of its intricate structure that has survived my charting of it; the parallel story lines which intersect more than once deliver a story of complementary antagonism that is masterfully executed and a delight on first, second, and third readings.

If you choose to go the ‘mental floss’ option in the long wait we have before the publication of Hallmarked Man, then, I recommend you check into Lou Berney’s work and especially the two Shake Bourdon books in print and the third coming out election week. Enjoy!

 

The Rowling Library’s September issue, perhaps its best ever, included the story of J. K. Rowling’s 1998 interview with Jennie Renton for a fairly obscure magazine aimed at rare book sellers in Scotland. The TRL story of the original story’s surfacing and the various versions of it that had appeared in other much more widely read periodicals and online is very much worth your time; it can be downloaded here.

Rowling’s ‘early year’ interviews, those done before the creation of Rowling, Inc., the break with her Christopher Little, and the establishment of the Franchise Fortress round her every public appearance and statement, are relatively wide-open in terms of the questions being asked and the answers offered in return. I thought it worthwhile, then, to go through the unguarded Jo Rowling’s answers to a thoughtful interviewer’s questions soon after the publication of Harry Potter and the Chamber of Secrets. Join me after the jump for a line by line review.

Is there any chance Rowling would throw off the self-imposed restrictions on her interviews and take questions from those who have been studying her work for decades? As I wrote in ‘Is Rowling a Coward?’, this is extremely unlikely for a variety of reasons, all along the spectrum defined by the poles of ‘Admirable Prudence’ and ‘Open Cowardice.’ Should she reconsider, I have a list of twenty-five questions from HogwartsProfessor staff and contributors I will gladly forward to her barristers and PR handlers for their vetting.

Until then, let’s go back to the 90’s for a talk with the Freewheelin’ New Hit Author, Jo Rowling! If you’d like a video image of what she looked like 25 years ago, here is a YouTube clip of her speaking with 60 Minutes in 1999. “Ah, but I was so much older then
I’m younger than that now” (Bob Dylan, ‘My Back Pages’).

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