Lethal White: Cormoran’s Real Father?

Joanne Gray was the first to reveal the mythological underpinnings of the Cormoran Strike mysteries. Today she makes a bold speculative leap from the idea that Jonny Rokeby isn’t Strike’s father: could the pivotal fourth book in this series include an embedded story about the real father of the Peg-Legged PI? Be prepared for a shocker, ye Serious Strikers, because Prof Gray may have blown open the core mystery of Strike’s life, that is, how Leda Strike died and Jonny Rokeby’s involvement with her death. Enjoy!

Bookending the Past

One of the first things that the long time readers of the Cormoran Strike series would have noticed while reading the latest book, Lethal White, is that just when they arrived at the place where they would normally find the introduction of the novel’s main mystery, they were instead greeted by Billy Knight, a clearly distressed individual showing signs of mental illness. Billy had shown up in Cormoran’s office insisting he needed him to investigate a crime that may or may not have taken place twenty years ago. The reader is knocked off balance on several levels (though not as much as Denise, the new secretary) but enough to make them wonder where this could be going.

It turns out that the answers would be a long time coming because Billy only stayed long enough to begin his disjointed and jumbled version of what he could remember, before bolting out of the office and before giving Strike either a phone number or an address.

It soon becomes evident that Billy’s story isn’t the main case but is instead serving as a leitmotif, threading through the rest of the book, making periodic intrusions into the slowly unfolding main mystery. These periodic reminders of Billy’s case come in the guise of frantic phone calls that Cormoran misses more often than he picks up. Through most of the book the ever elusive Billy remains beyond just being physically located (much like the deeply repressed memories that will no doubt trouble Strike throughout the fifth book).

Billy’s story that begins before the book’s main mystery, isn’t resolved until after the resolution of the main mystery during the book’s epilogue. It forms bookends around the main story, which revolves around the book’s murder victim, the aristocratic Minister of Culture, Jasper Chiswell, and his extended, dysfunctional family, as his gravitational pull also brings in those who orbit around his family.

I think Billy’s “bookended” past mystery acts like a test run for book five which looks like it will involve a journey into Cormoran’s own deeply repressed memories of his mother’s murder. Memories that have haunted him, much like Billy’s own tormented thoughts have done, for almost twenty years. [Read more…]

Lethal White: Beatrice Groves on ‘Galbraith Meets Graham Norton’

Prof Beatrice Groves, a Research Fellow Lecturer at Trinity College, Oxford University. Her groundbreaking Literary Allusion in Harry Potter was published in 2017. She is a frequent guest on the MuggleNet podcast, ‘Reading, Writing, Rowling‘ and writes for that fandom platform on her dedicated page, ‘Bathilda’s Notebook.’ A frequent contributor to conversations at HogwartsProfessor.com (HogPro), Prof Groves last posted here to discuss the ‘Nagini Maledictus in Fantastic Beasts.’ Today she writes about the Robert Galbraith interview last week with Graham Norton on a BBC2 radio show. Enjoy!

‘I really enjoyed writing this book, it’s probably my favourite of the series both in terms of how it turned out and but also sheer enjoyment. I loved it, I really did.’

On Saturday J. K. Rowling gave a radio interview about Lethal White to Graham Norton on BBC Radio 2. [You can listen to the interview via this link; it begins at 2:30:00.] This is ‘Robert’s’ most in-depth interview since Val McDermid’s in 2014 (cf., Val McDermid interviews JK Rowling (Robert Galbraith) at Harrogate International Festival 2014) and you can hear how much more relaxed Rowling is in it than in her recent televised appearances in America promoting Crimes of Grindelwald and Lumos.

This is possibly due to the warmth of Graham Norton (he’s a very successful chat show host with a great track record of getting the best out of his interview subjects) and her not being jet-lagged (!) but – most likely – it shows the natural preference of a public-speaking phobic celebrity for the medium of radio. But some of her warmth in this interview can, I think, be attributed to the fact that she’s talking about a work that she loves.

Norton asked her whether it made her happier to see her films or her novels at No. 1 and – no surprise to HogPro readers here – she admitted that the success of Strike gives her more of a kick than the Fantastic Beasts movies (however different the paychecks). Much of what she said in this interview we’ve heard before (the story about her cover nearly being blown while her husband was eating a ‘research’ fry-up, for example) but much of it was slightly more fully expressed.

