Hogwarts Professor

I have seen Crimes of Grindelwald twice now and started reading and charting the “original screenplay.” This work is being delayed because of a flood of revelations about Rowling’s real story, the shooting script.

The biggest secret of the story, one kept much better than before the first film in the Fantastic Beasts franchise, is which scenes from the shooting script were cut for the final version of the movie, the so-called “deleted scenes.” That secret is busting open now with reports of more than fifteen deleted scenes, ones we had been shown in the various trailers and others which actors are discussing now in their endless junket interviews. If we are to see Rowling’s artistry rather than Yates’ blockbuster formula edit, we have to have these scenes in their sequence to chart the ring or whatever “structure” The Presence told us was her singular accomplishment in telling this ensemble story.

So, that’s a work in progress! While I sort through that with help from various friends, I hope to share some guest posts this week and some stray thoughts for your consideration and comment. Today’s three thoughts are about Travers, the Weekend Box Office, and a Lethal White plot point as a potential clue for solving Crimes of Grindelwald’s ‘Aurelius Dumbledore’ mystery. Join me for those after the jump! [Read more…]

(1) Only Rowling – A: Only J. K. Rowling could get away with making such a disastrous stand-alone movie. Film goers not well versed in the characters, relationships, and plot points of the first film, heck, the entire Wizarding World mythology, are going to be lost from start to finish in Crimes of Grindelwald. This is to skip over the large ensemble cast, the hurried-to-the-point-of-blurring character development, and the series of go-nowhere references and unfinished bridges in the story-line signaling “On To the Next Film!” Only Rowling and her team of film makers would have been given a pass from Warner Brothers to spend the hundreds of millions of dollars necessary to make and market this blockbuster production that will leave non-Potter-philes wondering, “What the hell was that about?” And delight the fandom base…

(2) Only Rowling – B: Really, the depths and tricks and McGuffins and literary magic in this movie! I hope to be writing four longish posts in the coming month on the ring structure of Crimes, the alchemical points, the narrative slow release and misdirection, and the requisite ‘Hidden Text’ that the characters are trying to interpret as we try to interpret the story they’re in. This is Rowling at the top of her game and unleashed in another medium, free to break the rules to create the episodic story only she can pull off.

(3) The Gamesmanship: I am so glad I stayed out of the “Figure Out Every Clue from the Trailers!” blogging and YouTube interpretative frenzy before the film’s release. I can think of several pictures and sequences that weren’t even in the movie — and the direct hits the frenetic seekers after secrets before we had the text came up with (and there were a bunch, of course, most remarkably the blood oath token) did little to dull the effect of the many surprises and story shifts of the final product. The Warner Brothers marketing team that kept that part of fandom who followed all their clues in a feeding frenzy without giving away the fun deserve some kind of Honorary Oscar for Deceit In Pre-Release Hype. They are the masters.

I am out the door to buy my copy of the book, the Surely-not-Original Screenplay, and to watch the film a second time. Because, again, this is an ‘Only Rowling’ experience in movie making; as with her novels, you will not, cannot get it until you begin the re-reading — a re-reading with the knowledge of the tricks she has in her kit and her preferred tools to transform our vision. Please share your first thoughts below!

The owls from around the world are coming in to ask what the HogwartsProfessor team thinks of the new Wizarding World franchise film, The Crimes of Grindelwald. My son has seen it and charted the scenes at his lonely viewing on Tuesday (only fifteen fans showed up for the Fandungo early release showing in OKC — Dumbledore’s scene with Leta is the storypivot, his chart says). I hope to see the movie and buy the screenplay tomorrow — or buy and read the screenplay before seeing the film. That would be different, no?

What I hope will happen in this post’s comment thread is that serious film viewers and readers will share their thoughts down below about Crimes of Grindelwald, ask questions you hope we will try to answer here in the coming weeks, and begin discussion yourself of the actors and actresses, director’s cut, the music, the scenery, the costuming, i.e., the movie’s successes, failures, and what your best guess is about films three, four, and five. Let the criticism,interpretation, and speculation begin…

If your review runs to more than several hundred words, send it to me via the contact page here and I’ll see if it is appropriate for a Guest Post. The more the merrier! Thank you in advance for sharing your thoughts, your questions, your answers, your complaints, and your praise for Crimes of Grindelwald below. See you there.