Harry Potter by the Numbers: 1,084,170

Your indispensable morning factoid and invaluable follow-on information! Here are the number of words in the Harry Potter novels and comparisons with the word counts of other well-known works.

Quantity is not quality, of course, but don’t make the mistake of neglecting that quantity is one quality — and not an unimportant one. If your spoon at breakfast weighed thity five pounds, you might have had less oatmeal.

So, how many words are there in Harry Potter? More than a million. Via WordCounter.net

  • How many words are in Harry Potter and the Sorcerer’s Stone? There are 76,944 words.
  • How many words are in Harry Potter and the Chamber of Secrets? There are 85,141 words.
  • How many words are in Harry Potter and the Prisoner of Azkaban? There are 107,253 words.
  • How many words are in Harry Potter and the Goblet of Fire? There are 190,637 words.
  • How many words are in Harry Potter and the Order of the Phoenix? There are 257,045 words.
  • How many words are in Harry Potter and the Half-Blood Prince? There are 168,923 words.
  • How many words are in Harry Potter and the Deathly Hallows? There are 198,227 words.

The Harry Potter books contain 1,084,170 words

Order of the Phoenix is 1/4 of the total, just a tad short of the first three books’ word counts combined.

More to the point, any class requiring students to read the series before registering is setting a million word point-of-entry.

I’m pretty sure that’s a unique threshold outside of Old Testament studies in Divinity School.

 

Other Word Counts for Famous Novels as Points of Reference —  Via CommonPlaceBook.com

[Read more…]

Name That JKR Twitter Header Ceiling!

Three Notes for Valentines Day (beyond ‘Will You Be Mine?’):

(1) We have a new header on the Rowling Twitter page. She has written that the headers reflect her current thinking. We cannot speculate with even the pretense of knowing what we’re talking about, though, if we don’t know anything about the picture. This architecture-and-art-history know-nothing asks for your help; do you recognize the ceiling pictured above?

Update: We have a winner! Oxford’s Beatrice Groves has recognized it as “the ceiling of St Mary Undercroft in the Houses of Parliament.

Read all about that sacred space in the locus of UK government here and here.

So, why would Rowling be thinking about St. Mary’s as she finishes up (we pray) the last pages of Lethal White? My fantastical, hope-laden guess is that it is where Cormoran and Big Daddy Rokeby have their third meeting and a confrontation echoing the Black Mass baptism in Goblet’s ‘Little Hanngleton Graveyard. Your thoughts on that stretch?

(2)  Please note that the several controversies celebrated in the Potter blogosphere as Rowling’s liberal children turning against her for supposed failings in principle with respect to LGBTQ+ representation and violence against women have resulted in a net gain of 200,000 twitter followers for The Presence since the crisis began. That mute button she’s pushing seems to be helping her cause.

(3) I never did post anything about the previous header (below) because, well, what was there to be said? Stack of books still-life. Maybe she was writing novels for a change? Let’s hope.  Your best guesses on the old and new Twitter headers are welcome in the comment boxes below!

Update 2: And, hold on, she changed her insert photo on the header in less than a day. We went from sultry goddess to friend-next-door selfie in the blink of an eye. My guess is that the Rowling, Inc., image management team decided now was not the time for evening wear and the 1% look. Good move. Your thoughts?

Harry Potter and the Twitter Turn About

Cait on Twitter: “JK Rowling reveals Dobby was actually Clinically Depressed all along !!!”

See also, ‘J. K. Rowling Created an Army of Liberals — And Now They’re Turning Against Her.’

My guess is that those unhappy with the ‘No Homo’ Cursed Child, the Depp Embrace, and the reported “straight-washing” of Dumbledore in Beasts, not to mention Rowling’s “muting” the outcry, are a very small minority in the 14 million followers she has on Twitter — but the disappointed fans there can be very funny.

Take the above MadLibs variation mocking Rowling’s ‘Retroactive Representations’ in her fiction, a not so subtle suggestion that this fan thinks The Presence is only virtue-signalling by such post publication reveals.

Or the Twitter follower whom Rowling re-tweeted about scientists’ announcement that they believe the first Britons were “dark skinned.”

Why would Rowling in the midst of the firestorm in a tea kettle retweet someone with the moniker ‘Make Dumbledore Explicity Gay’? She didn’t. The ‘somegreybloke’ tweeter whose anti-Brexit joke she enjoyed changed the name to shame her:

So… 14 million followers of Rowling’s Twitter feed get the message from this sly guy’s new name that even those “on her side” vis a vis Brexit don’t think she is speaking truth to power sufficiently with the not-explicit Dumbledore. Because doing the “hard thing” is the right thing to do even if it means losing at least a hundred million dollars.

Right or wrong, Rowling’s detractors share her acerbic wit. I wonder how she is feeling about being the target of same and the social media shaming it comes with.

Is turn-about fair play or are we obliged to be as sympathetic with her plight as we are for those she has dismissed previously as deplorables? I think the latter, albeit charity and empathy tinged inevitably with Schadenfruede.

‘Living Through Death With Harry Potter’

From The Atlantic, 23 January 2018:

Living Through Death With Harry Potter

Trauma and tragedy play a role in a lot of children’s literature. But it was J.K. Rowling’s series that helped me cope with almost dying.

By Alice Lesperance

Like many people who grew up in the ’90s and early aughts, my youth was indelibly shaped by J.K. Rowling’s Harry Potter series—by attending midnight-release parties, getting my hands on the latest books, and lining up to watch the new films. To a generation of fans, Harry can sometimes feel more like a childhood companion than a fictional character. Starting in 1997, Rowling followed the boy wizard and his friends through their teenage years, paying as close attention to the mundane (crushes, school dances, exams) as to the magical (potion-making, Quidditch, house elves). But, crucially, the series was unafraid to grow darker and more serious as it wore on. The later books, especially from Harry Potter and the Order of the Phoenix onward, show what it’s like to carry the weight of awful things; they go further than most children’s literature, doubling down on the guilt, fear, violence, and, ultimately, death that the young heroes face.

Revisiting the series is always a joy, but although I tend to speed through the first three books, I instinctively start slowing down at Harry Potter and the Goblet of Fire. I feel a bit of apprehension, knowing what lies ahead. As someone who suffered a traumatic event at a young age it hurts even 10 years later to read the inner thoughts of a teenaged Harry as he starts losing more of his friends and loved ones.

I almost died once. At age 16, I was sitting in the hallway of my high school in southern Alabama when a tornado…

Read the Whole Thing.

Imagination vs Interactive Technology: The End of the Potter Saga’s Magic?

In the last month three significant interactive technology ‘opportunities’ have been rolled out for the legions of Harry Potter fans.

I’m not going to do more than mention Globus Mundi the rumored travel agency for both Wizards with Gringotts accounts and Muggles with cash.

I think it’s safe to say that this new wave of virtual technologies and “immersive experiences,” especially the Hogwarts Mystery and Beasts Virtual Reality games, represents the fourth step away from authentic, actually imagined story experience via text. Here is my quick list of the experiences currently available for purchase and their relationship with the Hogwarts Saga in descending order of quality, which is to say, the greater and greater separation from the reader-author imaginative experience and that story immersion’s capacity for transforming us into people of greater understanding and love.

[Read more…]