Deleted Scene Dialogue: Theseus/Leta

MSNBC’s review of Crimes of Grindelwald by Ani Bundel, ‘Harry Potter franchise’s new ‘Fantastic Beasts’ sequel should not have been written by J.K. Rowling,’ has the sub-heading “Nominally about the adventures of Newt Scamander and his American pals in Paris, the film is thwarted by its many subplots and cameos.” Oddly enough, an aside in the review suggests that Bundel saw a different cut than the one released to theaters — and that the version he saw, because it included a deleted scene of Theseus speaking with Leta about Newt and Dumbledore, has an easier to grasp subplot than the one we saw.

Movies don’t have the same luxurious amount of time, at least not giant blockbusters. The first “Fantastic Beasts” movie synopsis promised fans a small-time magical romp with a bumbling magizoologist and a pair of accidentally switched briefcases. What viewers got was a story that barely had time to establish those characters, or check to see if their foundations were solid, before Rowling blew down the wall for the reveal. It could have worked, had the series given the viewers more time to settle in.

“Fantastic Beasts: The Crimes of Grindelwald” has this same problem. Nominally about the adventures of Newt Scamander (Eddie Redmayne) and his American pals in Paris, the film again has way too many subplots, asides and backstories. Dumbledore (Jude Law) is plotting his eventual fight with evil genius Grindelwald (Johnny Depp) from the shadows of Hogwarts. Newt’s older brother Theseus (Callum Turner) and his fiancé Leta LeStrange (Zoe Kravtiz) worry about Dumbledore secretly being in the pocket of Grindelwald and leading their beloved Newt towards danger.

I highlight that last sentence because I don’t remember this “worry” in my two viewings of the film or my several readings of the published-not-original screenplay.

We do know, though, that one of the many deleted scenes from the shooting script, the screenplay as written by Rowling and filmed by Yates, includes a conversation between Theseus and Leta at Hogwarts. What they were discussing, of course, we have not been told. 

Did MSNBC’s Bundel see this scene in a preliminary cut of the film? Has he told us they were discussing their concern that Albus’ “closer than brothers” relationship with Gellert might mean he was manipulating Newt to advance Grindelwald’s cause?

If so, that would make two mysteries dissolve.

We haven’t known why Leta was so hostile in her meeting with Dumbledore at Hogwarts, in which she is almost petulant with the DADA teacher everyone seems to admire. That conversation with Theseus, if they shared concerns about a turncoat Dumbledore would make her behavior logical. She loves Newt and Theseus and thinks Albus a threat of sorts to them both.

Albus tells Theseus point blank not to go to the Grindelwald secret meeting if Travers orders him to. He all but begs him, saying, “If you ever trusted me…” Theseus blows him off and goes to the meeting when Travers orders him to, however determined he is not to play into Grindelwald’s trap. Dumbledore knew about the meeting and the plan to have Theseus blow it up as Grindelwald wants via legilimency and seeing Travers’ intent. Albus sees Theseus’ distrust the same way.

We. of course, not being Legilimenses and not having the deleted scene with Leta and Theseus discussing Dumbledore as a possible agent of his best buddy Grindelwald, are clueless about what is going on — and left to lament the “many subplots” we cannot understand.

Why Ani Bundel was upset, when she got to see at least one important scene explaining a subplot that we all missed, I have no idea.

Click on the “leave a response” button up by the post title and let me know what you think. Did Bundel see an extra scene? Does that scene resolve mysteries the film has without it?

Hat tip to Wayne for the link to the MSNBC review!

 

TheRowlingLibrary.com: ‘Crimes’ Issue

If you’re not a subscriber to ‘The Rowling Library,’ an online magazine sent out as a free pdf to readers around the world, you’re missing out. Get thee hence to TheRowlingLibrary.com, download the latest issue — a special devoted to all things Crimes of Grindelwald — and then be sure to scroll around their site.

The editors and House-Elves there, for example, have recreated the original JKRowling.com, the site that existed 2002-2012, for fan searching and discoveries. There’s a collector’s guide as well and a very handy (and extensive) list of Rowling’s appearances through the years.

The production values of the magazine are first rank and the content is pretty good, too. And I hope I’m not saying that just because they’ve reprinted HogwartsProfessor posts (with permission asked for and received). It’s a serious bunch of fandom researchers and writers from quite literally every continent except Anarctica.

