‘Harry Potter and the Sorcerer’s Stone’ 20th Anniversary: Return to Hogwarts

The small screen celebration of the 20th Anniversary of the big screen adaptation of J. K. Rowling’s Harry Potter and the Philosopher’s Stone under its Scholastic edition title, Sorcerer’s Stone, was a great hit, I’m told, on New Year’s Day in both the UK and US. HogwartsProfessor certainly saw a big upswing in visitors that we usually see only on the day of a book publication or movie release. Fans expected us to comment on it or at least provide a forum or thread on which to discuss it amongst themselves.

We failed, alas, to provide any of that, for which I suppose an explanation is in order. Join me after the jump for my thoughts — not those of other writers here — and a comment thread for anyone wanting to discuss the special. Cheers! [Read more…]

Fred Blundun: Deathly Hallows Finish Revealed in Goblet’s Quidditch Cup Final

Happy New Year, Gregorians! I’m taking a break from Christmas Pig today and thought this Guest Post was in order for several reasons. First, it not only points to several HogwartsProfessor touchstones — the ‘Hanged Man’ tarot card, ring composition, and the theory put forward by Emily Strand and Caitlyn Harper that Quidditch matches reveal the meaning and ending of the novel they are in — but combines them. What better way to start the New Year than with a little three-dimensional chess?

Second, that combination highlights the fun of reading J. K. Rowling a challenge specific to her stories. There are embedded puzzles, plot clues, and alchemical, astrological, and tarot notes sounded through-out, especially in the cryptonyms — but when are what might be a connection actually be an over-reach? It helps to remember that I was ridiculed in 2002 for suggesting Rowling was writing in the English tradition of hermetic literature, an idea that was really only accepted when the 1998 interview surfaced in 2007. What seems an overreach or fantasy, may be substantive.

Third and perhaps most important, I want to introduce Fred Blundun to HogwartsProfessor readers. You’ll be reading more of his finds in the coming year!

That being said, here is Mr Blundun’s theory that the World Quidditch Cup Final in Harry Potter and the Goblet of Fire is a snap-shot pointer to the finish of Deathly Hallows, a connection he made while reflecting on a post here about the Hanged Man tarot card

I think I have found another reference to hanging in the Harry Potter books: the Irish Seeker is named Lynch, a word meaning “(of a group of people) kill (someone) for an alleged offence without a legal trial, especially by hanging”.

I think there’s a general parallel in this match: Lynch and the green-robed Irish team correspond to Voldemort and the Death Eaters. Krum and the red-robed Bulgarian team correspond to Harry and his allies. Lynch’s name brings to mind the Death Eaters’ unjust murders. Krum’s first name, Viktor, is for Harry’s eventual victory.

The point of all this: Harry intuitively understands Krum’s decision to catch the Snitch and end the game despite Bulgaria being one goal short (“He wanted to end it on his own terms, that’s all…”). This foreshadows Harry’s own decision to open the Snitch and end his life despite still being one Horcrux short of making Voldemort mortal.

Some more possibly intentional parallels, some of which may be a huge stretch:

  • Immediately after catching the Snitch, Krum is seen rising into the air, “his red robes shining with blood from his nose” – a reference to the blood magic that becomes the key to Harry’s victory at the end of Deathly Hallows?
  • Following Ireland’s victory in the match, the Irish players are seen “dancing gleefully in a shower of gold descending from their mascots”… but this leprechaun gold will evaporate in a few hours, much like the Death Eaters’ apparent victory in The Flaw in the Plan.
  • Meanwhile, after his collision with the ground and subsequent trampling, Lynch can’t stand on his own and is clearly very out of it  – mirroring how Voldemort collapses at the start of The Flaw in the Plan, and is then unable to harm others with magic due to Harry’s sacrifice?

Again, this made my day because it connects the tarot card image with ‘Lynch,’ the ring idea of the center reflecting the story latch, hence Goblet foreshadowing Hallows, and the Strand-Harper idea of Quidditch as signifier. That’s a treat…

Your New Year’s challenge is to review Lethal White with the question, ‘What signifier does Galbraith give us in each of the Strike mysteries that appears in the fourth book that may point us to the ending of Strike7?’ Enjoy!

