Rowling Blows Up Twitter Once Again; She Doubles Down on Sex and Gender

Read all about it here: J.K. Rowling slammed for defending concept of biological sex: ‘It isn’t hate to speak the truth.’

The short version: Rowling in a series of tweets has repeated and doubled-down on her #IStandWithMaya position from last December that it is not bigotry or hate-speech to insist that transgender women are not biological women.

The twitter-verse predictably has exploded with calls for her beheading mixed in with celebrations of her courage in speaking the truth.

I have three thoughts about what this means that I offer here in haste for your comment and correction:

(1) Another Rowling Vacation from Twitter? After the explosion in December about her insufficient woke-ness, Rowling disappeared for several months. She re-surfaced during the Covid-19 lockdown, it seems in retrospect in order to do what she could in the cause of “saving the NHS.” Her posts took the turn of hyper-political scolding with the Dominic Cummings controversy so perhaps it should be no surprise that the issue of transgender rights has resurfaced as well. Maybe this second doxxing and deep-dipping in the mercurial baths of social media will remind her why she left Twitter in the first place and why she should resume her silence.

(2) The End of the Goodwill Campaign? Rowling re-entered the social media world with a bang; she gave a million pounds sterling to two Covid-19 charities and created a website that is posting in daily chapters her political fairy tale, The Ickabog, all for free. Children everywhere have been reading it and creating drawings to accompany the eventual printed text. Rowling’s tweets the last two weeks have almost exclusively been in admiration of drawings sent to her by proud parents and excited children. If she leaves Twitter, of course, it will mean the end of that wonderful experience for author and illustrators alike.

(3) Goodbye, Fantastic Beasts? It’s hard to imagine Rowling being kept on in any front line capacity with her Newt Scamander film series. The Super Politically Correct actors involved, the ones playing Credence Barebones (Ezra Miller) and Jacob Kowalski (Dan Fogler) most obviously, however much they have revered Rowling in the past, will have a very hard time reconciling their public personae with Rowling’s statements about transgender women. Warner Brothers, frankly, might be just as pleased to have Rowling give them a novel to adapt rather than have her continue as screenwriter and executive producer.

If this situation leads to Rowling reverting to novelist and giving up the screen-writing, there will be no complaints from this corner.

What are your thoughts about what the latest twitter storm will mean for Rowling’s future as a writer? A gentle warning, in advance; I’m not interested in and will not approve any comments that discuss the transgender issue per se. Please share those opinions on the thousands of fan sites and twitter feeds devoted to that subject. 

 

 

The Ickabog: JKR’s Political Fairy Tale

 

J. K. Rowling announced today — on a thirteen part Twitter thread with follow-ups and via a website devoted to the work — the publication of her long ago promised “political fairy tale” (which she once wore to a party as a dress), The Ickabog. She says it is not a “Harry Potter spin-off” but a “story about the truth and the abuse of power.”  She asserts, despite its publication being for the entertainment and edification of children affected by the Covid-19 lockdowns, that the tale “isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.” Chapters will be published on a daily basis from today to 10 July at TheIckabog.com; each will be discussed here at HogwartsProfessor.

The first two chapters, ‘King Fred the Fearless‘ and ‘The Ickabog,‘ are available today. Happy reading! Please share your thoughts on the project as well as the first chapters on the comment thread below.

Reading, Writing, Rowling 41: Babbity Rabbity

 

 

The Ballad of Songbirds and Snakes: Three Notes on Hunger Games Prequel

I have written a great deal here about the work of Suzanne Collins, from her much neglected Gregor the Underlander novels and When Charlie McButton Lost Power, to her Hunger Games trilogy and even the children’s picture book she wrote post fame and fortune, Year of the Jungle. My exegesis of the Katniss Everdeen books in various HogwartsProfessor posts ran to close to 60,000 words and I regret never turning the three principle Mockingjay posts — The Spiritual Allegory, The Literary Alchemy, and Katniss’ Apotheosis — into a proper book. I think so much about her that this week last year I wrote about ‘Whatever Happened to Suzanne Collins?’

No surprise, then, that I read The Ballad of Songbirds and Snakes on the day of release. You may be surprised that I have not shared my thoughts on the subject until now, in great contrast with the weeks following publication of Mockingjay, the trilogy finale. I plead “full-time job in ‘essential business,’ being overdue on a thesis chapter, and, most important, perhaps, that I have not reviewed the Hunger Games series and re-read Songbirds and Snakes in light of that review.” I have scandalized Potter fans in the past by saying that I think Collins’ achievement with Mockingjay was at least on par and perhaps greater than Deathly Hallows; her work deserves better than a flip newspaper review.

Having said all that, I do want to share three spoiler-free points about the prequel just released to encourage those on the fence about reading it to purchase a copy immediately. Elizabeth Baird (!) Hardy has already posted her first thoughts and I hope point by point discussion of the book and its relationship to Collins’ oeuvre can begin here, if not next week then next month. I’m hoping that Elizabeth and Prof Lana Whited, editor of Critical Insights: The Hunger Games Trilogy, will join Katy McDaniel and myself for a podcast discussion, too, at Reading, Writing, Rowling.

My three points are (1) the most important paragraph to read is the opening of Collins’ acknowledgements at the back of the book, (2) the departure from Collins’ heretofore locked in story structure in this novel, and (3) some thoughts about the title and Collins’ signature presentation of front-and-back.

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Reading, Writing, Rowling 40: Unpacking Petunia