As when she thanked the many listeners who wrote in to praise her for getting their children to read: [Read more…]

Lethal White: Three Things You Didn’t Know About Cormoran’s Doom Bar Ale

I traveled to Swansea, Wales, in 2015 to begin my PhD work at Swansea University. One of my first tasks, while still in jet lag was to meet with new friends at a local pub and to sample Cormoran Strike’s favorite ‘taste of home,’ Doom Bar ale, the “number one cask beer” of the United Kingdom. It’s pretty good! Here are three facts about Doom Bar ale to keep in mind each time you read about the Peg Legged PI drinking one as he tries to figure out the murderer in this book’s mystery.

(1) Cormoran Didn’t Grow Up Drinking Doom Bar

As readers of HogwartsProfessor know better than other readers of Cormoran Strike (because of these researches), our favorite detective was born 23 November 1974. Sharps Brewery in Cornwall, however, didn’t begin brewing Doom Bar Bitter until 1994 when it was a small micro-brewery — and Cormoran was by then off at Oxford at age 20 and then into the Army not long after his mother’s death. When exactly he acquired a taste for the beer we don’t know except that it had to be along with the rest of the UK as an adult rather than from childhood and adolescent memories.

(2) It’s Not All Brewed in Cornwall

Unless you’re drinking Doom Bar in a pub from a “cask” (tap), the beer you’re enjoying is not from Cormoran’s beloved Cornwall, but Burton-Upon-Trent, Staffordshire (West Midlands, England). Doom Bar’s success as a microbewery was the reason Sharp’s was purchased for £20 million in 2011 by the monster of beer corporations, Molson Coors. The brewery in Rock, Cornwall, was not equal to making sufficient beer to meet demand, so, while “cask ale” is still brewed in the original Cornish factory, the bottled brew is made “under licence” 267 miles away at a contract establishment. It’s been out-sourced, in other words. Some drinkers consider this a “con and a fraud” because the beer is marketed as a Cornwall product, but a Sharp’s spokesman says that “the majority of Doom Bar is brewed at Rock.” It’s just that when Strike is “opening the six pack of Doom Bar he brought with him” (ch 7, p 61), it’s not a taste of Cornwall he’ll be having.

(3) You Can’t Have Any – in the US or at The Tottenham Pub

Why did I have to wait until going to Wales to have a sip of Doom Bar at the pub? As the UK’s favorite beer, you’d think it’d be as easy to purchase in the US as a Samuel Smith Taddy Porter or a Guiness. You’d be wrong! Doom Bar can now be had in “Italy, Sweden, and Japan” as well as the UK, but not in the United States. I purchased a bottled six pack (unaware that it was a Stafforshire product…) while in Wales for gifts to give to Strike fans here and to have on hand when Strike 4 was published. Little did I know that treat would be almost three years aging in my pantry!

If you want to drink a topical beer while reading Lethal White, however, there is an American microbrewey beer that might fit the bill. The parallel to Goblet of Fire’s ‘Society for the Promotion of Elvish Welfare’ (SPEW) embedded in the latest Strike novel is ‘Community Olympic Resistance’ (CORE). I really don’t think you’re supposed to cheer for the CORE gang — they’re a laughable bunch of self-important, privileged ‘resistance’ types very much in fashion in the US and UK since Brexit and the election of President Trump — but there is some very good beer made by a company in northwest Arkansas by CORE brewing company. I had a can of their E-Stop Pale Ale last week and it was as good if not better than the bottle-aged Doom Bar I enjoyed on 18 September.

As upsetting as the inability to buy Doom Bar in America is that it can’t be purchased and savored at the Tottenham Pub, now ‘The Flying Horse’, in London on Oxford Street, two blocks from Strike’s premises on Denmark and his favorite place to have a drink. They didn’t carry Doom Bar on tap when I visited — the bartender and waitress had never heard of Cormoran Strike — and I see that hasn’t changed since the BBC One television series debuted, though they do carry another Sharp’s ale and forty other beers. Go figure! It’s a beautiful place, just as Galbraith describes it, but it was purchased by Nicholson’s Pubs and the cognoscenti describe it as something of a tourist trap.

Let me know what you’re drinking — and thinking! — as you re-read Lethal White this week. Are you disappointed that Doom Bar was not the beer of choice for Uncle Ted in St Mawes while Cormoran was growing up? That it’s no longer a beer brewed exclusively in Cornwall? That we in the US cannot get a bottle or a Cornish Cask? Post me a message in the comment boxes below!

