The Behind-The-Scenes video of how they made this clip can be seen here.
Maybe you’re like me and you didn’t know (or forgot?) that Amazon is filming a prequel to J. R. R. Tolkien’s The Lord of the Rings novels. Today the title for this series was announced from Valhalla with quite a few Wagnerian effects: ‘The Lord of the Rings: The Rings of Power.’
“This is a title that we imagine could live on the spine of a book next to J.R.R. Tolkien’s other classics,” showrunners and executive producers J.D. Payne & Patrick McKay said in a statement. “The Rings of Power unites all the major stories of Middle-earth’s Second Age: the forging of the rings, the rise of the Dark Lord Sauron, the epic tale of Númenor, and the Last Alliance of Elves and Men.”
They added: “Until now, audiences have only seen on-screen the story of the One Ring – but before there was one, there were many… and we’re excited to share the epic story of them all.”
In the title video, various shots of Middle-earth are seen as molten metal is poured into a forge and cooled to create the series’ title in silver, its lettering in Elven script. Over this, a female voiceover – a young Galadriel perhaps? – recites Tolkien’s epigraph to Lord of the Rings
Still feeling a bit lost? I sure was. Here’s back-story from Wikipedia:
The Lord of the Rings: The Rings of Power is an upcoming American television series based on stories by J. R. R. Tolkien. Developed by J. D. Payne and Patrick McKay for the streaming service Prime Video, the series is set in the Second Age of Middle-earth before the events of Tolkien’s The Hobbit and The Lord of the Rings novels. It is produced by Amazon Studios in cooperation with the Tolkien Estate and Trust, HarperCollins, and New Line Cinema, with Payne and McKay serving as showrunners.
Amazon bought the television rights for The Lord of the Rings for US$250 million in November 2017, making a five-season production commitment worth at least US$1 billion. This would make it the most expensive television series ever made. Payne and McKay were hired to develop the series in July 2018, with the rest of the creative team confirmed a year later. The large ensemble cast includes actors from around the world. Filming for the first season took place in New Zealand, where the Lord of the Rings and Hobbit film trilogies were made, from February 2020 to August 2021, with a production break of several months during that time due to the COVID-19 pandemic.
The first eight-episode season is scheduled to premiere on Prime Video on September 2, 2022. A second season was formally ordered in November 2019. Amazon announced in August 2021 that filming for future seasons would take place in the United Kingdom.
I think the take-away here is the date ‘November 2017.’ Christopher Tolkien, third son of J. R. R. Tolkien and appointed literary executor, had been head of the Tolkien Estate and Trust until August 2017. The Tolkien Estate and Trust, insomuch as it was the sock-puppet of Christopher Tolkien, despised the movie adaptations of Lord of the Rings and sued the film makers repeatedly and successfully for breach of contract. I discussed this in a 2013 post, ‘The Tolkien Estate and the Movies: Why We Should Care.’ If you doubt Christopher Tolkien “despised” the movies, here is a direct quote from the man:
Invited to meet Peter Jackson, the Tolkien family preferred not to. Why? “They eviscerated the book by making it an action movie for young people aged 15 to 25,” Christopher says regretfully. “And it seems that The Hobbit will be the same kind of film.”
This divorce has been systematically driven by the logic of Hollywood. “Tolkien has become a monster, devoured by his own popularity and absorbed into the absurdity of our time,” Christopher Tolkien observes sadly. “The chasm between the beauty and seriousness of the work, and what it has become, has overwhelmed me. The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing. There is only one solution for me: to turn my head away.”
The current project — and it’s $250 million advance with a likely $1 billion payday — was only possible when Christopher Tolkien not only turned his “head away” from the desecration of his father’s work, but also removed himself as the obstacle to this great profit taking. I write about this here for three reasons: [Read more…]
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