Enjoy! (And tell Patricio “John sent me.”)

Update: Link fixed!

 

Literary Alchemy: The Pillar Post Project

I was invited out of the blue last week, as something of an afterthought it seems, by the editor of a book soon to be published on the subject of the literary alchemy in Harry Potter to make a contribution of some kind. It turns out the well-meaning editor had not read anything I’d written on the subject other than the chapters in Unlocking Harry Potter, written and published before Deathly Hallows was in hand.

This struck me as bizarre, frankly. I’ve written several books with chapters on literary alchemy since 2007, most notably Deathly Hallows Lectures, How Harry Cast His Spell, Harry Potter’s Bookshelf, and Spotlight: The Artistry and Meaning of Stephenie Meyer’s Twilight Saga (don’t sniff at that last, please, especially if you’re serious about hermetic writing in popular culture). Not to mention all I have written here on the subject in addition to the important alchemical Guest Posts we’ve published. 

This seemingly inexplicable ignorance on the part of a very smart person reminded me that I had been advised two years ago to create what are known as ‘Pillar Posts’ for the sidebar of HogwartsProfessor. The purpose of these posts on a weblog is to create easy access in one spot to the material on a specific topic of special interest that is otherwise just spread throughout the archives of a long-lived site in no particular order. If I am obliged to note, Gilderoy mask in place, that the editor of the upcoming book on alchemy and the Hogwarts Saga is at fault in not doing such work herself, I must take some part of the blame because I have too long neglected the duties of HogwartsProfessor weblog archivist.

I hope eventually to write a proper ‘Pillar Post’ for literary alchemy or at least an annotated version of the sorted link list that follows. I will try in the coming weeks, though, to put together similar Round-Ups for Ring Composition, Cormoran Strike, the Fantastic Beasts screenplays, Hunger Games, and other books we have discussed here at some length. Please let me know if there is a subject for which you would appreciate a one-click access to a cataloge of HogwartsProfessor posts made about it through the years and I will do my best to oblige you.

Below, then, a beginning on this Pillar Post project with a listing of Literary Alchemy posts on HogwartsProfessor.com. Thank you in advance for sharing your thoughts, corrections and questions by clicking on ‘Leave a Comment’ up by the post header. [Read more…]

Beatrice Groves: The BYU Interview

Beatrice Groves, author of Literary Allusion in Harry Potter (a great holiday present to self or other Potter Pundits you know), recently gave an interview on the merits of Harry Potter as literature on an American radio station in Utah.

You can listen — via this link to BYU Radio’s online archives — to Lisa Valentine Clark‘s talk with the resident Hogwarts maven and Serious Striker at Trinity College, Oxford University. Enjoy!

Lethal White and NHS: Rowling Speaks

The fourth Cormoran Strike novel, Lethal White, included as an almost continuous backdrop references to the NHS in character names, the Olympics opening ceremony, hospital visits, long lines, and private medical care. I discussed this in ‘Lethal White: Ghosts of Aneurin Bevan? Lorelei Bevan, Dodgy Doc, and the NHS’ and concluded that Rowling was presenting the glorious NHS as a socialist project in a state of near collapse.

Today Rowling released the following statement to The Daily Mail in support of their holiday program that signs up citizen volunteers to work in NHS hospitals, ‘Harry Potter Author J. K. Rowling Supports Daily Mail Christmas NHS Volunteer Campaign’:

 ‘The NHS is one of our country’s most cherished institutions, one that we can truly be proud of.

‘Despite the constant pressures and constraints, it never ceases to amaze me just how much work and time all those involved dedicate to continuing to make this organisation function, let alone excel.

‘And now, a new army of volunteers have stepped forward. The thousands who are giving up their time to help the NHS through the Helpforce campaign should be applauded.’

I suspect some readers will think this statement of support for the NHS proves I was wrong about what Galbraith’s portrayal of the NHS in Lethal White reflects about the “cherished institution.” I think she couldn’t have said anything that more clearly underlines my suggestion that the author, while admiring the dream of NHS founders and workers, acknowledges that it is a failed dream in many respects. Read the whole article for the reasons the volunteers are needed and for the problems the NHS cannot address with ‘civilian’ help. Not enough medical staff and not enough beds…

Let me know if and why you agree or disagree by clicking on the ‘Leave a Comment’ link up by the post headline. I look forward to reading your thoughts.