Hogwarts Professor

The end of the Seven Book Ring and Deathly Hallows Strike-Shadow!

Nick confesses to having felt stumped about what to say as his ‘Lake’ contribution to the Strike7 discussion — before his epiphany on a long walk with Addie that almost every buoy or pillar in Rowling’s metaphorical place of inspiration finds its reflection in the seventh Galbraith mystery. John refuses to go into any detail about the work’s ‘wheels within wheels within wheels’ ring structure but shares instead the symbolic depth of Mama Mazu’s mother of pearl fish pendant.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Back to Fantastic Beasts for the seeming end of the unfortunate film franchise!

Nick lays out the drama surrounding the third Fantastic Beasts franchise film and his favorite part of the movie (hint: it’s about “confusion”). John reveals why Jacob gets a Snakewood wand (think “1965”!) and one without a core as well as why he thinks Kowalski is the embedded author in this series.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

In their second look at The Christmas Pig, Nick by the Lake shares the history of the Murray Family and their beanie pig toys as well as a likely source for the defenestration of DP (in Esquire magazine, no less). John talks about the promise and the limits of reading literature through a biographical lens and then explains the anagogical and psychomachian meaning of the Power Palace kangaroo court trial of CP and Jack. Both share their reasons for thinking that The Christmas Pig is the perfect distillation of everything Rowling is doing as a writer, to include the relationship of her Lake inspiration to her final Shed product.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!

Nick champions Casual Vacancy as Rowling’s best work, as he must as the ‘Lake’ subject-matter-expert. John cannot make up his mind about Rowling’s best, at times advocating Harry Potter and the Deathly Hallows, at others Troubled Blood, and most recently, Christmas Pig. He believes the latter, because of its relatively brevity and it being a crystallization of every Shed tool signature, will be what undergraduates read by Rowling in Surveys of 21st Century Literature in future years.

In light of that admiration, the Lake and Shed readers devote two of their Kanreki episodes to Rowling’s Christmas Pig.

In the first, Nick discusses Rowling’s many interview statements about the Things which were lost and how many of them match up with things she has in fact lost; he takes a deep dive into the Blue Bunny episode outside the Gates of the City of the Missed and Rowling’s embedding herself and her daughter Mackenzie in the story. John talks about the Blue Bunny and his being “found” or “saved” as an allegory of the human condition written in the Rowling shorthand-symbols for (and obsessions with) love, salvation, and what is real.

The original post for this episode at the Hogwarts Professor Substack site comes with notes for the program. The index to the 31 Kanreki posts for easy reference to all the posts can be found here. Enjoy!