JKR Lumos Interview with Whoopi

It’s all about Lumos and Volant charities for Rowling. She said on the ‘Today’ show last week that she realized in 2000 that she would never again write a book or series as wildly popular as Harry Potter. She has told us more than once that her legacy will be the work of the charities she supports, especially the Lumos goal of ending institutionalized child care (orphanages) by 2050. Her appearances in support of Warner Brothers films all, consequently, include at least one gala about Lumos in which she speaks at length. Every actor and actress appears throughout the years between films and the months surrounding release in Lumos gear and promotions (perhaps per their contractual obligations?).

There was a long and thoughtful piece on MuggleNet this morning that argued Rowling and Harry Potter may have ‘jumped the shark’ and fan interest will drop sufficiently to kill the Hogwarts goose laying the golden eggs.

Maybe! I believe, though, that Rowling’s principal creative energies today go to her Cormoran Strike novels and that she participates in the collaborative Wizarding World film making exercises, stage productions, and theme park building just to keep the flood of magical money rolling in for Lumos and Volant, her legacy. There is nothing in the latter that compares with the artistry of the former — and the Strike novels and teevee adaptations are not going to pay the bills for closing orphanages or finding a cure for MS.

Your thoughts? Was there anything in the Lumos interview with Whoopi Goldberg, no doubt a distant relation of Tina and Queenie, that suggests otherwise? (H/T to BG and KL for the links)

Lethal White: BBC1 Adaptation a ‘Go’

BBC One announced today that Lethal White is coming to the little screen in your living room.

Piers Wenger, Controller of BBC Drama, says: “We are delighted to announce that the Strike series will return to BBC One with Lethal White. J.K. Rowling, once more in the guise of Robert Galbraith, has delivered another brilliant, knotty and original crime story. We are honoured to be working with Jo and once more with Holliday and Tom as Robin and Strike, to bring this hit series back to BBC One.”

The details?

(1) It will be a “four-part drama,” longer than any of the previous adaptations, which, given Lethal White‘s length, is simultaneously a relief and a shock: great that they aren’t going to squeeze it the way they did Silkworm and Career of Evil so that the story is almost not recognizable, but, then again, only four parts? How are they going to break this story up so that it works in four installments?

(2) Everyone in the original teevee series is back. Bronte Film and TV, Rowling’s production team, are all on board again with Rowling, Neil Blair, and Ruth Kenley-Letts listed as Executive Producers and Tom Edge as screenwriter. Tom Burke, not quite six feet tall, will return as well as the diminutive Cormoran Strike, and Holliday Grainger, too, is back as Robin Ellacott-Cunliffe.

(3) We get some numbers in this press release. The BBC brags that each of its adaptations reached a big audience: “Each series was watched by more than 7 million viewers in the UK alone.” I guess that’s really good for ‘over there.’ In the US, a much, much more populous country, our top teevee shows get almost three times that number as their audience. And I doubt the ‘Strike’ adaptations on cable here managed even seven million viewers.

More interesting to me was the number of books the Robert Galbraith series has sold. 

The Cuckoo’s Calling was published to critical acclaim in 2013 and went on to be a global bestseller, followed in 2014 by The Silkworm and Career of Evil in 2015. All three books were number one Sunday Times bestsellers in both hardback and paperback and Little, Brown has sold in total more than four million copies worldwide across all editions.

Three books by J. K. Rowling writing under a pseudonym have sold “four million copies worldwide” in the five years of their publication. I know comparisons of this kind are simultaneously odious and inevitable but here it is: Deathly Hallows sold 8.3 million hardcover copies in the United States in the first 24 hours of its being on sale. Cursed Child, the best selling book of 2016, a story not even written by Rowling, sold 4.5 million copies in the US alone in its first year. I couldn’t find any numbers for the Fantastic Beasts screenplay beyond that it made #3 on the USA Today best sellers list the week of its release (Lethal White is now #2 there) — and it, of course, was only a transcript of the film’s final cut (sort of); few wanted to read the movie they could watch.

What are your thoughts about this news and these numbers? Are you looking forward to seeing the adaptation of Lethal White? What scenes do you hope they get right? Which ones will almost certainly get cut? Let me know in the boxes below!

Tomorrow I’ll share a literary reason why Strike will never sell like Harry Potter did and the Wizarding World does: ostrananie. Stay tuned!