Dragon’s Blood and Elixir from the Philosopher’s Stone

A note from Lyndy Abraham’s A Dictionary of Alchemical Imagery, from the end of the entry on ‘blood:’

At the final stage of the work, known as the rubedo, the image of blood symbolizes the precious red elixir or purple tincture [coming from the Stone]. The attainment of the red elixir (gold), after the white (silver), is sometimes compared to the dyeing or staining of of white sheets with red blood (see rubedo). Paracelsus’s Aurora called the purple tincture ‘the blessed blood of Rosie colour’ and Basil Valentine wrote that ‘this Tincture is the Rose of our Masters, of purple hue, called also red blood’ (HM, 1:330). Laurentius Ventura wrote of the fixation of the Stone: ‘For the Stone must be kept in the fire, till it cannot any more be changed from one nature to another, from one color to another, but become like the Reddest blood running like wax in the fire, and yet diminishing nothing at all’ (in ZC, 81). The divine tincture is thought to be capable of tingeing all metals to gold and of restoring man to perfect health and consciousness of God.

The colour of the red tincture or Stone is sometimes compared to dragon’s blood. A recipe for the tincture in Lancelot Colson’s Philosophia maturata instructs the alchemist to ‘increase the fire, till it [the matter for the Stone] be perfect yellow, and then again increase the fire, until it be red as Dragon’s blood’. (Abraham, pgs. 38-39)

* The heating of the Stone in the fire reminds me of Norbert’s egg in Hagrid’s fireplace but I cannot make anything of that beyond Hagrid’s relationship with Dumbledore, master Alchemist, and the Gamekeeper’s strong desire for a pet dragon. The end and the beginning are joined in the best stories; should we expect a return of Norbert to visit his “mummy” in the series’ finale?

* Dumbledore’s chocolate frog card, to which he seems attached over and above his other honors, says he is “particularly famous for his defeat of the dark wizard Grindlewald in 1945, for the discovery of the twelve uses of dragon’s blood, and his work on alchemy with his partner, Nicholas Flamel” (Stone, Chapter 6).

*My memory for canon detail is notoriously poor but I can only recall one other mention of dragon’s blood in the books. It’s in Prince, Chapter 4, after Dumbledore has revealed the comfy chair to be Slughorn. [Read more…]

The Five Keys & What Makes a Book “Great”

Eeyore (Pat) wrote after reading my post below on “Postmodernism, Rudolph the Red-Nosed Reindeer, and Harry Potter” that:

I understand your point about her being post modern — it makes sense that she is a writer of her times — which is also why it’s always made sense to me that much of the imagery is Christian, because she IS a Christian. I think it would be very difficult for a writer to not let their beliefs or their era influence their writing.

So, how does this all fit in with the Christian message that so many of us see? I’ve thought since HBP that she is not necessarily intending the books to have a Christian, or even religious, point, but that it is there, nonetheless.

I’ll try to answer the question of how Harry Potter can be simultaneously postmodern and Christian by discussing what it means to be a “Great Book” and how the “five keys for the serious reader” work together, to include the keys of Postmodern themes and Traditional Symbolism. [Read more…]

Prayers, please, for Don Holmes

Soon after Zossima Press published the first edition of Hidden Key to Harry Potter, I received a call from a man in Bellingham, Washington, about the book. This man, Don Holmes, was a retired Christian book distributor for stores throughout the Northwest US and western Canada. He still delivered books “across the border” once a month though he was in his seventies so he could visit with friends in those stores. One of the books these courtesy drives brought to his attention was Hidden Key. My email and street addresses were in the book so he looked me up. Bellingham is only a ferry ride and short drive from where we lived on the Olympic Peninsula. [Read more…]

Postmodern Story Telling: Rudolph the Red-Nosed Reindeer

Parts of this post were included in chapter 5 of Harry Potter’s Bookshelf: The Great Books Behind the Hogwarts Adventures (Berkeley, 2009) so it has been pulled down. Reader comments remain.

Five (5) Keys for the Serious Reader

The book I am finishing the final edits for this week (go to www.zossima.com to order it at the pre-publication special price) is titled Unlocking Harry Potter: Five Keys for the Serious Reader. Almost everything I will write about here at HogPro will relate to one or more of these keys, so let me provide a short introduction to each one, why I think they are important, and how they work together. It helps I think to recall the keys to Moody’s chest in Goblet of Fire. [Read more…]