Jennifer Lawrence: Loved Then “Outgrew” Harry Potter

Why do we care about the life histories of actors and actresses? This would have been an embarrassing conversation for all involved if you overheard it at a High School reunion or singles bar. That the audience laughs hysterically and applauds her most demeaning stories is common fare, I know, but it’s still eerily reminiscent of Caesar Flickerman’s annual Q&A with tributes morituri before the Capitol crowds, no?

File this, though, under “Shared Text.” The ‘face of Katniss Everdeen forever and ever’ talks about having read Harry Potter “three times” and, though she “outgrew” the series, about “screaming” when she first met “Harry Potter,” meaning, I assume, Daniel Radcliffe, the ‘face forever and ever of The Boy Who Lived.’

I’m guessing Mr Radcliffe, for all his failings, would not refer to Miss Lawrence as “Katniss Everdeen.” Like Peeta, he’s better than Katniss/JLawr at this kind of exchange. Life imitating art, again?

JKR: Some Scots for Independence ‘Death Eaterish’

Ms Rowling entered into the Scottish Independence fray last week with another million pounds sterling donation to ‘Better Together’ and comments about the natives who think she is insufficiently Scot — about 25% through her Franco-Scot mother — to be offering guidance on this question. From the Christian Science Monitor article:

Rowling writes that “there is a fringe of nationalists who like to demonise anyone who is not blindly and unquestionably pro-independence and … they might judge me ‘insufficiently Scottish’ to have a valid view.” But she says that “when people try to make this debate about the purity of your lineage, things start getting a little Death Eaterish for my taste.” And she adds that “by residence, marriage, and out of gratitude for what this country has given me, my allegiance is wholly to Scotland.”

She goes on to explain her rationale for a “yes” vote: “My hesitance at embracing independence has nothing to do with lack of belief in Scotland’s remarkable people or its achievements,” she writes. “The simple truth is that Scotland is subject to the same 21st century pressures as the rest of the world. It must compete in the same global markets, defend itself from the same threats, and navigate what still feels like a fragile economic recovery.”

This kind of donation from a literary celebrity and the ancillary poisonous dismissal of the inevitably ‘lunatic fringe’ (which colors all those not of her camp with the Wizarding World equivalent of “Nazi pure-blood fanatic’) excited the Fleet Street minions and Muggle Rita Skeeters as clearly Ms Rowling knew the size of her donation and choice of words would.

If you doubt that, consider the likelihood that the author of the ‘Hermione-manipulates-Skeeter’ scenes in Order of the Phoenix does not calculate effects when giving away $1.67 million dollars. I’d put the odds of that at about zero.

Anyway, I was called by Justin Parkinson, a BBC reporter, for my thoughts and we talked about the meaning of ‘Death Eaterish’ to Harry Potter fandom, about the China-Japan invocation of Lord Voldemort in a recent dispute, and the Shared Text quality of the Hogwarts Saga — all of which points made it into his article. BBC Radio in Ulster called me while I was out for a bike ride for a drive time interview over there. Imagine me with goofy helmet sitting on an OKC side road’s curb talking via cell phone with Northern Ireland commuters about the ins and outs of UK politics and Rowling Studies.

Links after the jump. [Read more…]

Hunger Games: Art Depicts Life Which Imitates Art?

Hogwarts Professor Freeman posted here earlier this week about the pro-democracy demonstrations in Thailand that have taken on the three finger symbol of resistance featured in the Hunger Games books and films. I wanted to add three notes to this subject.

First, I find this adaptation both unnerving and important. It points simultaneously to the meaning of Ms Collins’ artistry in this trilogy and its potential for use and abuse.

Ms Collins is after a herd of big game in her Panem saga. One of the biggest beast questions she tries to address is the power of media and story in our lives, how story and corporate media fashioning of that story’s screened images shape our understanding of ourselves, life, and the world. Hers is not a pretty picture and the Gamesmakers, although they are largely the servants of the Capitol and District 13 governmental faces of capitalist and statist fascism, are perhaps the greatest villains of the narrative.

The events in Thailand are disturbing, I think, because they reflect how a popular culture consumed country like the country in question so easily takes on the powerful images 0f Catching Fire’s depiction of the Victory Tour’s stop in District 11.

This illustrates Ms Collins’ point about the potential of story to change people’s lives, as the Mockingjay Resistance is stirred by the Katniss and Peeta story as written by Haymitch, Plutarch, and Cinna and then twisted by President Coin to serve her ends. Forgive me for wondering, as we watch the Thai protesters, how long it will be until the images and sacrifices become commercialized and packaged.

Second, I think this is a real possibility because the conversation about the depths of meaning in The Hunger Games has been restricted to the political narrative, and, even in that sphere, to the political narrative of the left. Hollywood has recast the films so the crony capitalist government of President Snow is the black hat and the Gamesmakers are the game changing good guys, at least in potential. The spiritual dimensions of Katniss’ and Peeta’s love story, the essence and heart of the books, are lost.

I felt this most strongly when reading a strident and eloquent criticism of the story’s by a Catholic woman, Ellen Finnigan, active in efforts to combat war and violence. [Read more…]

JKR on the Hogwarts Saga as Seen From Draco’s Perspective

A Harry Potter reader named (?) Cassidy posted a thought on @jkrowling social media that “I would give anything to read Harry Potter from Draco’s perspective.”

The Presence herself responded, believe it or not. Unlike other authors — Orson Scott Card and his disciple Stephenie Meyer come immediately to mind — Ms Rowling does not promise to re-tell the stories from another character’s point of view to re-invisage, reinvent, or critically review the first telling. She just shares a list of the book titles from Draco’s Hogwarts Saga.

  • Draco Malfoy and the Rejected Handshake
  • Draco Malfoy and the Better-Than-Potter’s Broomstick
  • Draco Malfoy and Hagrid’s Bloody Chicken
  • Draco Malfoy and the Year His Father Would Hear About
  • Draco Malfoy and the Inquisitorial Squad
  • Draco Malfoy and the Vanishing Cabinet
  • Draco Malfoy and the Year He Realized He Had Been a Douchebag

Three notes:

(1) The ‘Douchebag’ final note indicates that Ms Rowling needs a social media handler or she should just say no to drinking and twittering.

(2) The idea that Draco and company think of Hippogriffs as “bloody chickens” really is funny. And, yes, I know that ‘bloody’ in the UK carries more weight on the playground than ‘douchebag’ or even the f-bomb. Not so in the US, so we can give it a pass. The note, funny as it is, however, reflects such a degraded mind and disenchanted workdview, that we can be grateful all we have is the titles.

(3) Books 1-2 reflect Draco’s Harry obsession, I confess to not ‘getting’ Book 4’s title (either just a note that the TriWizard Cup would be well publicized or an aside about Draco feeling neglected or… what?), and Books 5 and 6 actually sound interesting. Draco actually was a player in these two years. I can imagine reading and enjoying these two installments.

Link below the jump — comments and corrections, coveted as always! Hat tip to Ideal James.

[Read more…]

Life Imitates art: Thai rebels adopt Hunger Games salute; risk arrest

News articles here and here.

May the odds be ever in their favor.