Beatrice Groves: Pillar Post Updates

I learned just yesterday that Beatrice Groves, Research Fellow at Oxford University, author of Literary Allusion in Harry Potter, and frequent contributor to HogwartsProfessor, had written an essay on the literary allusions embedded in Rowling’s Christmas Pig. It is in the December issue of The Rowling Library magazine (scroll down to page 16 to find this treasure). Her explanation of the echoes and relevance of Dickens’ Christmas Carol  and Tale of Two Cities as well as The Velveteen Rabbit and the Toy Story films are much more than ‘Spot the Source’ pin the tail on the donkey academic exercises; Professor Groves enriches appreciation of Rowling’s artistry and meaning by drawing out the germ of her ideas in other works of fiction. Check out ‘The Christmas Magic in A Christmas Carol and The Christmas Pig’ during the remaining days of the Western twelve days of Christmas!

Having been reminded by this jarring discovery of work done with Christmas Pig while I am writing a series of posts on the subject, I realized it was time for my semi-annual update to the Pillar Post catalog of links we maintain at HogwartsProfessor for all of Professor Groves’ postings here and elsewhere. She has written eleven new posts — three on Cormoran Strike, two on Christmas Pig, two on Rowling’s new website, one on Secrets of Dumbledore, and three in the last week on the Silver Doe at Christmas in Harry Potter.

Check out the Beatrice Groves Pillar Post for links to everything she has posted since 2017 or click on the links below to the most recent eleven. Cheers — and Happy New Year, everyone!

July 29, 2001: Leda and the Swan Mural at the Ritz: A Clue to the Opening of Strike 6? Part 1

July 30, 2021: The Beast Within: Shakespearean Clues in Strike, Part 2

September 17, 2021: Easter Eggs on J.K. Rowling’s New Website – Part 1

September 18, 2021: Easter Eggs on J.K. Rowling’s New Website – Part 2

October 10, 2021: Unlocking Clues to The Christmas Pig

December 11, 2021: The Mystery of the Ink Black Heart (with Kurt Schreyer)

December 20, 2021: The Qilin in The Secrets of Dumbledore?

Rowling on Richard and Judy Show 2006

The above is a New Posting from The Rowling Library on their YouTube Channel, an invaluable resource. The interview is no great shakes and is without ‘WOW’ revelations. I post it to encourage you to attempt a mental exercise after watching any part of the 2006 conversation.

Try to imagine Rowling today sitting down to a casual chat with two hosts for a national television interview. Does your mental picture have her relaxed as she is above? Is she open, cheerful, and engaging as this?

Of course she isn’t. [Read more…]

Christmas Pig 4: The Magic in Things

I asked Brian Basore — who has forgotten more about Lewis Carroll and his Alice books than I have ever known or will ever know — if I was nuts in thinking there are a lot of Wonderland and Looking-Glass pointers in J. K. Rowling’s The Christmas Pig. He bought a copy, read it overnight, and wrote me to say, I’m overwhelmed by the hat-tips to and echoes of Alice in Christmas Pig.” Which made my day, of course (every reassurance I’m not losing my mind is received as a boon). I’m working with him on a post about this ‘intertextuality’ or ‘literary allusion’ that I hope to have up soon, but today, as a kind of rest-stop from the heavy lifting of the first three Christmas Pig posts I’ve written, I want to focus on one thing Brian told me as an aside: It shocked me to read that things, not animals, can speak on Christmas Eve. It makes her story work, but I’d never heard that before.”

This made me think of three ideas, all of which I’ll share after the jump: (1) the foundation story of the ‘Night of Miracles and Lost Causes,’ (2) the difference between how a sacred artist makes things and how God creates, and (3) what Rowling, Carroll, and perhaps several or all the other story-tellers who have thing-characters that aren’t human  speak aloud mean by this prima facie absurdity in their stories. I have given this side-trip on the journey to grasp Christmas Pig’s artistry and meaning the provocative title ‘The Magic in Things’ to play off the ‘The Magic of Things’ essay by Rowling published on Christmas Eve in The New York Times. Join me after the jump to see if there is any other connection between this post and that essay! [Read more…]