A few weeks ago, our esteemed headmaster and a friend of this blog both consulted me in their puzzlement over the popularity juggernaut that is Disney’s Frozen. Rather than fading, the film continues to dazzle, with an ice show and Broadway productions in the works, connections on the popular show Once Upon A Time, and even a huge boom in the name “Elsa” for babies! My learned colleagues really don’t get it (and let’s be honest, the Headmaster hasn’t seen it. I think he had heard of it. Maybe…) As the resident faculty film fancier and a fully-fledged Frozen aficionado, I offered to toss out my Seven Keys to Frozen’s immense popularity, and I hope you will join me in the conversation. Please don’t shut me out, please don’t slam the door…
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“Do You Want to Read My Blog Post?” Of Course, You Do! Seven Keys to Why Disney’s ‘Frozen’ is (still) Red Hot
Reading Cuckoo and Silkworm Side-by-Side: A Concurrent Reading to Discover the Cormoran Strike Story Formula
Note: this was originally a comment to John’s first Silkworm post. Per our Headmaster’s request, I am hastily re-posting as a bona fide post, posthaste. Spoilers for The Cuckoo’s Calling and the first 12 chapters of The Silkworm below the jump.
I had had the good intentions to re-read The Cuckoo’s Calling before starting The Silkworm but did not get it done. So, I decided to read them concurrently and make my notes alternating: first Chapter 1 in CC, then chapter 1 in The Silkworm, etc. Obviously the chapters won’t match up perfectly, but knowing Rowling’s tendency to build the Harry Potter books on the same sequencing formula, this seemed as good an idea as any. [Read more…]
Silkworm and J. K. Rowling: Interviews in 1998, 2005, and 2012
Having just finished The Silkworm, I think we can see represented below in this token sample of interviews from Ms Rowling’s past the struggling, prematurely aging, red-headed writer named Kath Kent, the blonde Robin coming to terms with her discovery of who she is, and the several literary celebrities whose self-importance is lampooned cover to cover. The Silkworm all but demands this kind of “personal; heresy” interpretation, as touched on yesterday, and which I’ll explain in greater detail next week. Until then, enjoy the remarkable transfiguration of Jo via this YouTube time capsule opening.
The Silkworm: First Thoughts on Rowling’s Latest
True confessions time! I have not yet finished reading The Silkworm. Nonetheless, I have some thoughts I want to share about the book after only reading the first 28 chapters, what I think of as the first half of the book. This preemptive posting is not standard operating procedure at HogwartsProfessor, so let me explain why I’m commenting at significant length before having read all the way through.
First, it’s a promise I made to myself after reading Casual Vacancy and again after finishing Cuckoo’s Calling. I made a commitment not to read straight through future Rowling efforts but to make notes on each chapter as I went along. I pledged to do this out of frustration and hope. The frustration was that I found it very difficult to stop and take notes through the whole book on my first second-pass because I was in speed-read mode rather than the mental framework for close-reading. I still haven’t finished the outlining of Vacancy or Calling the way I want.
My hope was to slow it down, consequently, and savor the ride and all the clues and back references being made through the Silkworm mystery. Of course, I also wanted to be as sensitive as I could be to the structural clues and Rowling signatures we know from her Hogwarts Saga and previous post Potter publications. By which I mean principally “Ring Composition” and “Literary Alchemy.”
So far, so good. I’m 28 chapters in and I have made notes on each chapter, with thoughts about what the story seems to be about. Right now, I’m thinking it’s not unlike Chamber of Secrets and Prisoner of Azkaban in several ways. More on that in a minute.
If you’re interested in what I think Ms Rowling is doing even though you’re well aware that I haven’t finished the book, take the leap over ‘the jump.’ This is almost as much fun, for me at least, as guessing the elements and plot points of the Harry Potter novels as they came out. Here, though, if I hit any bull’s eyes, readers will naturally be skeptical that I peeked at the finish or read some reviews. I’ll risk that — and the much more likely possibility that I will be miles off and embarrassed tomorrow when I try to finish my close reading.
There are spoilers below, too, but only for plot points of the first half of the book and my guesses about the end! You’ve been told, pro forma.
Shared Text: Colbert says Amazon lead by Lord Bezos-mort
Colbert gets his biggest laugh when he calls Amazon CEO Jeff Bezos “Lord Bezos-Mort.” To risk explaining the obvious, is there any other character in fiction ever whose name could be so altered and no one would struggle to get the joke? Well, okay, the visual helped, but you get my point.
Full disclosure (or is it TMI?) — I have some skin in this game. My books are published by four different companies: Penguin, Tyndale, Zossima Press, and Unlocking Press, the last of which is my adventure in self-publishing. Though these titles are available at bricks-and-mortar stores, especially Barnes & Noble, the great majority of their sales are through Amazon.com, as paperbacks or e-books.
Here’s the thing. Amazon, unlike Barnes & Noble online, no longer offers discounts for any of my books, and, for titles from Zossima Press, books that are printed by Lightning Source rather than Amazon’s Create Space, the books are only available “In Two to Four Weeks” or, as with Deathly Hallows Lectures, they are listed as “Temporarily Out of Stock.”
Why? Because Amazon wants to crush Lightning Source publishers and create a ‘Create Space’ monopoly that closes off all space at their online platform for writers at LSource not willing to agree to Amazon’s much less generous terms. The absence of discounts on backlist items that sell consistently drive Amazon Marketplace used book sales from which Amazon takes a cut without having to order or move any books. Authors and publishers, of course, receive no money from used book sales on Amazon or anywhere, for that matter.
I recently learned that more than 100,000 copies of my books have been sold online and in retail outlets in the last ten years. I’ll never know how many have been purchased as gifts and never read, of course, or how many readers have shared copies with friends. I get a decent amount of mail each week and there are always notes from those who borrowed the book in question from a friend or the library. C’est la vie.
I’m with Mr Colbert, though, in lamenting that I can be confident I am losing royalty money every day because of Amazon’s discount policies and biggest-gorilla-in-the-room tactics to strong arm publishers into submission. I do not want government intervention or even your sympathy, truth be told. The market is what it is. What I’d like to see is American publishers creating an alternative online venture with which Amazon would have to compete, something more user-friendly than BN.com. Please let me know if you’re aware of a venue of this kind that already exists!
Tomorrow, first thoughts on The Silkworm —
More Colbert and Links to articles about this story and to book pages after the jump:
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